- Cosas que Suceden
- Todo Por Ti
- Cuando Tu Me Querias
- Pelgaria
- Novillero
- La Bamba
- Vida Mia
- Dices Bien Mio
- La Pollita
- No Puedo Dejar de Querete
- As de Coraz¿¿nes
- D¿¿me Mal Hombre
- Amor Sin Esperanza
- Pobrecita de Mi Alma
- Fue Mentira (Mentirosa)
- Lejos
- Ojos Tristes
- Temo
- Tengo a Mi Lupe
- Lamento Borincano
- Lejos de Ti
- No Sabes Comprender
- La China
- Maria, Maria
- El Coco
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0096297700822
Familia Mendoza Primary Artist
Juan Mendoza Vocals
Lenor Mendoza Guitar,Vocals
Maria Mendoza Vocals,Mandolin
Francisco Mendoza Vocals,Triangle
Zack Salem Editing,Translation
Luis Alcaraz Composer
Hilda Mendez Liner Notes
Traditional Composer
Luis Martinez Serrano Composer
Ritchie Valens Composer
Rafael Hernandez Composer
Alfonso Esparza Oteo Composer
Guty Cardenas Composer
Agustin Lara Composer
Chris Strachwitz Editing
Familia Mendoza Composer,Performer
Maria Grever Composer
Lorenzo Barcelata Composer


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Overview
The 25 tracks collected on Vida Mia: 1934-1939 are not Lydia Mendoza's earliest recordings (which are available on an earlier Arhoolie compilation, Mal Hombre & Other Original Hits from the 1930s), but a slightly later batch that find the singer and guitarist refining and perfecting her early style. There are four early recordings with La Familia Mendoza, on which Lydia plays violin and doesn't sing, but the remaining 21 tracks feature her rich, earthy voice and magnificent 12-string guitar either solo or, on six tracks, with sister Maria Mendoza accompanying her on mandolin. Mendoza was only 18 when the earliest of these recordings were made, but she already exhibited the mastery of her instrument that made her a legend in Mexican-American music history. What's particularly fascinating about these solo recordings is how they reveal the polyglot influences of music in Mendoza's native Texas Hill Country: focus strictly on Mendoza's guitar playing, and it shows unexpected commonality with that of the Texas blues guitarists who were starting to get recorded around the same era. Vocally, Mendoza tends to sing in a deeper, throatier voice on these solo recordings than the higher-pitched, more nasal tone she adopted in her later recordings with her sisters. While casual fans might be more interested in the earlier Arhoolie compilation, which contains "Mal Hombre" and most of Mendoza's other early hits, Vida Mia: 1934-1939 is a solid and often fascinating supplement. ~ Stewart Mason
Product Details
Release Date: | 02/16/1999 |
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Label: | ARHOOLIE RECORDS |
UPC: | 0096297700822 |
Tracks
Album Credits
Performance Credits
Lydia Mendoza Primary Artist,Guitar,Violin,VocalsFamilia Mendoza Primary Artist
Juan Mendoza Vocals
Lenor Mendoza Guitar,Vocals
Maria Mendoza Vocals,Mandolin
Francisco Mendoza Vocals,Triangle
Technical Credits
Lydia Mendoza PhotographyZack Salem Editing,Translation
Luis Alcaraz Composer
Hilda Mendez Liner Notes
Traditional Composer
Luis Martinez Serrano Composer
Ritchie Valens Composer
Rafael Hernandez Composer
Alfonso Esparza Oteo Composer
Guty Cardenas Composer
Agustin Lara Composer
Chris Strachwitz Editing
Familia Mendoza Composer,Performer
Maria Grever Composer
Lorenzo Barcelata Composer
From the B&N Reads Blog
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