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“One of the few genuinely indispensable writers.” —The Saturday Review
In his internationally acclaimed novels, short stories, plays and essays, James Baldwin was and remains a powerfully prophetic voice in the American literary landscape, fearlessly brooding upon issues such ...
“One of the few genuinely indispensable writers.” —The Saturday Review
In his internationally acclaimed novels, short stories, plays and essays, James Baldwin was and remains a powerfully prophetic voice in the American literary landscape, fearlessly brooding upon issues such as race, sex, politics, and art. His literary achievement is a lasting legacy about what it means to be American.
Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel Another Country and the play The Amen Corner.
Letter to My Nephew on the One Hundredth Anniversary of the Emancipation
I have begun this letter five times and torn it up five times. I keep seeing your face, which is also the face of your father and my brother. Like him, you are tough, dark, vulnerable, moody-with a very definite tendency to sound truculent because you want no one to think you are soft. You may be like your grandfather in this, I don't know, but certainly both you and your father resemble him very much physically. Well, he is dead, he never saw you, and he had a terrible life; he was defeated long before he died because, at the bottom of his heart, he really believed what white people said about him. This is one of the reasons that he became so holy. I am sure that your father has told you something about all that. Neither you nor your father exhibit any tendency towards holiness: you really are of another era, part of what happened when the Negro left the land and came into what the late E. Franklin Frazier called "the cities of destruction." You can only be destroyed by believing that you really are what the white world calls a nigger. I tell you this because I love you, and please don't you ever forget it.
I have known both of you all your lives, have carried your Daddy in my arms and on my shoulders, kissed and spanked him and watched him learn to walk. I don't know if you've known anybody from that far back; if you've loved anybody that long, first as an infant, then as a child, then as a man, you gain a strange perspective on time and human pain and effort. Other people cannot see what I see whenever I look into your father's face, for behind your father's face as it is today are all those other faces which were his. Let him laugh and I see a cellar your father does not remember and a house he does not remember and I hear in his present laughter his laughter as a child. Let him curse and I remember him falling down the cellar steps, and howling, and I remember, with pain, his tears, which my hand or your grandmother's so easily wiped away. But no one's hand can wipe away those tears he sheds invisibly today, which one hears in his laughter and in his speech and in his songs. I know what the world has done to my brother and how narrowly he has survived it. And I know, which is much worse, and this is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it. One can be, indeed one must strive to become, tough and philosophical concerning destruction and death, for this is what most of mankind has been best at since we have heard of man. (But remember: most of mankind is not all of mankind.) But it is not permissible that the authors of devastation should also be innocent. It is the innocence which constitutes the crime.
Now, my dear namesake, these innocent and well-meaning people, your countrymen, have caused you to be born under conditions not very far removed from those described for us by Charles Dickens in the London of more than a hundred years ago. (I hear the chorus of the innocents screaming, "No! This is not true! How bitter you are!"-but I am writing this letter to you, to try to tell you something about how to handle them, for most of them do not yet really know that you exist. I know the conditions under which you were born, for I was there. Your countrymen were not there, and haven't made it yet. Your grandmother was also there, and no one has ever accused her of being bitter. I suggest that the innocents check with her. She isn't hard to find. Your countrymen don't know that she exists, either, though she has been working for them all their lives.)
Well, you were born, here you came, something like fifteen years ago; and though your father and mother and grandmother, looking about the streets through which they were carrying you, staring at the walls into which they brought you, had every reason to be heavyhearted, yet they were not. For here you were, Big James, named for me-you were a big baby, I was not-here you were: to be loved. To be loved, baby, hard, at once, and forever, to strengthen you against the loveless world. Remember that: I know how black it looks today, for you. It looked bad that day, too, yes, we were trembling. We have not stopped trembling yet, but if we had not loved each other none of us would have survived. And now you must survive because we love you, and for the sake of your children and your children's children.
This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. Let me spell out precisely what I mean by that, for the heart of the matter is here, and the root of my dispute with my country. You were born where you were born and faced the future that you faced because you were black and for no other reason. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity. Wherever you have turned, James, in your short time on this earth, you have been told where you could go and what you could do (and how you could do it) and where you could live and whom you could marry. I know your countrymen do not agree with me about this, and I hear them saying, "You exaggerate." They do not know Harlem, and I do. So do you. Take no one's word for anything, including mine-but trust your experience. Know whence you came. If you know whence you came, there is really no limit to where you can go. The details and symbols of your life have been deliberately constructed to make you believe what white people say about you. Please try to remember that what they believe, as well as what they do and cause you to endure, does not testify to your inferiority but to their inhumanity and fear. Please try to be clear, dear James, through the storm which rages about your youthful head today, about the reality which lies behind the words acceptance and integration. There is no reason for you to try to become like white people and there is no basis whatever for their impertinent assumption that they must accept you. The really terrible thing, old buddy, is that you must accept them. And I mean that very seriously. You must accept them and accept them with love. For these innocent people have no other hope. They are, in effect, still trapped in a history which they do not understand; and until they understand it, they cannot be released from it. They have had to believe for many years, and for innumerable reasons, that black men are inferior to white men. Many of them, indeed, know better, but, as you will discover, people find it very difficult to act on what they know. To act is to be committed, and to be committed is to be in danger. In this case, the danger, in the minds of most white Americans, is the loss of their identity. Try to imagine how you would feel if you woke up one morning to find the sun shining and all the stars aflame. You would be frightened because it is out of the order of nature. Any upheaval in the universe is terrifying because it so profoundly attacks one's sense of one's own reality. Well, the black man has functioned in the white man's world as a fixed star, as an immovable pillar: and as he moves out of his place, heaven and earth are shaken to their foundations. You, don't be afraid. I said that it was intended that you should perish in the ghetto, perish by never being allowed to go behind the white man's definitions, by never being allowed to spell your proper name. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp of reality. But these men are your brothers-your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become. It will be hard, James, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets, some of the greatest poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off.
You know, and I know, that the country is celebrating one hundred years of freedom one hundred years too soon. We cannot be free until they are free. God bless you, James, and Godspeed.
Fifth Avenue, Uptown:
A Letter from Harlem
There is a housing project standing now where the house in which we grew up once stood, and one of those stunted city trees is snarling where our doorway used to be. This is on the rehabilitated side of the avenue. The other side of the avenue-for progress takes time-has not been rehabilitated yet and it looks exactly as it looked in the days when we sat with our noses pressed against the windowpane, longing to be allowed to go "across the street." The grocery store which gave us credit is still there, and there can be no doubt that it is still giving credit. The people in the project certainly need it-far more, indeed, than they ever needed the project. The last time I passed by, the Jewish proprietor was still standing among his shelves, looking sadder and heavier but scarcely any older. Farther down the block stands the shoe-repair store in which our shoes were repaired until reparation became impossible and in which, then, we bought all our "new" ones. The Negro proprietor is still in the window, head down, working at the leather.
These two, I imagine, could tell a long tale if they would (perhaps they would be glad to if they could), having watched so many, for so long, struggling in the fishhooks, the barbed wire, of this avenue.
The avenue is elsewhere the renowned and elegant Fifth. The area I am describing, which, in today's gang parlance, would be called "the turf," is bounded by Lenox Avenue on the west, the Harlem River on the east, 135th Street on the north, and 130th Street on the south. We never lived beyond these boundaries; this is where we grew up. Walking along 145th Street-for example-familiar as it is, and similar, does not have the same impact because I do not know any of the people on the block. But when I turn east on 131st Street and Lenox Avenue, there is first a soda-pop joint, then a shoeshine "parlor," then a grocery store, then a dry cleaners', then the houses. All along the street there are people who watched me grow up, people who grew up with me, people I watched grow up along with my brothers and sisters; and, sometimes in my arms, sometimes underfoot, sometimes at my shoulder-or on it-their children, a riot, a forest of children, who include my nieces and nephews.
When we reach the end of this long block, we find ourselves on wide, filthy, hostile Fifth Avenue, facing that project which hangs over the avenue like a monument to the folly, and the cowardice, of good intentions. All along the block, for anyone who knows it, are immense human gaps, like craters. These gaps are not created merely by those who have moved away, inevitably into some other ghetto; or by those who have risen, almost always into a greater capacity for self-loathing and self-delusion; or yet by those who, by whatever means-World War II, the Korean War, a policeman's gun or billy, a gang war, a brawl, madness, an overdose of heroin, or, simply, unnatural exhaustion-are dead. I am talking about those who are left, and I am talking principally about the young. What are they doing? Well, some, a minority, are fanatical churchgoers, members of the more extreme of the Holy Roller sects. Many, many more are "moslems," by affiliation or sympathy, that is to say that they are united by nothing more-and nothing less-than a hatred of the white world and all its works. They are present, for example, at every Buy Black street-corner meeting-meetings in which the speaker urges his hearers to cease trading with white men and establish a separate economy. Neither the speaker nor his hearers can possibly do this, of course, since Negroes do not own General Motors or RCA or the A&P, nor, indeed, do they own more than a wholly insufficient fraction of anything else in Harlem (those who do own anything are more interested in their profits than in their fellows). But these meetings nevertheless keep alive in the participators a certain pride of bitterness without which, however futile this bitterness may be, they could scarcely remain alive at all. Many have given up. They stay home and watch the TV screen, living on the earnings of their parents, cousins, brothers, or uncles, and only leave the house to go to the movies or to the nearest bar. "How're you making it?" one may ask, running into them along the block, or in the bar. "Oh, I'm TV-ing it"; with the saddest, sweetest, most shamefaced of smiles, and from a great distance. This distance one is compelled to respect; anyone who has traveled so far will not easily be dragged again into the world. There are further retreats, of course, than the TV screen or the bar. There are those who are simply sitting on their stoops, "stoned," animated for a moment only, and hideously, by the approach of someone who may lend them the money for a "fix." Or by the approach of someone from whom they can purchase it, one of the shrewd ones, on the way to prison or just coming out.
|My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation from The Fire Next Time||3|
|Fifth Avenue, Uptown: A Letter From Harlem from Nobody Knows My Name||10|
|Sonny's Blues from Going to Meet the Man||26|
|Nobody Knows My Name: A Letter From the South from Nobody Knows My Name||78|
|Selection from Another Country||97|
|Notes for the Amen Corner from The Amen Corner||150|
|The Next Morning: Act III from The Amen Corner||160|
|The Discovery of What It Means to Be An American from Nobody Knows My Name||190|