Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself
On Sarah A. Chrisman’s twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset—ever. She’d heard how corsets affected the female body and what they represented, and she wanted none of it.

However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment—not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman—and everyone was asking about it.

In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.
1114836057
Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself
On Sarah A. Chrisman’s twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset—ever. She’d heard how corsets affected the female body and what they represented, and she wanted none of it.

However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment—not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman—and everyone was asking about it.

In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.
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Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself

Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself

by Sarah A. Chrisman
Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself

Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself

by Sarah A. Chrisman

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Overview

On Sarah A. Chrisman’s twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset—ever. She’d heard how corsets affected the female body and what they represented, and she wanted none of it.

However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment—not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman—and everyone was asking about it.

In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.

Product Details

ISBN-13: 9781628735628
Publisher: Skyhorse
Publication date: 11/01/2013
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 264
File size: 14 MB
Note: This product may take a few minutes to download.

About the Author

Sarah A. Chrisman was born in a suburb of Seattle and graduated from the University of Washington in 2002. Alongside her husband, Gabriel, she gives presentations on nineteenth-century clothing, dress, and culture. The couple lives in Port Townsend, Washington, in one of the beautiful nineteenth-century homes they once coveted on visits to Washington’s Victorian seaport.

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CHAPTER 1

Nature and Artifice

"The corset has also much to do with the figure. A good corset can make an unseemly figure look quite pleasant to the eye. ... All the different shaped corsets, adapted to various figures, are made in a variety of materials."

Godey's Lady's Book, September, 1889

I looked at the contents of the last package with something between disappointment and dubiousness. "It's a corset," I said, trying not to sound too angry or let down. This was my birthday present, after all. "Thanks ..."

My husband beamed at me. "Try it on!"

I didn't want to try it on. I had distinctly told him not to buy me a corset. We had, in fact, had a rather lengthy discussion about it. Corsets, I had told him, were unhealthy, uncomfortable, and stifling. Women used to break their ribs to fit into them, and when the poor things died and their bodies were dissected, their dear organs weren't even in the right places anymore.

Sometimes telling a person something and actually getting through to them can be entirely different matters, however, as evidenced by the object I was holding. Gabriel was still smiling. I looked down at the item in my hands: dark blue lace, patterned with roses, overlaid the blue-gray silk body of the corset.

"Blue roses," I observed aloud. My favorite color, together with my favorite flower. It is a combination that never happens in nature, although artifice has arranged it upon occasion.

Gabriel nodded, smiling endearingly. "The silk color matches your eyes!"

I sighed. The gift was not totally without thought, for all that it was unwanted. He had obviously put consideration into it, even if he had not heard a word I'd said in our earlier discussion. And it is distinctly hard for me to turn down blue roses. Best get this over with, I thought.

I unwrapped the plastic in which it had been shipped and turned the corset around and around, trying to determine front from back, top from bottom. It seemed far more two-dimensional than the versions of corsets I had seen in movies. It was actually quite flat and had been folded into a neat little rectangle before I started fussing with it. I was having trouble squaring the perplexing item in my hands with the masochistic, male-enforced, body-mangling corset I'd read about in women's studies texts. I wasn't even quite sure how something so flat and stiff could really fit around a three-dimensional frame.

"This is an underbust model," Gabriel explained. "It goes under your bra." He looked embarrassed. "The overbust kind is a lot more expensive, and, well, I was afraid you wouldn't like it."

Well, at least he didn't buy the most expensive version of a thing I'll never wear, I thought. I held it up against the underwire of my bra, trying to decide which way it went. I was fairly sure the laces went in the back, but if it was meant to be laced together, the heavy metal fastenings opposite the laces seemed totally superfluous. Why did it have fastenings if it had laces — or, contrariwise, why did it have laces if it had fastenings? Wasn't life complicated enough without an undergarment that clasped and tied? I frowned.

It had curves at both ends of the metal supports inside the silk, and I wasn't sure whether it made more sense for the deeper curves to be at the top or at the bottom where they'd let my legs move. I fidgeted with it, holding it first one way, then the other.

Meanwhile, Gabriel unfolded the directions sheet. "It says the clasps go on the right."

I shifted the corset, deeper curves up now. The point between the curves fit right between the cups of my bra and the corset rested against the underwire. On the bottom, the shallower lines hinted at the top curves of my thighs, but hovered so far above them that I realized walking wouldn't be a problem.

The clasps were of a style I hadn't dealt with before, but easy enough to comprehend — a very straightforward, slot-and-grommet arrangement, sort of like a big cousin to the hooks and eyes on my bra.

"It says," Gabriel continued reading off the directions sheet, "that you should never fasten the very top or the very bottom grommet first, because they could get damaged —"

"I guess that makes sense ..." I reluctantly recalled my high school physics lessons. In an object under physical strain, the ends of the object generally tend to be under more strain than the middle.

"— and never try to undo the clasps without untying the laces first," my husband said, finishing the reading.

And there went my first idea of how to streamline this insanity. As a young child, I used to leave my sneakers loosely tied all the time so that I could slip in and out of them like loafers. My first thought upon seeing the grommets was that they should be sufficient on their own. Apparently not.

With the grommets fastened, I groped behind my back for the laces. I craned my neck around in a fruitless attempt to see what I was doing.

"I'll help you." Gabriel stepped up behind me and gave me a gentle little kiss, just behind my right ear. He took the laces from my flailing hands and carefully pulled them in, fumbling with the bow a bit until I lent him a finger to hold down the crosstie while he shaped the loops. He then tugged the bow secure and gave me two sweet little pats on the hips. He peered over my shoulder at the mirror's image of the two of us.

I stared at my reflection in the glass. The dear mirror was showing me the most flattering lie possible, and my mind struggled to fit the lovely form in the silvered glass into the image of what I truly knew myself to be. This was not me.

And yet, it was.

I had always struggled with being a bit on the heavy side — not obese, but ... well, substantial. I was cursed with the sort of inconvenient plumpness that might have been cute on a shorter girl, but on a woman who towered ten inches past the five-foot mark, it was embarrassingly intimidating. (Any female who shares the plight will understand: it's bad enough to be taller than most of the boys back in high school, but to be a fat girl taller than most of the boys ... Let's just say I'd had a lot of lonely Friday nights. By the time my senior prom rolled around, I was so determined to attend at least one dance that I'd shown up in the company of another girl and her Kermit-the-Frog puppet. At least she'd had a date, even if he was green.)

Suddenly, though, that was all gone. The irritating bulges — on which years of exercise, skimping on meals, and skipping desserts had left no effect — had vanished as though by fairy magic. My miraculously lean flanks shone smooth with the silk that covered them. The curves at my waist were not the convex rounds I had hated for years, but the elegant, inward slopes I had seen on models and had resigned myself to never possessing. They were suddenly mine.

I took a breath. Everything I'd ever been taught about corsets had dictated in no uncertain terms that I should be fainting dead away about this time, but I was completely hale. My wind was strong; the only noticeable difference was a slight catch at the base of my diaphragm muscle, which subtly changed the manner of my breathing: as I inhaled, my lungs rose up, instead of down. They drew my breasts with them, and I laughed to see my heaving bosoms in the mirror.

The laughter transformed my face, and the eyes of the creature in the mirror sparkled at me. I lifted my chin to see what it would look like and the mirror flashed poise.

In the mirror, Gabriel smiled at me. "You look beautiful."

I continued to stare, the image I saw before me still struggling to mesh with the image of myself I held firmly in my mind. I ran a hand down the smooth silk of a curve. "Wow."

"Do you like it?" Ah, the hopeful question that always accompanies a gift.

"Well ..." I wasn't quite ready to give up a lifetime of teachings yet. Everything that had ever been preached to me about this item dictated that I should be shrieking from oppression. "It's ... interesting."

Worry clouded my husband's face. "I hope you're not mad at me."

It was my twenty-ninth birthday, and this was his gift to me — one of many, actually. A green silk dress, frothy-edged with antique lace, lay amongst the tissue that had encased it. Next to its box was another; its folds of delicate paper serving as a nest to a black velvet bonnet, glinting with jet beads and the iridescent pouf of an ostrich plume tip. There was a black silk jacket with silver stripes in the lining and an antique velvet cape trimmed with monkey fur. I had woken up to breakfast in bed that morning and then been showered with presents. How could I possibly be angry?

"Of course not," I said, giving him a kiss.

"I know you said you didn't want one. ..." The worry persisted in his voice. "But, you like the Victorian era so much, and it's the only real way to make the clothes fit the way they're supposed to."

"I know." We collect antique clothing, and it had been a long source of frustration that nothing fit me from my favorite era. I kissed him again and he hugged me.

"So, should I help you take it off before I go to class?"

I looked back in the mirror and hesitated. The wonderland image ran a hand down a silk curve and rested it on a shapely hip. I paused. "Let's ... leave it on. For now, at least."

* * *

At this point in our history, the schedules of academia exercised a large influence on the life my husband and I shared. Gabriel was in graduate school earning his master's degree in library science, and I was studying to become a licensed massage practitioner. (I had already earned two university degrees, but there is a very old saying that "Man proposes and God disposes." Thus it was that I had, fresh from high school, worked ceaselessly for four years to earn two bachelor's degrees simultaneously, only to see the job market for those degrees completely collapse just as I was graduating. I received my diplomas in international studies and French in June of 2002: a date that means little to people until I point out that it was exactly nine months after September 11, 2001. It was just enough time for borders to slam shut and the world's economy at large to hit free-fall velocity on its plummet downward. Those were dark days for the entire world, and it would be unfair to those whose lives were affected far more tragically than mine to make too much of my own disappointments. Later, studying for my massage license, I hoped that a job whose purpose was to help people relieve stress would be somewhat less subject to politics than my original ambitions had been.

After Gabriel left for class and I was alone, I spent a few moments posing in front of the mirror on the bathroom door until I embarrassed even myself with my silly vanity. Then I turned to face my dresser, wondering what on earth I was going to wear. I had effectively dropped two dress sizes in as many minutes, and especially as this was my birthday, I felt like showing off a bit. Unfortunately, my wardrobe had not shrunk with corresponding magic.

Most of my clothing dated from my original college years, when Seattle was still groping its way out of the grunge phenomenon. (It's hard for a community to leave behind something that has put it on the world map, no matter how ignominiously.) It tended to be a bit on the loose side, even without the corset. I tried on my various sweaters, former favorites, and rejected them one by one as I saw how unflattering they were. The T-shirts (baggy, unisex, one-size-fits-all things) were even worse, and my jeans wouldn't even stay up on my suddenly reduced waistline.

After virtually emptying the contents of my bureau and developing a sizable pile of rejects, I finally settled on a pair of cycling pants coupled with a spandex shirt. If clothing can ponder its surroundings, that old striped shirt must have been as surprised as I was to see its new presentation. It dated from years before and even when it was brand new, it had never fit me in nearly so flattering a fashion.

Once I'd squirreled away the mounds of rejected clothing into their proper places again, I pulled out yet another birthday present: a new (to me) Japanese manga that was set in Victorian London. A good book, a day off (it was sheer coincidence that I had neither massage class nor work), and the prospect of a late lunch out followed by chocolate cheesecake for dinner. What better way to spend a birthday?

As I attempted to slump into the sofa in my customary rolled-larva-imitation reading position, I found that the lines of sprung steel up my back prevented it. Truth be told, if I had compared my customary at-rest position in those days to the outline on an evolutionary chart, my posture would have been closer to the ape than to Homo habilis. The corset, however, was thrusting me right through two million years of evolution, smack into the realm of Homo sapien. Welcome to the human race, Sarah Chrisman!

I couldn't slump, no matter how I tried. My back muscles rebelled. Sit up straight?! You've never asked us to do that before! And on our birthday, too! The indignity!

However, it was a bit late to change my mind. I had sent Gabriel off to class, and with the laces tied in the middle of my back where I could barely reach them — let alone see them — I was not at all confident in my ability to remove the corset myself. In my mind, claustrophobic visions formed that included trying to untie the bow, but instead accidentally pulling the stays tighter and tighter, strangling myself while muddling the laces into an irrevocable knot ...

I decided not to try undoing the laces. I gave up the caterpillar posture on the sofa and pulled a wooden kitchen chair up to the window. In my mind's eye, I pulled up all the pictures I had seen of Victorian ladies reading and perched gingerly on the edge. As a girl, I had used to practice their posture, thinking how pretty they were with their hands up and books high before their faces. I copied it now, shoulders back, head up, the two covers of the book perched against the palms of my hands. Over the top of the book, I spotted the Seattle skyline outside my window. It was rather an improvement over the dusty floor and my own ungainly feet, which usually framed the edge of my larval-postured reading. I crossed my ankles and tucked my feet beneath my seat.

When I still had a bit of book left for later, Gabriel came back from classes and spirited me away to lunch. I had decided on the restaurant some weeks previously: The Old Spaghetti Factory, a nineteenth-century warehouse that had been gussied up into a family restaurant known locally for reasonable prices and large portions. The place is a bit of a Seattle classic, and I had fond memories of going there as a child. My mother would urge me to "Eat up!" and get her money's worth. I'd generally stuffed myself on the free bread and soda refills before the entrée even arrived and rarely failed to go home without a stomachache.

I could tell, however, that in my current circumstances, that was not going to be an option. I may have been wearing pants with an elastic waistband, but beneath them the corset was compressing my stomach with a force that wasn't just like steel, but was steel, at least in part. My birthday pancakes had only just begun to settle.

I dithered and dallied over the menu, finally deciding on the vegetarian lasagna. Since vegetables represent a higher cost to the restaurant than pasta, this was one of the few items with a description that didn't boast words like "enormous" or "giant." I'd never tried it before, but had always had a desire to taste it. While we waited for our entrées, the waiter brought around the complimentary bread.

I could hear the voice from childhood urging me to eat as much as I could hold. "They'll keep bringing more; don't waste it!" it said. But I knew that if I did follow the old advice, I'd be too full to enjoy the lasagna that was coming, and that really would be a waste. I limited myself to two small slices of the loaf and tucked the rest into my purse.

You wouldn't have gone home with more than that anyway, I reasoned. I figured that I wouldn't be wasting anything if I didn't ask for more. The thought was sensible enough, but it took effort to bat away my mother's repetitive voice from the back of my mind.

After lunch we picked up my birthday cake and got ready for the party. When the guests started to arrive several hours later, I noticed many of them do a slight double take as they walked into the room. My Japanese neighbor, Yukiko, took an especially long look up and down my torso, but said nothing. Part of me wanted to explain, but because I was embarrassed, an equal part did not want to explain. I didn't even know the Japanese word for "corset."

As for the others, what could I tell my rambunctious, American girlfriends? They were all educated women, all liberated, left-wing, and forging careers for themselves. Could I say, "Hi, thanks for coming. I'm wearing a corset"? At the very least, I needed some sort of context to work the subject into a conversation.

(Continues…)


Excerpted from "Victorian Secrets"
by .
Copyright © 2013 Sarah A. Chrisman.
Excerpted by permission of Skyhorse Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Foreword,
Introduction,
Chapter 1: Nature and Artifice,
Chapter 2: Ribbed Rumors and Stayed Truths,
Chapter 3: A Step Backward in Time ... and a Knotty Problem,
Chapter 4: Waisted Curves,
Chapter 5: Stayed Slumber and Sizing Down,
Chapter 6: A Museum Visit,
Chapter 7: Twenty-Four-Seven,
Chapter 8: Meeting Mom,
Chapter 9: Serving at Table,
Chapter 10: Figure Facts,
Chapter 11: Broken Bones,
Chapter 12: Customized Curves,
Chapter 13: The Freedom of the Corset,
Chapter 14: Objections,
Chapter 15: Votes for Women,
Chapter 16: Feminine Anatomy, and Matters of Hygiene,
Chapter 17: "All the Pretty Girls",
Chapter 18: Duck the Malls,
Chapter 19: Waisted Flight,
Chapter 20: Straight-Laced Security,
Chapter 21: Hatter's Logic, and Pinned Perils,
Chapter 22: Veiled Glances,
Chapter 23: Crisis for Beauty,
Chapter 24: A Year On,
Chapter 25: A Victorian Lady's Dressing Sequence,
Chapter 26: Fifty Years of Fashion: A Model Performance,
Chapter 27: Loose Laces to Tie Up the Tale,
Epilogue,
Further Reading,
Acknowledgments,

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