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Overview

"With neither friend nor family, Lucy Snowe sets sail from England to find employment in a girls' boarding school in the small town of Villette. There she struggles to retain her self-possession in the face of unruly pupils, an initially suspicious headmaster and her own complex feelings, first for the school's English doctor and then for the dictatorial professor Paul Emmanuel. Drawing on her own deeply unhappy experiences as a teacher in Brussels, Charlotte Bronte's last and most autobiographical novel is a study of isolation and the pain of unrequited love, narrated by a heroine determined to preserve an independent spirit in the face of adverse circumstances." This edition includes a new introduction, which examines the novel's social and historical context, a chronology of Charlotte Bronte's life and full explanatory notes.

Editorial Reviews

Virginia Woolf
Brontë’s finest novel.

Product Details

  • ISBN-13: 9780553212433
  • Publisher: Random House Publishing Group
  • Publication date: 10/28/1986
  • Format: Mass Market Paperback
  • Edition description: REISSUE
  • Pages: 474
  • Sales rank: 298,018
  • Series: Bantam Classics Series
  • Product dimensions: 4.18 (w) x 6.88 (h) x 0.96 (d)

Meet the Author

Charlotte Brontë
Charlotte Brontë

Charlotte Bronte lived from 1816 to 1855. In 1824 she was sent away to school with her four sisters and they were treated so badly that their father brought them home to Haworth in Yorkshire. The elder two sisters died within a few days and Charlotte and her sisters Emily and Anne were brought up in the isolated village. They were often lonely and loved to walk on the moors. They were all great readers and soon began to write small pieces of verse and stories.

Once Charlotte’s informal education was over she began to work as a governess and teacher in Yorkshire and Belgium so that she could add to the low family income and help to pay for her brother Branwell’s art education. Charlotte was a rather nervous young woman and didn’t like to be away from home for too long. The sisters began to write more seriously and published poetry in 1846 under male pen names – there was a lot of prejudice against women writers. The book was not a success and the sisters all moved on to write novels. Charlotte’s best-known book, Jane Eyre, appeared in 1847 and was soon seen as a work of genius. Charlotte really knew how to make characters and situations come alive.

Charlotte’s life was full of tragedy, never more so than when her brother Branwell and sisters Emily and Anne died within a few months in 1848/49. She married her father’s curate in 1854 but died in 1855, before her fortieth birthday.

Helen M. Cooper is associate professor of English at the State University of New York at Stony Brook.

Helen M. Cooper is associate professor of English at the State University of New York at Stony Brook.

Biography

Charlotte Brontë was born on April 21, 1816, in Thornton, Yorkshire, in the north of England, the third child of the Reverend Patrick Brontë and Maria Branwell Brontë. In 1820 the family moved to neighboring Haworth, where Reverend Brontë was offered a lifetime curacy. The following year Mrs. Brontë died of cancer, and her sister, Elizabeth Branwell, moved in to help raise the six children. The four eldest sisters -- Charlotte, Emily, Maria, and Elizabeth -- attended Cowan Bridge School, until Maria and Elizabeth contracted what was probably tuberculosis and died within months of each other, at which point Charlotte and Emily returned home. The four remaining siblings -- Charlotte, Branwell, Emily, and Anne -- played on the Yorkshire moors and dreamed up fanciful, fabled worlds, creating a constant stream of tales, such as the Young Men plays (1826) and Our Fellows (1827).

Reverend Brontë kept his children abreast of current events; among these were the 1829 parliamentary debates centering on the Catholic Question, in which the Duke of Wellington was a leading voice. Charlotte's awareness of politics filtered into her fictional creations, as in the siblings' saga The Islanders (1827), about an imaginary world peopled with the Brontë children's real-life heroes, in which Wellington plays a central role as Charlotte's chosen character.

Throughout her childhood, Charlotte had access to the circulating library at the nearby town of Keighley. She knew the Bible and read the works of Shakespeare, George Gordon, Lord Byron, and Sir Walter Scott, and she particularly admired William Wordsworth and Robert Southey. In 1831 and 1832, Charlotte attended Miss Wooler's school at Roe Head, and she returned there as a teacher from 1835 to 1838. After working for a couple of years as a governess, Charlotte, with her sister Emily, traveled to Brussels to study, with the goal of opening their own school, but this dream did not materialize once she returned to Haworth in 1844.

In 1846 the sisters published their collected poems under the pen names Currer (Charlotte), Ellis (Emily), and Acton (Anne) Bell. That same year Charlotte finished her first novel, The Professor, but it was not accepted for publication.

However, she began work on Jane Eyre, which was published in 1847 and met with instant success. Though some critics saw impropriety in the core of the story -- the relationship between a middle-aged man and the young, naive governess who works for him -- most reviewers praised the novel, helping to ensure its popularity. One of Charlotte's literary heroes, William Makepeace Thackeray, wrote her a letter to express his enjoyment of the novel and to praise her writing style, as did the influential literary critic G. H. Lewes.

Following the deaths of Branwell and Emily Brontë in 1848 and Anne in 1849, Charlotte made trips to London, where she began to move in literary circles that included such luminaries as Thackeray, whom she met for the first time in 1849; his daughter described Brontë as "a tiny, delicate, serious, little lady." In 1850 she met the noted British writer Elizabeth Gaskell, with whom she formed a lasting friendship and who, at the request of Reverend Brontë, later became her biographer. Charlotte's novel Villette was published in 1853.

In 1854 Charlotte married Arthur Bell Nicholls, a curate at Haworth who worked with her father. Less than a year later, however, she fell seriously ill, perhaps with tuberculosis, and she died on March 31, 1855. At the time of her death, Charlotte Brontë was a celebrated author. The 1857 publication of her first novel, The Professor, and of Gaskell's biography of her life only heightened her renown.

Author biography from the Barnes & Noble Classics edition of Jane Eyre.

Good To Know

Sadly, Brontë died during her first pregnancy. While her death certificate lists the cause of death as "phthisis" (tuberculosis), there is a school of thought that believes she may have died from excessive vomiting caused by morning sickness.

    1. Date of Birth:
      April 21, 1816
    2. Place of Birth:
      Thornton, Yorkshire, England
    1. Date of Death:
      March 31, 1855
    2. Place of Death:
      Haworth, West Yorkshire, England
    1. Education:
      Clergy Daughters' School at Cowan Bridge in Lancashire; Miss Wooler's School at Roe Head

Read an Excerpt

Villette


By Charlotte Bronte

Alfred A. Knopf

Copyright © 1992 Charlotte Bronte
All right reserved.

ISBN: 0679409882


Chapter One


BRETTON


My godmother lived in a handsome house in the clean and ancient town of Bretton. Her husband's family had been residents there for generations, and bore, indeed, the name of their birthplace -- Bretton of Bretton: whether by coincidence, or because some remote ancestor had been a personage of sufficient importance to leave his name to his neighbourhood, I know not.

When I was a girl I went to Bretton about twice a year, and well I liked the visit. The house and its inmates specially suited me. The large peaceful rooms, the well-arranged furniture, the clear wide windows, the balcony outside, looking down on a fine antique street, where Sundays and holidays seemed always to abide -- so quiet was its atmosphere, so clean its pavement -- these things pleased me well.

One child in a household of grown people is usually made very much of, and in a quiet way I was a good deal taken notice of by Mrs. Bretton, who had been left a widow, with one son, before I knew her; her husband, a physician, having died while she was yet a young and handsome woman.

She was not young, as I remember her, but she was still handsome, tall, well-made, and though dark for an English-woman, yet wearing always the clearness of health in her brunette cheek, and its vivacity in a pair of fine, cheerful black eyes. People esteemed it a grievous pity that she had not conferred her complexion on her son, whose eyes were blue -- though, even in boyhood, very piercing -- and the colour of his long hair such as friends did not venture to specify, except as the sun shone on it, when they called it golden. He inherited the lines of his mother's features, however; also her good teeth, her stature (or the promise of her stature, for he was not yet full-grown), and, what was better, her health without flaw, and her spirits of that tone and equality which are better than a fortune to the possessor.

In the autumn of the year -- I was staying at Bretton, my godmother having come in person to claim me of the kinsfolk with whom was at that time fixed my permanent residence. I believe she then plainly saw events coming, whose very shadow I scarce guessed; yet of which the faint suspicion sufficed to impart unsettled sadness, and made me glad to change scene and society.

Time always flowed smoothly for me at my godmother's side; not with tumultuous swiftness, but blandly, like the gliding of a full river through a plain. My visits to her resembled the sojourn of Christian and Hopeful beside a certain pleasant stream, with "green trees on each bank, and meadows beautified with lilies all the year round." The charm of variety there was not, nor the excitement of incident; but I liked peace so well, and sought stimulus so little, that when the latter came I almost felt it a disturbance, and wished rather it had still held aloof.

One day a letter was received of which the contents evidently caused Mrs. Bretton surprise and some concern. I thought at first it was from home, and trembled, expecting I know not what disastrous communication: to me, however, no reference was made, and the cloud seemed to pass.

The next day, on my return from a long walk, I found, as I entered my bedroom, an unexpected change. In addition to my own French bed in its shady recess, appeared in a corner a small crib, draped with white; and in addition to my mahogany chest of drawers, I saw a tiny rosewood chest. I stood still, gazed, and considered.

"Of what are these things the signs and tokens?" I asked. The answer was obvious. "A second guest is coming; Mrs. Bretton expects other visitors."

On descending to dinner, explanations ensued. A little girl, I was told, would shortly be my companion: the daughter of a friend and distant relation of the late Dr. Bretton's. This little girl, it was added, had recently lost her mother; though, indeed, Mrs. Bretton ere long subjoined, the loss was not so great as might at first appear. Mrs. Home (Home it seems was the name) had been a very pretty, but a giddy, careless woman, who had neglected her child, and disappointed and disheartened her husband. So far from congenial had the union proved, that separation at last ensued -- separation by mutual consent, not after any legal process. Soon after this event, the lady having over-exerted herself at a ball, caught cold, took a fever, and died after a very brief illness. Her husband, naturally a man of very sensitive feelings, and shocked inexpressibly by too sudden communication of the news, could hardly, it seems, now be persuaded but that some over-severity on his part -- some deficiency in patience and indulgence -- had contributed to hasten her end. He had brooded over this idea till his spirits were seriously affected; the medical men insisted on travelling being tried as a remedy, and meanwhile Mrs. Bretton had offered to take charge of his little girl. "And I hope," added my godmother in conclusion, "the child will not be like her mamma; as silly and frivolous a little flirt as ever sensible man was weak enough to marry. For," said she, "Mr. Home is a sensible man in his way, though not very practical: he is fond of science, and lives half his life in a laboratory trying experiments -- a thing his butterfly wife could neither comprehend nor endure; and indeed," confessed my godmother, "I should not have liked it myself."

In answer to a question of mine, she further informed me that her late husband used to say, Mr. Home had derived this scientific turn from a maternal uncle, a French savant: for he came, it seems, of mixed French and Scottish origin, and had connections now living in France, of whom more than one wrote de before his name, and called himself noble.

That same evening at nine o'clock, a servant was despatched to meet the coach by which our little visitor was expected. Mrs. Bretton and I sat alone in the drawing-room waiting her coming; John Graham Bretton being absent on a visit to one of his schoolfellows who lived in the country. My godmother read the evening paper while she waited; I sewed. It was a wet night; the rain lashed the panes, and the wind sounded angry and restless.

"Poor child!" said Mrs. Bretton from time to time. "What weather for her journey! I wish she were safe here."

A little before ten the door-bell announced Warren's return. No sooner was the door opened than I ran down into the hall; there lay a trunk and some bandboxes, beside them stood a person like a nurse girl, and at the foot of the staircase was Warren with a shawled bundle in his arms.

"Is that the child?" I asked.

"Yes, miss."

I would have opened the shawl, and tried to get a peep at the face, but it was hastily turned from me to Warren's shoulder.

"Put me down, please," said a small voice when Warren opened the drawing-room door, "and take off this shawl," continued the speaker, extracting with its minute hand the pin, and with a sort of fastidious haste doffing the clumsy wrapping. The creature which now appeared made a deft attempt to fold the shawl; but the drapery was much too heavy and large to be sustained or wielded by those hands and arms. "Give it to Harriet, please," was then the direction, "and she can put it away." This said, it turned and fixed its eyes on Mrs. Bretton.

"Come here, little dear," said that lady. "Come and let me see if you are cold and damp: come and let me warm you at the fire."

The child advanced promptly. Relieved of her wrapping, she appeared exceedingly tiny; but was a neat, completely-fashioned little figure, light, slight, and straight. Seated on my godmother's ample lap, she looked a mere doll; her neck, delicate as wax, her head of silky curls, increased, I thought, the resemblance.

Mrs. Bretton talked in little fond phrases as she chafed the child's hands, arms, and feet; first she was considered with a wistful gaze, but soon a smile answered her. Mrs. Bretton was not generally a caressing woman: even with her deeply-cherished son, her manner was rarely sentimental, often the reverse; but when the small stranger smiled at her, she kissed it, asking -- "What is my little one's name?"

"Missy."

"But besides Missy?"

"Polly, papa calls her."

"Will Polly be content to live with me?"

"Not always; but till papa comes home. Papa is gone away." She shook her head expressively.

"He will return to Polly, or send for her."

"Will he, ma'am? Do you know he will?"

"I think so."

"But Harriet thinks not: at least not for a long while. He is ill."

Her eyes filled. She drew her hand from Mrs. Bretton's, and made a movement to leave her lap; it was at first resisted, but she said--"Please, I wish to go: I can sit on a stool."

She was allowed to slip down from the knee, and taking a footstool, she carried it to a corner where the shade was deep, and there seated herself. Mrs. Bretton, though a commanding, and in grave matters even a peremptory woman, was often passive in trifles: she allowed the child her way. She said to me, "Take no notice at present." But I did take notice: I watched Polly rest her small elbow on her small knee, her head on her hand; I observed her draw a square inch or two of pocket-handkerchief from the doll-pocket of her doll-skirt, and then I heard her weep. Other children in grief or pain cry aloud, without shame or restraint; but this being wept: the tiniest occasional sniff testified to her emotion. Mrs. Bretton did not hear it: which was quite as well. Ere long, a voice, issuing from the corner, demanded-- "May the bell be rung for Harriet?"

I rang; the nurse was summoned and came.

"Harriet, I must be put to bed," said her little mistress. "You must ask where my bed is."

Harriet signified that she had already made that inquiry.

"Ask if you sleep with me, Harriet."

"No, Missy," said the nurse: "you are to share this young lady's room," designating me.

Missy did not leave her seat, but I saw her eyes seek me. After some minutes' silent scrutiny, she emerged from her corner.

"I wish you, ma'am, good-night," said she to Mrs. Bretton; but she passed me mute.

"Good-night, Polly," I said.

"No need to say good-night, since we sleep in the same chamber," was the reply with which she vanished from the drawing-room. We heard Harriet propose to carry her upstairs. "No need," was again her answer -- "No need, no need": and her small step toiled wearily up the staircase.

On going to bed an hour afterwards, I found her still wide awake. She had arranged her pillows so as to support her little person in a sitting posture: her hands, placed one within the other, rested quietly on the sheet, with an old-fashioned calm most unchildlike. I abstained from speaking to her for some time, but just before extinguishing the light, I recommended her to lie down.

"By-and-by," was the answer.

"But you will take cold, Missy."

She took some tiny article of raiment from the chair at her crib side, and with it covered her shoulders. I suffered her to do as she pleased. Listening a while in the darkness, I was aware that she still wept, -- wept under restraint, quietly and cautiously.

On awaking with daylight, a trickling of water caught my ear. Behold! there she was risen and mounted on a stool near the washstand, with pains and difficulty inclining the ewer (which she could not lift) so as to pour its contents into the basin. It was curious to watch her as she washed and dressed, so small, busy, and noiseless. Evidently she was little accustomed to perform her own toilet; and the buttons, strings, hooks and eyes, offered difficulties which she encountered with a perseverance good to witness. She folded her night-dress, she smoothed the drapery of her couch quite neatly; withdrawing into a corner, where the sweep of the white curtain concealed her, she became still. I half rose, and advanced my head to see how she was occupied. On her knees, with her forehead bent on her hands, I perceived that she was praying.

Her nurse tapped at the door. She started up.

"I am dressed, Harriet," said she: "I have dressed myself, but I do not feel neat. Make me neat!"

"Why did you dress yourself, Missy?"

"Hush! speak low, Harriet, for fear of waking the girl" (meaning me, who now lay with my eyes shut). "I dressed myself to learn, against the time you leave me."

"Do you want me to go?"

"When you are cross, I have many a time wanted you to go, but not now. Tie my sash straight; make my hair smooth, please."

"Your sash is straight enough. What a particular little body you are!"

"It must be tied again. Please to tie it."

"There, then. When I am gone you must get that young lady to dress you."

"On no account."

"Why? She is a very nice young lady. I hope you mean to behave prettily to her, Missy, and not show your airs."

"She shall dress me on no account."

"Comical little thing!"

"You are not passing the comb straight through my hair, Harriet; the line will be crooked."

"Ay, you are ill to please. Does that suit?"

"Pretty well. Where should I go now that I am dressed?"

"I will take you into the breakfast-room."

"Come then."

They proceeded to the door. She stopped.

"Oh! Harriet, I wish this was papa's house! I don't know these people."

"Be a good child, Missy."

"I am good, but I ache here"; putting her hand to her heart, and moaning while she reiterated "Papa! papa!"

I roused myself and started up, to check this scene while it was yet within bounds.

"Say good morning to the young lady," dictated Harriet.

She said "good morning," and then followed her nurse from the room. Harriet temporarily left that same day, to go to her own friends, who lived in the neighbourhood.

On descending, I found Paulina (the child called herself Polly, but her full name was Paulina Mary) seated at the breakfast-table, by Mrs. Bretton's side; a mug of milk stood before her, a morsel of bread filled her hand, which lay passive on the table-cloth: she was not eating.

"How we shall conciliate this little creature," said Mrs. Bretton to me, "I don't know: she tastes nothing, and, by her looks, she has not slept."

I expressed my confidence in the effects of time and kindness.

"If she were to take a fancy to anybody in the house, she would soon settle; but not till then," replied Mrs. Bretton.

Continues...


Excerpted from Villette by Charlotte Bronte Copyright © 1992 by Charlotte Bronte. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Acknowledgments

Introduction

Charlotte Brontë: A Brief Chronology

A Note on the Text

Villette

Appendix A: Brontë and Brussels

1. Letter from Charlotte Brontë to Emily Brontë, 2 September 1843

2. Letter from Charlotte Brontë to Constantin Heger, 8 January 1845 (translation)

3. Letter from Charlotte Brontë to Constantin Heger, 18 November 1845 (translation)

Appendix B: Storms in the Bible

1. Mark 4: 35-41

2. Acts 27: 1, 9-16, 18-31, 39-44

Appendix C: Women and Love

1. From Sarah Stickney Ellis, The Daughters of England (1842)

2. From Dinah Maria Mulock Craik, Olive (1850)

3. From Harriet Martineau, review of Villette. Daily News (3 February 1853)

4. From William Makepeace Thackeray, letter to Lucy Baxter (11 March 1853)

Appendix D: Women and Work

1. From Sarah Stickney Ellis, The Women of England (1839)

2. From Margaret Fuller, Woman in the Nineteenth Century (1845)

3. Letter from Charlotte Brontë to Ellen Nussey, 24 June 1851

4. From Harriet Taylor Mill, The Enfranchisement of Women. Westminster Review, July 1851

5. Letter from Charlotte Brontë to Elizabeth Gaskell, 20 September 1851

6. From Dinah Maria Mulock Craik, A Womans Thoughts About Women (1858)

Appendix E: Surveillance and Espionage

1. The Post Office Espionage Case, 1844-45

a. Opening Letters at the Post Office. Hansard: House of Lords, 17 June 1844

b. Alleged Post-Office Espionage, The Times, 25 June 1844

c. The Times, 7 August 1844

d. The Times, 5 June 1845

2. From Reflections Suggested by the Career of the Late Premier. Blackwoods Edinburgh Magazine, January 1847

3. From Charlotte Brontë, The Professor (1857)

4. From Mary Elizabeth Braddon, Aurora Floyd (1863)

Appendix F: Anti-Catholicism in England

1. From Patrick Brontë, The Maid of Killarney; or Albion and Flora: A Modern Tale; In Which Are Interwoven some Cursory Remarks on Religion and Politics (1818)

2. From Maria Monk, Awful Disclosures of Maria Monk, as Exhibited in a Narrative of her Sufferings during a residence of five years as a novice, two as a black nun in the Hotel Dieu Nunnery at Montreal (1836)

3. From Thomas De Quincey, Maynooth. Blackwoods Edinburgh Magazine, May 1845

4. From Charles Neaves, Priests, Women and Families. Blackwoods Edinburgh Magazine, May 1845

5. Papal Aggression

a. From Nicholas Wiseman, Archbishop of Westminster. A Pastoral Letter, From Outside the Flaminian Gate, 7 October 1850

b. The Times, 14 October 1850

Select Bibliography

Reading Group Guide

1. Discuss the character of Lucy Snowe. Do you find her to be an admirable heroine? What qualities do you like in her, or dislike? How do you think you would behave in her circumstances?

2. Writing to her publisher, Charlotte Bronte had this to say about Vilette's protagonist: 'I consider that [Lucy Snowe] is both morbid and weak at times; her character sets up no pretensions to unmixed strength, and anybody living her life would necessarily become morbid.' What do you think of this appraisal? Do her 'unheroic' qualities make her more sympathetic or less?

3. Virginia Woolf felt that Villette was Bronte's 'finest novel, ' and speaking about Bronte, wrote that "All her force, and it is the more tremendous for being constricted, goes into the assertion, 'I love, I hate, I suffer.'" What do you think Woolf means? Do you find this observation interesting, appealing, or moving?

4. Why do you think Bronte sets the narrative of Villette in a foreign country?

5. Explore the theme of education in Villette: What is the role of education in Lucy Snowe's own life?

6. The conclusion of Villette is famously ambiguous (it was made purposefully so by Bronte). Do you find it a happy ending? A sad one? Discuss.

Customer Reviews

Average Rating 3
( 9 )

Rating Distribution

5 Star

(2)

4 Star

(2)

3 Star

(1)

2 Star

(1)

1 Star

(3)

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Sort by: Showing all of 20 Customer Reviews
  • Anonymous

    Posted December 15, 2002

    Bronte's best work

    I read this book because of Jane Eyre, but this book was ten times better than Jane Eyre ever will be. I finished reading it like a month ago, and yet i keep on thinking about it. the ending was strange, but undoubtably one of the best endings i've ever read. If you have any appreciation for outstanding literature, read this book.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 31, 2002

    Better than Jane Eyre

    I don't see why Jane Eyre is more popular than Villette. Jane E. is a good book but I think Villette is ten times better. It is my favorite book, although it is very confusing and slow at parts.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 27, 2001

    Very Moving!

    As someone who has always named Jane Eyre as one of her favorite novels of all time - I have to admit I was surprised to see Villette - I had never heard of the novel, though it seems everyone has heard of Jane Eyre. I also admit that it moves slowly at times, but from the first page I loved the rich language, deep and unforgettable characters, and moving passages filled with passion and a masterful understanding of the English language. I became so involved I was sitting in my living room sobbing from joy and sadness! This is a must read for anyone who enjoys the Bronte sisters, Jane Austin, or any number of similar authors.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 7, 2000

    A beautiful and passionate novel

    While most people come to know Charlotte Bronte for Jane Eyre, Villette is arguably her most beautiful piece of work. Lucy Snowe lets us see her inner most sorrow and joy, her triumphs and her tribulations. While on the surface Lucy is only a poor and lonely school teacher in Villlette, France, we come to find what an incredible woman she is, frail, yet strong, a realist, yet a dreamer, lonely, yet a romantic. We feel the prescence of the eerie ghost nun, meet the shrewd Madame Beck, and shake at the temper and rages of M. Emanuel. Villette is deeply written, with all the beauty and passion of Charlotte Bronte

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 27, 2011

    Bad, partial copy

    Many typos and is only a third of the actual book. Passages appear missing which explains why the story was not making sense.

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  • Anonymous

    Posted December 19, 2011

    Terrible copy

    Numerous typographical errors, random paragraph breaks, and strange symbols inserted. I guess you get what you pay for.

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  • Anonymous

    Posted October 12, 2004

    What A Wretched Book

    Villete tugs on the heartstrings and yet one cannot help feeling very sad for the narrator because she is so perverse to happiness. She's quite incomprehensible; however, the end of the novel one wishes her life had been more fulfilling emotionally.

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  • Anonymous

    Posted July 19, 2004

    wonderfully deep

    Villette is my favorite over Jane Eyre. I think Charlotte Bronte was an incridibly deep writer who has and is continuing to awe me by her novels. This book is GREAT and I recommend it to anyone young or old.

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  • Anonymous

    Posted April 8, 2004

    My all time favourite

    Villette is my all time favourite novel. The strength and independence of Lucy Snowe made this story wonderful and enjoyable and despite a lonely sad childhood in England was able to make a success in Villette and like many of us struggles between career, independence and romance but it did work out fine.

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  • Anonymous

    Posted September 21, 2003

    A truly human novel

    Villette is a beautifully written novel, that deals with Lucy Snowes sorrow, lonliness, and heartache wonderfully. Lucy gives you an insight into her pain that is not given in any of the other Bronte Novels. The romance between her and M. Emanuel made me smile, and eventually cry. (If you have read it you know what I mean!) If you read Jane Eyre, you should read Villette afterward; they are two different outcomes of women in the same social situation.

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  • Anonymous

    Posted September 25, 2003

    Villette is extremely eccentric

    the story of Lucy was esqusite. She reminded me of me. And made me want to write my own novel, I love Villette and recommend it to anyone who is deep and eccentric.

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  • Anonymous

    Posted July 24, 2003

    Treasure...

    I can't believe this book isn't more widely read! I thought it was marvelous. It is far more introspective and philisophical than Jane Eyre, but it is beautifully written. A true treasure.

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  • Anonymous

    Posted March 17, 2003

    this is the best true human story, the best written book that you will ever find!

    i am usually a speedy reader, but this book was so captivating i was forced to slw down and truly appreciate it. The book is about Lucy Snowe, a young woman out on her own, sworn to keep her feelings down-to not truly feel at all. But she does come in contact with things and people to incite her feelings, and the book is really about how she copes with being human. this book is a romance as well as a book about the human psyche. I recomend it to ANYONE.

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  • Anonymous

    Posted August 14, 2011

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    Posted October 2, 2009

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  • Anonymous

    Posted January 9, 2012

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  • Anonymous

    Posted June 15, 2011

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  • Anonymous

    Posted August 14, 2011

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  • Anonymous

    Posted December 10, 2010

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  • Anonymous

    Posted October 24, 2011

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