Vienna School Reader: Politics and Art Historical Method in the 1930s

Vienna School Reader: Politics and Art Historical Method in the 1930s

by Christopher S. Wood
     
 

View All Available Formats & Editions

This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984)
and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the

Overview

This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984)
and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process.
At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter
Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pächt, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich.

After an introductory essay, the book opens with two selections from Riegl. Following this are essays by Sedlmayr, Pächt,
Guido Kaschnitz-Weinberg, and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the
New Vienna School project and the antiempiricist cultural histories of our own time.
The book also contains an extensive bibliography.

Editorial Reviews

From the Publisher
"...illuminates the history of the discipline and its importation of the insights and ideals of other disciplines, such as science." Margaret Olin CAA Reviews

Zone Books

CAA Reviews - Margaret Olin

...illuminates the history of the discipline and its importation of the insights and ideals of other disciplines, such as science.

Product Details

ISBN-13:
9781890951153
Publisher:
Zone Books
Publication date:
10/01/2003
Pages:
488
Product dimensions:
6.00(w) x 9.00(h) x 1.50(d)
Age Range:
18 Years

What People are saying about this

From the Publisher
"...illuminates the history of the discipline and its importation of the insights and ideals of other disciplines, such as science." Margaret Olin CAA Reviews

Zone Books

Meet the Author

Christopher S. Wood is Professor in the Department of History of Art, Yale
University. He is the author of Albrecht Altdorfer and the Origins of
Landscape,
and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000).

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >