Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity [NOOK Book]

Overview

How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity.

Looking at Victorian art, Goldhill demonstrates how ...

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Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity

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Overview

How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity.

Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being.

With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.

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Editorial Reviews

Times Higher Education Supplement
[I]mmensely scholarly, highly-entertaining and broad-ranging. . . . Goldhill's timescale offers a new and contentious definition of the term 'Victorian', stretching from 1760 to the 1980s.
— Jane Thomas
Literary Review
[G]ripping . . .
Choice
Using reception theory, Goldhill examines paintings, operas, and novels produced in Europe that appropriate stories from the ancient Greeks, Romans, and Hebrews. He shows how artists and writers retold these ancient stories to further their political and religious agendas. The author is persuasive in arguing that in the 19th century the classics were used to bolster an agenda of anti-Semitism, setting the state for WW II. The book contains beautiful color plates and also black-and-white photos showing works of art of the period and poses drawn from classical statuary. . . . The book is well written and the thesis well worth development.
Wagner Journal
[T]he book is of interest from a Wagnerian perspective in the insight it offers into the concerns of a society contemporary with Wagner and just across the water. . . . In its main topics, the painting and historical novel of Britain in the 19th century, this book is an eye-opener in its fascinating material and its approach.
— Michael Dyson
Times Higher Education Supplement - Jane Thomas
[I]mmensely scholarly, highly-entertaining and broad-ranging. . . . Goldhill's timescale offers a new and contentious definition of the term 'Victorian', stretching from 1760 to the 1980s.
Literary Review - Daniel Snowman
Simon Goldhill, a professor at Cambridge, is a leading expert on Greek literature and culture; if you want to know more about the world of Aeschylus and Euripides, Goldhill is your man.
Wagner Journal - Michael Dyson
[T]he book is of interest from a Wagnerian perspective in the insight it offers into the concerns of a society contemporary with Wagner and just across the water. . . . In its main topics, the painting and historical novel of Britain in the 19th century, this book is an eye-opener in its fascinating material and its approach.
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Product Details

  • ISBN-13: 9781400840076
  • Publisher: Princeton University Press
  • Publication date: 7/18/2011
  • Series: Martin Classical Lectures
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 368
  • File size: 9 MB

Meet the Author

Simon Goldhill is professor of Greek literature and culture and fellow and director of Studies in Classics at King's College, University of Cambridge. His many books include "Love, Sex, and Tragedy: How the Ancient World Shapes Our Lives".
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Table of Contents

List of Illustrations vii
INTRODUCTION: Discipline and Revolution: Classics in Victorian Culture 1

PART 1. ART AND DESIRE
CHAPTER ONE: The Art of Reception: J. W. Waterhouse and the Painting of Desire in Victorian Britain 23
Fleshliness and Purity 26
Visualizing Desire, Elsewhere 45
Off the Chocolate Box 62

CHAPTER TWO: The Touch of Sappho 65
Viewed in the Light of Greece 66
Touching 72
Sappho on the Strand 79

PART 2. MUSIC AND CULTURAL POLITICS
CHAPTER THREE: Who Killed Chevalier Gluck? 87
Revolutionary Opera 90
The Art of Crying and the Happy Ending 97
Disinterring a Classic 104
The German Way 112
London Fashion 116

CHAPTER FOUR: Wagner's Greeks: The Politics of Hellenism 125
"To be half a day a Greek!" 127
Staging the Sonderweg 134
Endeavoring to Forget 140

PART 3. FICTION: VICTORIAN NOVELS OF ANCIENT ROME
CHAPTER FIVE: For God and Empire 153
Every Book Needs a Hero 153
Whose History? 163
Fictionalizing the Past 177

CHAPTER SIX: Virgins, Lions, and Honest Pluck 193
The Knebworth Apollo 193
The Fiction of the Church 202
The Best-Selling Novel in America 215
The Harry Potter Effect 223
Jews, Egyptians, and Other Clichés of the Popular Sublime 231

SEVEN: Only Connect! 245
The Life of the Author 245
Victoria's Historian, Darwin's Parson 251
The Fight for the Middle Ground 258
CODA 265

Notes 273
Bibliography 313
Index 341

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