Vintage Ondaatjeby Michael Ondaatje
In his novels, poetry, and memoirs, Booker Prize winner Michael Ondaatje moves from the blasted landscape of Billy the Kid in 1880s New Mexico to the New Orleans jazz world of the legendary Buddy Bolden at the turn of the century, from his native Sri Lanka to the African desert of World War II. Compassionate, lyrical, spellbinding, the work he has created unfolds with… See more details below
In his novels, poetry, and memoirs, Booker Prize winner Michael Ondaatje moves from the blasted landscape of Billy the Kid in 1880s New Mexico to the New Orleans jazz world of the legendary Buddy Bolden at the turn of the century, from his native Sri Lanka to the African desert of World War II. Compassionate, lyrical, spellbinding, the work he has created unfolds with mystery and eloquence and enlarges our literature.
Included in Vintage Ondaatje are portions of the novels Anil’s Ghost, In the Skin of the Lion, Coming Through Slaughter, and The English Patient; the memoir Running in the Family; sections from The Collected Works of Billy the Kid; and a selection of the poetry.
Vintage Readers are a perfect introduction to some of the great modern writers, presented in attractive, affordable paperback editions.
From the Trade Paperback edition.
- Knopf Doubleday Publishing Group
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- Random House
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Read an Excerpt
from THE COLLECTED WORKS OF BILLY THE KID
These are the killed.
Morton, Baker, early friends of mine.
Joe Bernstein. 3 Indians.
A blacksmith when I was twelve, with a knife.
5 Indians in self defence (behind a very safe rock).
One man who bit me during a robbery.
Brady, Hindman, Beckwith, Joe Clark,
Deputy Jim Carlyle, Deputy Sheriff J. W. Bell.
And Bob Ollinger. A rabid cat birds during practice,
These are the killed.
Charlie, Tom O'Folliard
Angela D's split arm,
and Pat Garrett sliced off my head.
Blood a necklace on me all my life.
Christmas at Fort Sumner, 1880. There were five of us together then. Wilson, Dave Rudabaugh, Charlie Bowdre, Tom O'Folliard, and me. In November we celebrated my 21st birthday, mixing red dirt and alcohol-a public breathing throughout the night. The next day we were told that Pat Garrett had been made sheriff and had accepted it. We were bad for progress in New Mexico and cattle politicians like Chisum wanted the bad name out. They made Garrett sheriff and he sent me a letter saying move out or I will get you Billy. The government sent a Mr. Azariah F. Wild to help him out. Between November and December I killed Jim Carlyle over some mixup, he being a friend.
Tom O'Folliard decided to go east then, said he would meet up with us in Sumner for Christmas. Goodbye goodbye. A few days before Christmas we were told that Garrett was in Sumner waiting for us all. Christmas night. Garrett, Mason, Wild, with four or five others. Tom O'Folliard rides into town, leaning his rifle between the horse's ears. He would shoot from the waist now which, with a rifle, was pretty good, and he was always accurate.
Garrett had been waiting for us, playing poker with the others, guns on the floor beside them. Told that Tom was riding in alone, he went straight to the window and shot O'Folliard's horse dead. Tom collapsed with the horse still holding the gun and blew out Garrett's window. Garrett already halfway downstairs. Mr. Wild shot at Tom from the other side of the street, rather unnecessarily shooting the horse again. If Tom had used stirrups and didn't swing his legs so much he would probably have been locked under the animal. O'Folliard moved soon. When Garrett had got to ground level, only the horse was there in the open street, good and dead. He couldn't shout to ask Wild where O'Folliard was or he would've got busted. Wild started to yell to tell Garrett though and Tom killed him at once. Garrett fired at O'Folliard's flash and took his shoulder off. Tom O'Folliard screaming out onto the quiet Fort Sumner street, Christmas night, walking over to Garrett, no shoulder left, his jaws tilting up and down like mad bladders going. Too mad to even aim at Garrett. Son of a bitch son of a bitch, as Garrett took clear aim and blew him out.
Garrett picked him up, the head broken in two, took him back upstairs into the hotel room. Mason stretched out a blanket neat in the corner. Garrett placed Tom O'Folliard down, broke open Tom's rifle, took the remaining shells and placed them by him. They had to wait till morning now. They continued their poker game till six a.m. Then remembered they hadn't done anything about Wild. So the four of them went out, brought Wild into the room. At eight in the morning Garrett buried Tom O'Folliard. He had known him quite well. Then he went to the train station, put Azariah F. Wild on ice and sent him back to Washington.
The barn I stayed in for a week then was at the edge of a farm and had been deserted it seemed for several years, though built of stone and good wood. The cold dark grey of the place made my eyes become used to soft light and I burned out my fever there. It was twenty yards long, about ten yards wide. Above me was another similar sized room but the floors were unsafe for me to walk on. However I heard birds and the odd animal scrape their feet, the rotten wood magnifying the sound so they entered my dreams and nightmares.
But it was the colour and light of the place that made me stay there, not my fever. It became a calm week. It was the colour and the light. The colour a grey with remnants of brown-for instance those rust brown pipes and metal objects that before had held bridles or pails, that slid to machine uses; the thirty or so grey cans in one corner of the room, their ellipses, from where I sat, setting up patterns in the dark.
When I had arrived I opened two windows and a door and the sun poured blocks and angles in, lighting up the floor's skin of feathers and dust and old grain. The windows looked out onto fields and plants grew at the door, me killing them gradually with my urine. Wind came in wet and brought in birds who flew to the other end of the room to get their aim to fly out again. An old tap hung from the roof, the same colour as the walls, so once I knocked myself out on it.
For that week then I made a bed of the table there and lay out my fever, whatever it was. I began to block my mind of all thought. Just sensed the room and learnt what my body could do, what it could survive, what colours it liked best, what songs I sang best. There were animals who did not move out and accepted me as a larger breed. I ate the old grain with them, drank from a constant puddle about twenty yards away from the barn. I saw no human and heard no human voice, learned to squat the best way when shitting, used leaves for wiping, never ate flesh or touched another animal's flesh, never entered his boundary. We were all aware and allowed each other. The fly who sat on my arm, after his inquiry, just went away, ate his disease and kept it in him. When I walked I avoided the cobwebs who had places to grow to, who had stories to finish. The flies caught in those acrobat nets were the only murder I saw.
And in the barn next to us there was another granary, separated by just a thick wood door. In it a hundred or so rats, thick rats, eating and eating the foot deep pile of grain abandoned now and fermenting so that at the end of my week, after a heavy rain storm burst the power in those seeds and brought drunkenness into the minds of those rats, they abandoned the sanity of eating the food before them and turned on each other and grotesque and awkwardly because of their size they went for each other's eyes and ribs so the yellow stomachs slid out and they came through that door and killed a chipmunk-about ten of them onto that one striped thing and the ten eating each other before they realised the chipmunk was long gone so that I, sitting on the open window with its thick sill where they couldn't reach me, filled my gun and fired again and again into their slow wheel across the room at each boommm, and reloaded and fired again and again till I went through the whole bag of bullet supplies-the noise breaking out the seal of silence in my ears, the smoke sucked out of the window as it emerged from my fist and the long twenty yard space between me and them empty but for the floating bullet lonely as an emissary across and between the wooden posts that never returned, so the rats continued to wheel and stop in the silences and eat each other, some even the bullet. Till my hand was black and the gun was hot and no other animal of any kind remained in that room but for the boy in the blue shirt sitting there coughing at the dust, rubbing the sweat of his upper lip with his left forearm.
After shooting Gregory this is what happened
I'd shot him well and careful made it explode under his heart so it wouldn't last long and was about to walk away when this chicken paddles out to him and as he was falling hops on his neck digs the beak into his throat straightens legs and heaves a red and blue vein out
Meanwhile he fell and the chicken walked away
still tugging at the vein till it was 12 yards long as if it held that body like a kite
Gregory's last words being
get away from me yer stupid chicken
January at Tivan Arroyo, called Stinking Springs more often. With me, Charlie, Wilson, Dave Rudabaugh. Snow. Charlie took my hat and went out to get wood and feed the horses. The shot burnt the clothes on his stomach off and lifted him right back into the room. Snow on Charlie's left boot. He had taken one step out. In one hand had been an axe, in the other a pail. No guns.
Get up Charlie, get up, go and get one. No Billy. I'm tired, please. Jesus watch your hands Billy. Get up Charlie. I prop him to the door, put his gun in his hand. Take off, good luck Charlie.
He stood there weaving, not moving. Then began to walk in a perfect, incredible straight line out of the door towards Pat and the others at the ridge of the arroyo about twenty yards away. He couldn't even lift his gun. Moving sideways at times but always always in a straight line. Dead on Garrett. Shoot him Charlie. They were watching him only, not moving. Over his shoulder I aimed at Pat, fired, and hit his shoulder braid. Hadn't touched him. Charlie hunched. Get up Charlie kill him kill him. Charlie got up poking the gun barrel in snow. Went straight towards Garrett. The others had ducked down, but not Garrett who just stood there and I didn't shoot again. Charlie he knew was already dead now, had to go somewhere, do something, to get his mind off the pain. Charlie went straight, now closer to them his hands covered the mess in his trousers. Shoot him Charlie shoot him. The blood trail he left straight as a knife cut. Getting there getting there. Charlie getting to the arroyo, pitching into Garrett's arms, slobbering his stomach on Garrett's gun belt. Hello Charlie, said Pat quietly.
Snow outside. Wilson, Dave Rudabaugh and me. No windows, the door open so we could see. Four horses outside.
Pat Garrett, ideal assassin. Public figure, the mind of a doctor, his hands hairy, scarred, burned by rope, on his wrist there was a purple stain there all his life. Ideal assassin for his mind was unwarped. Had the ability to kill someone on the street walk back and finish a joke. One who had decided what was right and forgot all morals. He was genial to everyone even his enemies. He genuinely enjoyed people, some who were odd, the dopes, the thieves. Most dangerous for them, he understood them, what motivated their laughter and anger, what they liked to think about, how he had to act for them to like him. An academic murderer-only his vivacious humour and diverse interests made him the best kind of company. He would listen to people like Rudabaugh and giggle at their escapades. His language was atrocious in public, yet when alone he never swore.
At the age of 15 he taught himself French and never told anyone about it and never spoke to anyone in French for the next 40 years. He didn't even read French books.
Between the ages of 15 and 18 little was heard of Garrett. In Juan Para he bought himself a hotel room for two years with money he had saved and organised a schedule to learn how to drink. In the first three months he forced himself to disintegrate his mind. He would vomit everywhere. In a year he could drink two bottles a day and not vomit. He began to dream for the first time in his life. He would wake up in the mornings, his sheets soaked in urine 40% alcohol. He became frightened of flowers because they grew so slowly that he couldn't tell what they planned to do. His mind learned to be superior because of the excessive mistakes of those around him. Flowers watched him.
After two years he could drink anything, mix anything together and stay awake and react just as effectively as when sober. But he was now addicted, locked in his own game. His money was running out. He had planned the drunk to last only two years, now it continued into new months over which he had no control. He stole and sold himself to survive. One day he was robbing the house of Juanita Martinez, was discovered by her, and collapsed in her living room. In about six months she had un-iced his addiction. They married and two weeks later she died of a consumption she had hidden from him.
What happened in Garrett's mind no one knows. He did not drink, was never seen. A month after Juanita Garrett's death he arrived in Sumner.
PAULITA MAXWELL: I remember the first day Pat Garrett ever set foot in Fort Sumner. I was a small girl with dresses at my shoe-tops and when he came to our house and asked for a job, I stood behind my brother Pete and stared at him in open eyed wonder; he had the longest legs I'd ever seen and he looked so comical and had such a droll way of talking that after he was gone, Pete and I had a good laugh about him.
His mind was clear, his body able to drink, his feelings, unlike those who usually work their own way out of hell, not cynical about another's incapacity to get out of problems and difficulties. He did ten years of ranching, cow punching, being a buffalo hunter. He married Apolinaria Guitterrez and had five sons. He had come to Sumner then, mind full of French he never used, everything equipped to be that rare thing-a sane assassin sane assassin sane assassin sane assassin sane assassin sane
from COMING THROUGH SLAUGHTER
Got here this afternoon. Walk around remembering you from the objects I find. Books, pictures on the wall, nail holes in the ceiling where you've hung your magnets, seed packets on the shelf above the sink-the skin you shed when you finish your vacations. Re-smell your character.
Not enough blankets here, Webb, and it's cold. Found an old hunting jacket. I sleep against its cloth full of hunter sweat, aroma of cartridges. I went to bed as soon as I arrived and am awake now after midnight. Scratch of suicide at the side of my brain.
Meet the Author
Michael Ondaatje is the author of three previous novels, a memoir and eleven books of poetry. His novel The English Patient won the Booker Prize. Born in Sri Lanka, he moved to Canada in 1962 and now lives in Toronto.
From the Trade Paperback edition.
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