Via Crucis

( 1 )

Editorial Reviews

All Music Guide - Stephen Eddins
Medieval mystery plays, eclectic popular entertainments put together by amateurs for audiences of their peers, originated in England and France and continued to be performed throughout Europe for many centuries. Christina Pluhar organized the program of this album around the idea of a mystery play whose topic is Christ's passion and resurrection, as it might have been performed in 17th century southern Italy. Its subtitle, "Rappresentazione della gloriosa Passione di Cristo," comes from a Roman play of 1672. Here, as is the case with many of Pluhar's albums with L'Arpeggiata, the operative words are "eclectic" and "entertainment." She and her ensemble are solidly ...
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Editorial Reviews

All Music Guide - Stephen Eddins
Medieval mystery plays, eclectic popular entertainments put together by amateurs for audiences of their peers, originated in England and France and continued to be performed throughout Europe for many centuries. Christina Pluhar organized the program of this album around the idea of a mystery play whose topic is Christ's passion and resurrection, as it might have been performed in 17th century southern Italy. Its subtitle, "Rappresentazione della gloriosa Passione di Cristo," comes from a Roman play of 1672. Here, as is the case with many of Pluhar's albums with L'Arpeggiata, the operative words are "eclectic" and "entertainment." She and her ensemble are solidly grounded in principles of period performance practice, but she never loses sight of the fact that the music she performs was created with the express intent of entertaining audiences, and she throws her considerable creativity into making music that, while remaining true to the spirit of its time, is meant to delight and move listeners. Her approach may not find universal favor; her album of Monteverdi love songs, Teatro d'Amore, includes unabashed jazz interpretations of several madrigals, but her results are so engaging that even skeptics may be won over. The same dynamic is evident here. In addition to exquisite performances of Baroque instrumental pieces, and solos and duets sung by male soprano Philippe Jaroussky and soprano Núria Rial, she includes songs by the earthy male Corsican vocal quartet Barbara Furtuna that don't fit the usual conception of early Baroque music, but that are part of a folk tradition that stretches back hundreds of years. What all the performances have in common are immaculate musicianship, acute intelligence and sensitivity in the realization of the scores, and an irrepressible spontaneity and vitality. The sound is clean and warmly present. This is the kind of album that could be given to music lovers who are no fans of early music, with the reasonable expectation that they could come away with a heightened appreciation of the repertoire and of the power of the right performers to bring it fully to life. Highly recommended.
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Product Details

  • Release Date: 4/20/2010
  • Label: Erato
  • EAN: 5099969457708
  • Catalog Number: 94577
  • Sales rank: 123,765

Tracks

Disc 1
  1. 1 Mystery Sonata, for violin & continuo No. 1 in D minor ("The Annunciation"), C. 90: [Excerpt] - Heinrich Ignaz Franz von Biber & Avril Bardoni (2:32)
  2. 2 Lumi, potete piangere - Giovanni Legrenzi & Avril Bardoni (3:12)
  3. 3 Stabat mater - Traditional & Italian Traditional (2:21)
  4. 4 Stabat Mater - Giovanni Felice Sances & Avril Bardoni (7:02)
  5. 5 Laudate Dominum in sanctis eius, motet for solo voice (from Selva morale e spirituale), SV 287 - Claudio Monteverdi & Avril Bardoni (4:40)
  6. 6 Ciaccona di Paradiso, e dell'inferno ("O che bel star") - Anonymous, Italian & Anonymous (3:16)
  7. 7 Untitled CD-ROM Track - Unspecified & Avril Bardoni
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Album Credits

Performance Credits
Christina Pluhar Primary Artist
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Posted October 1, 2010

    Pluhar

    L'Arpeggiata, the French-based ensemble directed by Austrian-born harpist Christina Pluhar has achieved another success, with the release of the new album titled "Via Crucis." The vocal and instrumental components blend together very well, and make this CD an even more powerful listen. There is a religious component that is audible when listening to this piece, which makes sense because "Via Crucis" translates to the way of the Cross. Even if you are not a fan of music with religious undertones, you will still immensely enjoy this CD.

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Sort by: Showing 1 Customer Reviews