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The Very Thought of You

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Overview

Shortlisted for the 2010 Orange Prize

England, 31st August 1939: The world is on the brink of war. As Hitler prepares to invade Poland, thousands of children are evacuated from London to escape the impending Blitz. Torn from her mother, eight-year-old Anna Sands is relocated with other children to a large Yorkshire estate which has been opened up to evacuees by Thomas and Elizabeth Ashton, an enigmatic, childless couple. Soon Anna gets drawn into their unraveling relationship, ...

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The Very Thought of You: A Novel

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Overview

Shortlisted for the 2010 Orange Prize

England, 31st August 1939: The world is on the brink of war. As Hitler prepares to invade Poland, thousands of children are evacuated from London to escape the impending Blitz. Torn from her mother, eight-year-old Anna Sands is relocated with other children to a large Yorkshire estate which has been opened up to evacuees by Thomas and Elizabeth Ashton, an enigmatic, childless couple. Soon Anna gets drawn into their unraveling relationship, seeing things that are not meant for her eyes and finding herself part-witness and part-accomplice to a love affair with unforeseen consequences. A story of longing, loss, and complicated loyalties, combining a sweeping narrative with subtle psychological observation, The Very Thought of You is not just a love story but a story about love.

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Editorial Reviews

From the Publisher
“One of those books you’re likely to remember all your life.” —Alexandra Shulman, Vogue (UK)

“Without question one of the best debuts I’ve read in recent years.” —John Boyne, author of The Boy in the Striped Pajamas

“Melancholic, mysterious, and heartbreakingly gorgeous.” —The Times (London)

“A rite-of-passage novel... both enriched and haunted by the complicated and dangerous grown-up world of love.” —The Telegraph (UK)

“Moving.... A sincere attempt to depict the reverberations of war—chronicling fractured relationships and the inability to love in the right way.” —The Guardian (UK)

“Irresistibly romantic.... A highly-charged story of love, longing, betrayal and loss... written with such conviction that you can’t help but be swept along by its intensity.” —The Mail on Sunday (Toronto)

“An unmistakably extraordinary story.... There are no predictable twists and turns here, only the realization that sometimes the purest love stories are the most memorable.” —Minneapolis Star-Tribune

“Alison tactfully tackles the notion of loneliness—be it in a foreign setting or a familiar home—along with expertly describing complicated relationships that are fraught with passion.... The Very Thought of You is not just a story of love but a story of loss, one whose voice will touch even the coldest of hearts.” —Bookpage

Library Journal
In 1939, Roberta Sands sends her young daughter, Anna, off to the English countryside when it appears as if England might be drawn into war with Germany. The rest of Anna's life is shaped by her experiences during the years she spends at the Yorkshire estate of Thomas and Elizabeth Ashton—the unwitting part she plays as an accomplice to a love affair and the unraveling of a marriage, her longing to be reunited with her mother, and the happiness she finds on the estate despite the war raging across Europe. Originally published in Great Britain and shortlisted for the 2010 Orange Prize, Alison's debut is a haunting, meandering tale of the unforeseen repercussions of war as her cast of characters search for love, at times finding it in all the wrong places. VERDICT This relationship-heavy novel may appeal to World War II historical fiction buffs, though very little war action is described. Comparisons might be drawn to Ian McEwan's Atonement. There is plenty for book groups to discuss; a reading group guide is included. [See Prepub Alert, 12/20/10.]—Julie Pierce, Fort Myers-Lee Cty. P.L., FL
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Product Details

  • ISBN-13: 9780594204015
  • Publisher: Washington Square Press
  • Publication date: 7/5/2011
  • Pages: 336
  • Product dimensions: 5.30 (w) x 8.20 (h) x 1.00 (d)

Meet the Author

Rosie Alison grew up in Yorkshire, and read English at Keble College, Oxford. She spent ten years directing television documentaries before becoming a film producer at Heyday Films. She is married with two daughters and lives in London. This is her first novel.

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Read an Excerpt

Prologue

May 1964

My dearest,

Of all the many people we meet in a lifetime, it is strange that so many of us find ourselves in thrall to one particular person. Once that face is seen, an involuntary heartache sets in for which there is no cure. All the wonder of this world finds shape in that one person, and thereafter there is no reprieve, because this kind of love does not end, or not until death—

From Baxter’s
Guide to the Historic Houses of England (2007)

Any visitor travelling north from York will pass through a flat vale of farmland before rising steeply onto the wide upland plateau of the North Yorkshire Moors. Here is some of the wildest and loveliest land in England, where high rolling moorland appears to reach the horizon on every side, before subsiding into voluptuous wooded valleys.

These moors are remote and empty, randomly scattered with silent sheep and half-covered tracks. It is unfenced land of many moods. In February the place is barren and lunar, prompting inward reflection. But late in August this wilderness surges into bloom, igniting a purple haze of heather which sweeps across the moors as if released to the air. This vivid wash of color mingles with the oaks and ashes of the valleys below, where the soft limestone land flows with numerous streams and secret springs.

It is hallowed territory, graced with many medieval monasteries, all now picturesque ruins open to the sky. Rievaulx, Byland, Jervaulx, Whitby, Fountains—these are some of the better-known abbeys in these parts, and their presence testifies to the fertile promise of the land. The early monastic settlers cleared these valleys for farming, and left behind a patchwork of fields marked by many miles of drystone walls.

Nearly two centuries later, long after the monasteries had been dissolved, the Georgian gentry built several fine estates in the valleys bordering these moors. Hovingham Hall, Duncombe Park, Castle Howard and others. Trees were cleared for new vistas, grass terraces levelled and streams diverted into ornamental lakes—all to clarify and enhance the natural patterns of the land, as was the eighteenth-century custom.

One of the finest of these houses, if not necessarily the largest, is Ashton Park. This remote house stands on the edge of the moors, perched high above the steep Rye Valley and theatrically isolated in its wide park. For some years now, the house and its gardens have been open to the public. At one corner of an isolated village stand the ornate iron gates, and the park lodge where visitors buy their tickets. Beyond, a long white drive leads through a rising sweep of parkland, dotted with sheep and the occasional tree. It is a tranquil park, silent and still, with a wide reach of sky.

Turning to the left, the visitor sees at last the great house itself, a Palladian mansion of honeyed stone, balanced on either side with curved wings. Topping the forecourt gates are two stone figures rearing up on hind legs, a lion and a unicorn, each gazing fiercely at the other as if sworn to secrecy.

The house appears a touch doleful in its solitary grandeur, an impression which only intensifies when one enters the imposing but empty Marble Hall, with its scattering of statues on plinths. Red rope cordons mark the start of a house tour through reception rooms dressed like stage sets, leading this visitor to wonder how the house could have dwindled into quite such a counterfeit version of its past.

The guide brochure explains that when the last Ashton died, in 1979, there remained only a distant cousin in South Africa. Mrs Sandra De Groot, wife of a prominent manufacturer, appears to have been so daunted by her inheritance that she agreed to hand Ashton Park over to the National Trust in lieu of drastic death duties. But not before the estate was stripped of its remaining farmland and other valuable assets. Two Rubens paintings were sold, alongside a Claude Lorrain, a Salvator Rosa and a pair of Constables. Soon after, her lawyers organized a sweeping sale of the house contents—a multitude of Ashton treasures accumulated over three hundred years, all recorded without sentiment in a stapled white inventory.

One pair of carved George IV giltwood armchairs, marked; one Regency rosewood and brass-inlaid breakfast table; one nineteenth-century ormolu centerpiece …

Antique dealers from far and wide still reminisce about the Ashton auction of 1980, the final rite of a house in decline. It is said that a queue of removal vans clogged the drive for days afterwards.

Mrs De Groot was apparently not without family feeling, because she donated a number of display cabinets to the National Trust, together with the house library and many family portraits and papers. In a curious detail, the brochure mentions that “the exquisite lacquered cigarette cases of the late Elizabeth Ashton were sent to the Victoria and Albert Museum”.

According to the notes, Ashton Park had fallen into disrepair before its reclamation. But the curators retrieved plenty of family relics and mementoes, and the walls are now hung with photographs of the Ashton sons at Eton, at Oxford, in cricket teams, in uniform. A look of permanence lingers in their faces. Downstairs are photographs of the servants, the butler and his staff all standing on the front steps, their gaze captured in that strange measure of slow time so characteristic of early cameras.

Beyond the Morning Room and past the Billiard Room, a small study displays an archive of wartime evacuees. It appears that an evacuees’ boarding school was established at Ashton Park in 1939, and a touching photograph album reveals children of all sizes smiling in shorts and gray tunics; handwritten letters, sent in later years, describe the pleasures and sorrows of their time there.

In the last corridor there is only one photograph, an elegant wedding picture of the final Ashton heir, dated 1929. Thomas Ashton is one of those inscrutably handsome prewar men with swept-back hair, and his wife Elizabeth is a raven-haired period beauty not unlike Vivien Leigh. Their expressions carry no hint of future losses, no sense that their house will one day become a museum.

On high days and holidays, Ashton Park attracts plenty of day-trippers. An estate shop sells marmalade and trinkets, while the gardens offer picnic spots, woodland trails and dubious medieval pageants on the south lawn. And yet visitors may drive away from Ashton Park feeling faintly dejected, because the spirit of this place has somehow departed.

This melancholy cannot be traced to any dilapidation. The roof is intact, the lawns freshly mown, and the ornamental lake looks almost unnaturally limpid. But the dark windows stare out blankly—a haunted gaze. Beyond the display areas are closed corridors and unreclaimed rooms stacked with pots of paint and rusting stepladders. The small family chapel remains but is rarely visited: it is too far out of the way to qualify for the house tour.

Perhaps it is the family’s absence which gives Ashton its pathos. It appears that there were three sons and a daughter at the start of the last century, and yet none of them produced heirs. By what cumulative misfortune did this once prosperous family reach its end? The brochure notes do not detail how or why the Ashton line died out, yet a curious visitor cannot help but wonder.

But for all this, one can still stand on the sunken lawn and almost apprehend the house in its heyday, even amidst the signposts and litter bins. One can imagine how others—in earlier times, in the right weather—might have found in this place a peerless vision of English parkland.

There is one tree which particularly draws the eye, a glorious ruddy copper beech which stands alone on a small lawn by the rose garden. It was on a bench under this tree that the duty staff recently found an elderly woman sitting alone after closing hours, apparently enjoying the view. On closer inspection she was found to be serenely dead, her fingers locked around a faded love letter.

© 2009 Rosie Alison

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Table of Contents

Prologue
Evacuation 1939
Affinities 1939–1945
Back to the Old House 1946–2006


From the Trade Paperback edition.
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Customer Reviews

Average Rating 3.5
( 25 )
Rating Distribution

5 Star

(9)

4 Star

(6)

3 Star

(3)

2 Star

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1 Star

(5)

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See All Sort by: Showing 1 – 20 of 25 Customer Reviews
  • Posted February 15, 2011

    more from this reviewer

    I would not recommend this book.

    I really didn't enjoy this book. I ordered it from overseas since it's not yet available in the U.S. I read the book as part of a book club. It just wasn't at all what I expected. I thought the story was about the little girl Anna, but really she was only a small part. The whole book is about cheating on spouses. Literally every couple in this book is involved in infidelity. If they're not cheating, they're planning to cheat. It just drove me crazy. I just think that ruined what could have been a really good story. Every person is screwed up in some way. I suppose the story is supposed to be a study of human heartbreak and psychology, but I just got so annoyed with all of the self pity that every person had. I just wanted to tell them to get over it and move on with their lives. Yes it's sad that Elizabeth can't have children, but she needs to stop wallowing in self pity, and the same with Thomas being stuck in a wheelchair. Yes it's sad, but after so many years you have to learn to pick yourself up and live your life.
    I enjoy World War 2 stories, but I definitely did not enjoy this one. I'm sorry but I just can't recommend this book.
    The one good part of the book was around the end. I thought it was somewhat poignant and I enjoyed that. But the rest, I hated.

    8 out of 8 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted August 18, 2011

    love that transcends tragedy

    Prepare to have your eyes opened, your heart broken, and your view of the amazing endurance of the human spirit revised and revived. You will experience all of these things when you read Rosie Alison's "The Very Thought of You". A shattering, yet spirit-sustaining, glimpse into loss and survivorship, this is a story which will resonate with many. Few will be unaffected. In the summer of 1939, with the impending threats of WWII devastation looming large, thousands of children were evacuated from London, sent to safer locations in the surrounding countryside. These children were torn from their homes and separated from their parents, and no one could be certain what the future would hold. "The Very Thought of You" focuses on one such child, Anna Sands, relocated to the wealthy manor home of Thomas and Elizabeth Ashton. Childless themselves, the Ashtons welcome the children and provide them with care and an education. It is the gallant and gentle Thomas who becomes a touchstone in Anna's life. He is a man who suffers great loss and unspeakable tragedy, yet he lives his life with appreciation for the beauty he sees among the devastation. True love comes to Thomas in midlife, but it is not a love with whom he will be allowed to share life on earth. However, even death cannot dim the luminescence of this love. Your heart will ache for Thomas, but his soul remains undaunted through it all. As with many who have experienced the shock of wartime desolation, Anna searches throughout her life for real peace of mind. As a married adult, with children of her own, Anna finds some measure of comfort in reconnecting with Thomas. They form a somewhat tentative, but still caring relationship, keeping touch in letters and Christmas cards. Ultimately, Anna's search for fulfillment will come full circle and bring her once again to Ashton Manor. As the song says: "The very thought of you, and I forget to do those little ordinary things that everyone ought to do....". This story and these characters are neither little nor ordinary. They will stay in the reader's consciousness for a very long time.

    Review Copy Gratis Simon & Schuster

    3 out of 3 people found this review helpful.

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  • Posted December 23, 2012

    I agree with palmetto girl...I expected a book like Sara's Key &

    I agree with palmetto girl...I expected a book like Sara's Key & got a book that I actually skipped paragraph after paragraph worth of undying love descriptions UNENDING. I paid $5.98 for it and it went right into the recycling bin. Don't waste your time if your IQ is over 100.

    1 out of 1 people found this review helpful.

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  • Posted December 2, 2011

    more from this reviewer

    A tragic love story

    Anna is evacuated to the country when England goes to war. She arrives at the Ashton estate and meets Thomas and Elizabeth. The book tells the stories of both families. It begins with a history on the Ashton estate and then jumps back to when Anna comes to live at the estate with the other children.

    It's a story of love found, love lost and love never realized.

    It seems to portray the years during the war accurately (although I probably wouldn't know if it didn't). It gives a sense of the gloom and despair that the residents felt during the years of separation during the war. Several reviewers called this a romance story. I suppose if you added the word tragic it might apply. It certainly isn't a romance story that I'd want to live out.

    I would liken this story to Sarah's Key. It was a well written story and one I can easily see becoming a best seller. But it's so sad that I'm just not sure how to rate it. I alternately loved and disliked this book. I loved it because of the style of writing. It's hard to tell that this is the author's first book. But I hate sad and therefore disliked the book. But any book portraying a war era is bound to have at least some sad elements. So I would recommend this book because it's so well written and by a new author.

    I received this book free of charge in exchange for my honest review.

    1 out of 2 people found this review helpful.

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  • Posted July 3, 2011

    more from this reviewer

    THE VERY THOUGHT OF YOU (REVIEW)

    ROSIE ALISON "THE VERY THOUGHT OF YOU" (REVIEW)

    This book is one of those you will remember for a long time. With the impending war in 1939 children are being evacuated and placed with families in other areas to escape the Blitz. This is the story of one girl, Anna Sands and how she watched a family fall apart due to adultery and lies. A heart-breaking story seen through the eyes of innocence with a love-story that will make you smile.

    Rosie Alison is a great writer with the ability to draw you in and keep you wanting more. Don't miss out on this book.

    -Kitty Bullard / Great Minds Think Aloud Book Club

    1 out of 1 people found this review helpful.

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  • Posted July 29, 2014

    This was the most nothing book I've ever read.  A couple of the

    This was the most nothing book I've ever read.  A couple of the characters were likable and I believe that is
    all that kept me reading.  I kept waiting for something to happen, for a plot to develop -- nothing.  A waste of
    time.  The author apparently had some connections for this to have been published at all.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 30, 2012

    Very good book

    Not at all what I expected from the blurb. I had a hard time putting it in the correct timespan but overall it was a very good read.

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  • Anonymous

    Posted June 19, 2012

    Very sad, but very beautiful.

    Very sad, but very beautiful.

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  • Anonymous

    Posted May 17, 2012

    Great Read

    I had a hard time putting this book down. I would read it again.

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    Posted November 27, 2011

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    Posted June 12, 2011

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    Posted January 10, 2012

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    Posted September 5, 2011

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    Posted August 11, 2012

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    Posted September 7, 2013

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    Posted April 27, 2013

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    Posted October 13, 2012

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    Posted August 5, 2011

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    Posted February 20, 2012

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    Posted January 14, 2012

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