Scott Brick continues to bolster his status as one of the best narrators of international thrillers with his excellent reading of Berry's latest. Once again, Cotton Malone, a retired intelligence officer turned rare book dealer, is thrown into the middle of a diabolical plot for world domination. Irina Zovastina, the Supreme Minister of a powerful collective of old Soviet republics, has an insidious plan to use biological weapons, at the cost of millions of lives, in a maniacal attempt to conquer the world. For her stratagem to succeed, she must unearth a secret hidden within the final resting place of Alexander the Great, a burial site whose location has been shrouded in mystery for millennia years. Brick easily negotiates his way through this complex plot, his confident delivery keeps the suspense high while bringing a solid reality to a story that often walks a fine line between the believable and the improbable. Simultaneous release with the Ballantine hardcover (Reviews, Oct. 8). (Dec.)Copyright 2007Reed Business Information
This is Berry's third work featuring rare book dealer Cotton Malone, a former Justice Department superagent, and sidekick Cassiopeia Vitt. The pair attempt to defeat the leader of a refurbished Soviet Union who is about to set loose a toxic viral agent whose only antidote lies buried with Alexander the Great. Although narrator Scott Brick provides subtle accents and interprets the action convincingly, his performance is unable to make this audiobook into an enjoyable listening experience. The plot is contrived, the characters are familiar, and the story is disappointing. Still, Berry has many fans, and his book (released in hardcover in December 2007) is a New York Times best seller, so librarians have a tough call on this one. Recommended with reservations. [Other best sellers in the series include The Alexandria Link and The Templar Legacy; The Venetian Betrayal is also available as downloadable audio from Audible.com.-Ed.]
The intercontinental adventures of extraordinarily resourceful bookseller Cotton Malone continue as he is sucked into the geopolitical maneuvers of an ambitious Central Asian woman who fancies herself the successor to Alexander the Great. There is no rest for weary former American intelligence agent Cotton Malone, whose bookselling retirement in Copenhagen is continually interrupted by intriguing but exhausting adventures into which he is thrown by his kindly aged Danish billionaire chum Henrik Thorvaldsen. Berry (The Alexandria Link, 2007, etc.) is keen on ancient mysteries. This time he has dreamed up a medical twist-the possible existence of a panacea which, had it been administered in time, might have saved the young lives of Alexander the Great and his boyfriend. A cabal of evil free-marketers styling themselves after the old Venetian merchants is hot on the trail of the elixir and its source, located somewhere in the realm of hard-riding Kazakh ruler Irina Zovastina. Zovastina, a would-be biological warrior, has knit together a near-empire out of the old Soviet Union, and now she wants more than anything to find the long-lost body of her personal hero, Alexander the Great. In uneasy alliance with the Venetian League, Zovastina is on the hunt for all of the remaining medals Alexander used to pass out as souvenirs, a hunt that involves the destruction of museums and mansions. Malone is involved because his and Thorvaldsen's friend, the lethal archer Cassiopeia Vitt, used to have a boyfriend who knew all about Alexander, elixirs and Greek Fire-his house has since burned down, with him in it. Because the elixir could be the cure for AIDS, and goodness knows what else, everyone winds upchasing each other through the mountains of central Asia. Cardboard characters and over-the-top plotting in some fairly spectacular scenery.
Read an Excerpt
Saturday, April 18 , The Present
The smell roused Cotton Malone to consciousness. Sharp, acrid, with a hint of sulfur. And something else. Sweet and sickening.
He opened his eyes.
He lay prone on the floor, arms extended, palms to the hardwood, which he immediately noticed was sticky.
He'd attended the April gathering of the Danish Antiquarian Booksellers Society a few blocks west of his bookshop, near the gaiety of Tivoli. He liked the monthly meetings and this one had been no exception. A few drinks, some friends, and lots of book chatter. Tomorrow morning he'd agreed to meet Cassiopeia Vitt. Her call yesterday to arrange the meeting had surprised him. He'd not heard from her since Christmas, when she'd spent a few days in Copenhagen. He'd been cruising back home on his bicycle, enjoying the comfortable spring night, when he'd decided to check out the unusual meeting location she'd chosen, the Museum of Greco-Roman Culture-a preparatory habit from his former profession. Cassiopeia rarely did anything on impulse, so a little advance preparation wasn't a bad idea.
He'd found the address, which faced the Frederiksholms canal, and noticed a half-open door to the pitch-dark building-a door that should normally be closed and alarmed. He'd parked his bike. The least he could do was close the door and phone the police when he returned home.
But the last thing he remembered was grasping the doorknob.
He was now inside the museum.
In the ambient light that filtered in through two plate-glass windows, he saw a space decorated in typical Danish style-asleek mixture of steel, wood, glass, and aluminum. The right side of his head throbbed and he caressed a tender knot.
He shook the fog from his brain and stood.
He'd visited this museum once and had been unimpressed with its collection of Greek and Roman artifacts. Just one of a hundred or more private collections throughout Copenhagen, their subject matter as varied as the city's population.
He steadied himself against a glass display case. His fingertips again came away sticky and smelly, with the same nauseating odor.
He noticed that his shirt and trousers were damp, as was his hair, face, and arms. Whatever covered the museum's interior coated him, too.
He stumbled toward the front entrance and tried the door. Locked. Double dead bolt. A key would be needed to open it from the inside.
He stared back into the interior. The ceiling soared thirty feet. A wood-and-chrome staircase led up to a second floor that dissolved into more darkness, the ground floor extending out beneath.
He found a light switch. Nothing. He lumbered over to a desk phone. No dial tone.
A noise disturbed the silence. Clicks and whines, like gears working. Coming from the second floor.
His training as a Justice Department agent cautioned him to keep quiet, but also urged him to investigate.
So he silently climbed the stairs.
The chrome banister was damp, as were each of the laminated risers. Fifteen steps up, more glass-and-chrome display cases dotted the hardwood floor. Marble reliefs and partial bronzes on pedestals loomed like ghosts. Movement caught his eye twenty feet away. An object rolling across the floor. Maybe two feet wide with rounded sides, pale in color, tight to the ground, like one of those robotic lawn mowers he'd once seen advertised. When a display case or statue was encountered, the thing stopped, retreated, then darted in a different direction. A nozzle extended from its top and every few seconds a burst of aerosol spewed out.
He stepped close.
All movement stopped. As if it sensed his presence. The nozzle swung to face him. A cloud of mist soaked his pants.
What was this?
The machine seemed to lose interest and scooted deeper into the darkness, more odorous mist expelling along the way. He stared down over the railing to the ground floor and spotted another of the contraptions parked beside a display case.
Nothing about this seemed good.
He needed to leave. The stench was beginning to turn his stomach.
The machine ceased its roaming and he heard a new sound.
Two years ago, before his divorce, his retirement from the government, and his abrupt move to Copenhagen, when he'd lived in Atlanta, he'd spent a few hundred dollars on a stainless-steel grill. The unit came with a red button that, when pumped, sparked a gas flame. He recalled the sound the igniter made with each pump of the button.
The same clicking he heard right now.
The floor burst to life, first sun yellow, then burnt orange, finally settling on pale blue as flames radiated outward, consuming the hardwood. Flames simultaneously roared up the walls. The temperature rose swiftly and he raised an arm to shield his face. The ceiling joined the conflagration, and in less than fifteen seconds the second floor was totally ablaze.
Overhead sprinklers sprang to life.
He partially retreated down the staircase and waited for the fire to be doused.
But he noticed something.
The water simply aggravated the flames.
The machine that started the disaster suddenly disintegrated in a muted flash, flames rolling out in all directions, like waves searching for shore.
A fireball drifted to the ceiling and seemed to be welcomed by the spraying water. Steam thickened the air, not with smoke but with a chemical that made his head spin.
He leaped down the stairs two at a time. Another swoosh racked the second floor. Followed by two more. Glass shattered. Something crashed.
He darted to the front of the building.
The other gizmo that had sat dormant sprang to life and started skirting the ground-floor display cases.
More aerosol spewed into the scorching air.
He needed to get out. But the locked front door opened to the inside. Metal frame, thick wood. No way to kick it open. He watched as fire eased down the staircase, consuming each riser, like the devil descending to greet him. Even the chrome was being devoured with a vengeance.
His breaths became labored, thanks to the chemical fog and the rapidly vanishing oxygen. Surely someone would call the fire department, but they'd be no help to him. If a spark touched his soaked clothes . . .
The blaze found the bottom of the staircase.
Ten feet away.
Excerpted from The Venetian Betrayal by Steve Berry Copyright © 2007 by Steve Berry. Excerpted by permission of Ballantine Books, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.