The Washington Post
Vermeer's Hat: The Seventeenth Century and the Dawn of the Global Worldby Timothy Brook
In one painting, a military officer in a Dutch sitting room flirts with a laughing girl. In another, a woman at a window weighs pieces of silver. Vermeer's images haunt us with their beauty and mystery-what stories lie behind these stunningly rendered moments? As Timothy Brook shows us, these pictures, which seem so intimate, actually offer a remarkable view of a rapidly expanding world. The dashing officer's hat is of beaver fur from Canada, while the pieces of silver, mined in Peru, might be used to purchase the Chinese porcelain seen in other Vermeer paintings. Moving outward from Vermeer's studio, Brook traces the web of trade that was spreading across the globe in the seventeenth century. The wharves of Holland, wrote a French visitor, were "an inventory of the possible." Vermeer's Hat shows just how rich this inventory was, and how the urge to acquire such things was refashioning the world more powerfully than we have yet understood.
The Washington Post
Brook (Chinese studies, Oxford Univ.; Confusions of Pleasure ) takes a distinctive look at the global economy and world trade in the 17th century in this captivating work. He uses works of art, in particular by the Dutch painter Vermeer, as windows into that specific time in Delft (Vermeer's hometown and home to a chamber of the Dutch East India Company ) and as conduits into other aspects of the emerging world. Through specific paintings such as Officer and Laughing Girl and Woman Holding a Balance , Brook takes the reader on adventures across countries, continents, and trade routes in the era's quest for beaver pelts, Chinese porcelain (i.e., china ), tobacco, and silver, and shows men and women caught up in the "whirlpool of global movement." This book will certainly make you look differently at Vermeer's paintings, as you imagine the greater context of the time period and ponder the acquisition of seemingly minor objects. An insightful read for historians and art historians alike and a fine guide into the rewards of studying material culture. Recommended for both academic and public libraries.-Susanne Markgren, SUNY at Purchase Lib.Copyright 2006 Reed Business Information.
"Thanks to Brook's roving and insatiably curious gaze, Vermeer's small scenes widen onto the broad panorama of world history . . . The result is like one of Vermeer's trademark reflective pearls that magically reveals a world beyond itself. A more entertaining guide to world history - and to Vermeer - is difficult to imagine." - Ross King, author of THE JUDGEMENT OF PARIS, MICHELANGELO, and THE POPE'S CEILING AND BRUNELLESCHI'S DOME
"From the epicenter of Delft, Brook takes his readers on a journey that encompasses Chinese porcelain and beaver pelts, global temperatures and firearms, shipwrecked sailors and their companions, silver mines and Manila galleons. It is a book full of surprising pleasures." - Jonathan Spence, author of THE DEATH OF WOMAN WANG
"Elegant and quietly important . . . Brook does more than merely sketch the beginnings of globalization and highlight the forces that brought our modern world into being; rather, he offers a timely reminder of humanity's interdependence." - Seattle Times
"[An] elegant and quietly important book" - San Francisco Chronicle
"Brook utilizes the props in Vermeer's tableaux as starting points to journey into the cultural and economic world of the time: A teacup pours forth the history of the porcelain trade with China, while a felt hat is traced to beaver trapping in North America. It's a fascinating approach to cultural history, providing new ways of thinking about the origins of commonplace objects." - Entertainment Weekly, A grade, EW Pick
- Bloomsbury USA
- Publication date:
- Edition description:
- First Edition
- Product dimensions:
- 6.57(w) x 9.16(h) x 1.09(d)
Meet the Author
Timothy Brook received a John Simon Guggenheim Memorial Foundation Fellowship for the work on which this book is based. He holds the Shaw Chair in Chinese studies at Oxford University and is the author of many books, including the award-winning Confusions of Pleasure.
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The interesting view points and the invigorated writing make this a very good book -- but it should have had the art pieces included. I looked them up on the Net so I don't think it means one star to not have the pictures; the writing and ideas surmount the absence of the art work.
Buy the hard copy not the Nook version. They actually published a book about a painter and did not include the paintings in the ebook version. Outrageous.