Vineyard Blues (Martha's Vineyard Mystery Series #11)

Vineyard Blues (Martha's Vineyard Mystery Series #11)

4.6 3
by Philip R. Craig
     
 

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A surprise visit from a dear old friend only adds to the joys of good weather, great fishing, warm breezes and loving family for J. W. Jackson this idyllic island summer. The ex-Boston cop is thrilled to see accomplished bluesman Corrie Appleyard strolling up his driveway, guitar case in hand. But days later, J.W.'s elation turns to dread when a rundown summer

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Overview

A surprise visit from a dear old friend only adds to the joys of good weather, great fishing, warm breezes and loving family for J. W. Jackson this idyllic island summer. The ex-Boston cop is thrilled to see accomplished bluesman Corrie Appleyard strolling up his driveway, guitar case in hand. But days later, J.W.'s elation turns to dread when a rundown summer shack burns to the ground — the latest in a string of suspicious fires. And when an unidentified corpse is discovered in the ashes, J. W. fears that the charred remains are Corrie's. Now twin obligations to friendship and the truth are leading him into an ugly morass of arson, extortion, secrets, and murder. And he'll go to the dangerous ends of paradise to bring a killer to justice — because this outrage has slammed J. W. Jackson in the heart.

Editorial Reviews

Minneapolis Star-Tribune
Spending time with author Craig on Martha's Vineyard is the next best thing to vacationing on the island yourself.
Chattanooga Times
Craig just keeps getting better.
Denver Rocky Mountain News
A breath of fresh air, with a touch of murder most foul.
Publishers Weekly - Publisher's Weekly
Despite a propitious start, Craig's latest offering in the Vineyard series soon degrades into a dull tale hampered by cardboard characters and a simplistic plot. Former Boston cop J.W. Jackson, the easy-going narrator, is surprised and pleased to see an old friend of his father's, Corrie Appleyard, stroll up his Martha's Vineyard driveway. Corrie, a blues guitarist who has come to the island for a few small gigs, renews his friendship with J.W., whom he hasn't seen in 30 years. After an enjoyable evening with J.W. and his wife, Zee, Corrie returns to his lodging, a house owned by slumlord Ben Krane. Several days later, as Corrie is about to return to the mainland, that house burns to the ground with an unidentified body inside. Suspecting arson, the third against one of his rental properties, Krane hires Jackson to investigate, despite their unexplained mutual animosity. Jackson, meanwhile, fearing that a now-missing Corrie is the arson victim, has been asked by friend Susanna to help identify the man who has been harassing her over the phone about her former life in the porn industry. The premise for both plots is solid enough, but Jackson's irritatingly perfect wife and children are too unrealistic to be believed, while other characters lack personality. Predictable endings to both mysteries cap off a disappointing novel in which the only remaining question is how many times the Jackson children get taken for ice cream. (June) Copyright 2000 Cahners Business Information.|
Library Journal
J.W. Jackson, ex-Boston cop and series sleuth, investigates intentionally set fires targeting Martha's Vineyard houses rented to college students. After an unidentified body is found in a house rented to J.W.'s visiting friend, J.W. becomes involved. Solid. Copyright 2000 Cahners Business Information.\
Kirkus Reviews
Martha's Vineyard has not yet been overrun by tourists in June, although the college kids who staff the restaurants and fill the bars have rented every available living space, including the overpriced, undermaintained group houses owned by Ben Krane. After two of his rattraps are torched in one week, sleazy, unlikable Krane asks clammer/fisherman/family man J.W. Jackson (late of the Boston PD) to investigate. Since the charred remains of old-time blues guitarist and songman Corrie Appleyard, a friend of J.W.'s daddy years back, lie in one of the houses, J.W. agrees to help, setting the stage for fireworks with his wife Zee, veteran of a long-ago interlude with Krane and his even sleazier brother Peter. When Corrie's cousin Henry, a retired Philadelphia gangster, hears how many vulnerable young women the Kranes' vile philandering has sullied, he insists on accompanying J.W. on a visit to Krane, making him a threat he can't refuse. Still another sexually harassed young woman, a friend of Zee's, will need J.W.'s help before the Vineyard again becomes the perfect venue for buying ice cream cones, holding hands at sunset, and making bluefish pâté. J.W. is turning into the sensitive, playful, proud papa we all wish we had, but along with all this easygoing amiability come flashes of a darker, more dangerous J.W., particularly when he's confronted with Zee's past. Could J.W. and his beloved Vineyard (A Fatal Vineyard Season, 1999, etc.) one day take on a white-knuckled, hard-edged case?

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Product Details

ISBN-13:
9780380818594
Publisher:
HarperCollins Publishers
Publication date:
05/28/2001
Series:
Martha's Vineyard Mystery Series, #11
Edition description:
Reissue
Pages:
224
Sales rank:
905,033
Product dimensions:
4.18(w) x 6.75(h) x 0.56(d)

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Read an Excerpt

Chapter One

The first time I saw Corrie Appleyard I was about five years old. I woke up hearing music late at night and came downstairs and found him and my father sitting in the kitchen of our house in Somerville, picking at their guitars while Corrie sang. The next time was about a year later in a dingy bar somewhere in Boston. My father, my sister, and I were at a table and Corrie was on the little stage, sitting on a high stool behind a mike, playing and singing. I remember that it was a smoky, smelly, noisy place and that I was drinking an orange soda, and that we were the only kids there, but I don't recall much else. Later, Corrie used to come to our house whenever he was in the Boston area, and a couple of times he came to my father's cottage on the Vineyard. Then I didn't see him anymore until June this past summer, when he came walking out of the past down our long, sandy driveway.

Zee and I and the kids were in the yard loafing under the warm blue June sky when Diana stopped running around and stared up the driveway, then moved over to her mom. Zee and I turned our heads and there was Corrie walking toward us, satchel in one hand, guitar case in the other. I hadn't seen him in more than thirty years, but I recognized him instantly. At first, he didn't seem to have changed at all, but then he'd always looked ancient to me, being older, even, than my father.

Now, though, he really did have some years stacked on his shoulders. His skin was still that same coffee color, but now it was lined and his hair was mostly gray, as was the mustache and beard that once had been black as tar.There was a hint of illness in his face, but though his step wasn't quite as light as it once had been, it wasn't an old man's shuffle, either. It was the stride of a man who had walked a lot and still had places to go.

He hesitated as I stood up from my lawn chair, but then came on.

"Who could that be?" asked Zee, giving cautious Diana a hand to hold.

"That's Corrie Appleyard," I said, feeling happy. I went to meet him and put out my hand. "Corrie," I said. "My God, it's good to see you."

He put down the satchel and squinted at me as he took my hand. "You got the edge on me, young fella. Who might you be?"

"I'm J. W. Jackson. Roosevelt's son. You used to come to our house in Somerville and you came here once or twice, too."

His smile was as white as ocean foam. "Little Jeff. You've growed up some. Well, I'll tell you, Jeff, I happen to be on the island, so I thought I'd come and see your daddy." He looked at the house. "My, my, this place has changed quite a bit."

I picked up the satchel. "It was mostly just a hunting camp when you were here, but now it's getting closer to being a house. You won't find my dad, I'm afraid. He died a number of years ago. But come on, I want you to meet my wife, Zee."

He walked beside me, "Rosy, dead? I'm sorry to hear it."

"It was a warehouse fire. A wall fell on him and a couple of other firemen. Almost twenty years ago, now. My sister's married and living out near Santa Fe, and I'm right here. We sold the Somerville place."

He shook his head. "Twenty years. Time does fly."

We came to where Zee and Diana were standing. Zee, wearing shorts and a shirt tied around her flat, tanned belly, held Diana's head pressed against her with one hand, while Diana wrapped both arms around her mother's sleek thigh and eyeballed Corrie, trying to decide whether he was friend or foe.

"Zee," I said. "This is Corrie Appleyard. Corrie, this is my wife, Zee."

Their hands met and their smiles gleamed. "How do you do, Mrs. Jackson?"

"Call me Zee, Mr. Appleyard."

His head dipped and rose. "Zee, then. And I'm Corrie. I knew your husband's father, and Jeff, here, when he wasn't much older than that lad over yonder, I do believe that you're the first Zee I've known."

"It's short for Zeolinda. My people are Portuguese."

"And Corrie's short for Cortland. My people are mostly African originally, with little bits of this and that mixed in over the years. And who might this be?"

"This is my daughter, Diana. And that guy over there is her big brother, Joshua. Joshua, come and meet Corrie."

Joshua, who had been taking things in from the far side of the yard, came and accepted Corrie's hand.

"How do you do?" said Corrie.

"I'm fine. Nice to meet you," said Joshua, just the way he'd been taught.

"You shake hands, too," said Zee to Diana, "and say hello."

Diana let go of her mother's leg with one hand and held it out. "Hello," she said.

"Hello, Diana." Corrie's big brown fingers enveloped her small pudgy ones.,

Diana retrieved her hand and again wrapped her arm around Zee's leg. Her eyes went to Corrie's battered, sticker-covered guitar case. "I know what's in there."

"What?" asked Corrie.

"A guitar."

"You're right," said Corrie, acting impressed. "How did you know?"

"My pa's got one. He plays it sometimes."

"Does he, now." Corrie looked at me.

I nodded. "I have two, actually. My dad's old Martin, and a Gibson I got at a yard sale for thirty bucks...

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