Vintage Violence

Editorial Reviews

All Music Guide - Mark Deming
John Cale had the strongest avant-garde credentials of anyone in the Velvet Underground, but he was also the Velvet whose solo career was the least strongly defined by his work with the band, and his first solo album, Vintage Violence, certainly bears this out. While the banshee howls of Cale's viola and the percussive stab of his keyboard parts were his signature sounds on The Velvet Underground and Nico and White Light/White Heat, Cale's first solo album, 1970's Vintage Violence, was a startlingly user-friendly piece of mature, intelligent pop whose great failing may have been being a shade too sophisticated for radio. Cale's work with the Velvets was purposefully rough ...
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Editorial Reviews

All Music Guide - Mark Deming
John Cale had the strongest avant-garde credentials of anyone in the Velvet Underground, but he was also the Velvet whose solo career was the least strongly defined by his work with the band, and his first solo album, Vintage Violence, certainly bears this out. While the banshee howls of Cale's viola and the percussive stab of his keyboard parts were his signature sounds on The Velvet Underground and Nico and White Light/White Heat, Cale's first solo album, 1970's Vintage Violence, was a startlingly user-friendly piece of mature, intelligent pop whose great failing may have been being a shade too sophisticated for radio. Cale's work with the Velvets was purposefully rough and aurally challenging, but Vintage Violence is buffed to a smooth, satin finish, with Cale and his group sounding witty on tunes like "Adelaide" and "Cleo," pensive on "Amsterdam," and lushly orchestrated on "Big White Cloud." Cale also gets a lot of production value out of his backing group, credited as "Penguin" but actually members of Garland Jeffreys' band, Grinder's Switch. And anyone expecting the fevered psychosis that Cale let loose on later albums like Fear and Sabotage/Live is in for a surprise; Cale has rarely sounded this well-adjusted on record, though his lyrical voice is usually a bit too cryptic to stand up to a literal interpretation of his words. If Cale wanted to clear out a separate and distinct path for his solo career, he certainly did that with Vintage Violence, though it turned out to be only one of many roads he would follow in the future. [The 2001 CD reissue adds two bonus tracks: a previously unreleased alternate version of "Fairweather Friend," and the previously unreleased "Wall."]
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Product Details

  • Release Date: 3/1/2008
  • Label: Sbme Special Mkts.
  • UPC: 886972429526
  • Catalog Number: 724295
  • Sales rank: 29,993

Tracks

Disc 1
  1. 1 Hello There (2:48)
  2. 2 Gideon's Bible (3:22)
  3. 3 Adelaide (2:18)
  4. 4 Big White Cloud (3:31)
  5. 5 Cleo (2:35)
  6. 6 Please (4:19)
  7. 7 Charlemagne (5:03)
  8. 8 Bring It on Up (2:24)
  9. 9 Amsterdam (3:14)
  10. 10 Ghost Story (3:48)
  11. 11 Fairweather Friend (2:32)
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Album Credits

Performance Credits
John Cale Primary Artist, Bass, Guitar, Conductor, Keyboards, Viola
Harvey Brooks Bass
Sanford Konikoff Drums
Technical Credits
John Cale Arranger, Producer, Liner Notes
Bruce Dickinson Producer
Garland Jeffreys Liner Notes
John McClure Executive Producer
Don Meehan Engineer
Lewis Merenstein Producer
Meren Stein Producer
Howard Fritzson Art Direction
Darcy Proper Mastering
Jim Reeves Engineer
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