The Violet Hour

The Violet Hour

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by Daniel Judson

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In Daniel Judson's powerful thriller, Bridgehampton mechanic Caleb Rakowski gets paid under the table at his friend Eric Carver's auto repair shop and lives in an apartment above it. He's good at his job and he's making a decent living, but right now he's sheltering a pregnant friend who'll do anything to keep her abusive husband away from her. Cal has sworn to

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In Daniel Judson's powerful thriller, Bridgehampton mechanic Caleb Rakowski gets paid under the table at his friend Eric Carver's auto repair shop and lives in an apartment above it. He's good at his job and he's making a decent living, but right now he's sheltering a pregnant friend who'll do anything to keep her abusive husband away from her. Cal has sworn to protect her. Little does he know, though, the trouble destined to come down over the course of three days--Mischief Night, Halloween, and the Day of the Dead--when he learns the truth about his friend and boss Eric Carver and what he's been hiding all these years.

Daniel Judson is a craftsman of modern noir, an incredible talent in the vein of Ellroy or Chandler. Like his previous novels, The Violet Hour is tightly drawn, hauntingly atmospheric, and completely searing.

Editorial Reviews

Chicago Tribune on The Water’s Edge
Daniel Judson is so much more than a crime-fiction novelist. He's a tattooed poet, a mad philosopher of the Apocalypse fascinated with exploring the darkest places in people's souls.
USA Today on The Darkest Place
Action packed. . . . It's noir on ice.
Publishers Weekly
Shamus-winner Judson (The Water's Edge) once again successfully mines Long Island's south fork for glittering noir nuggets. Auto mechanic Caleb Rakowski, the lone survivor of a criminal family, lives on the fringes of respectability in a two-room apartment above the garage owned by his wealthy boss, Eric Carver. Staying out of trouble isn't possible when you're sheltering the pregnant wife of Ronnie Pamona, vengeful former NFL player. Nor is it possible when your occasional assistant, Lebell, is being sought by killers who think you're the best connection to him they've got. The action plays out over a mere three days—Mischief Night, Halloween, Day of the Dead—as the inexperienced Cal tries to protect a growing number of people against crooked cops, trained assassins and other bad guys. Readers will want to see more of the flawed but appealing Cal, with his inbred distrust of authority and outsized sense of loyalty. (Oct.)
Kirkus Reviews
A young auto mechanic confronts enough corpses to overflow a body shop. Caleb Rakowski, 22, is about to have his humdrum existence upended. Too bad, because Cal's grown to like humdrum. Until recently, his life has been made painfully eventful by a cluster of deaths: his mother's, father's and brother's. But time has permitted some healing, and he's settled into a comfortable niche in the Hamptons doing work he's gifted at-he has a wizard's way with complicated cars-for decent pay. And he has a friend, Lebell, someone who understands him, someone he feels he can trust. Wrong. To begin with, Lebell is not Lebell. Nor is he a good many of the other names people have known him by. Whoever he really is, someone's trying very hard to do away with him for reasons that are never entirely persuasive. Through the ironclad law of unintended consequences, Cal soon realizes that he too has a target on his back. It turns out, however, that the youthful classic-car maven has been seriously underestimated by the bad guys, including the mysterious Rabbit Angstrom (!), and that in the cutthroat game of Survivalist Poker, Cal can wheel and deal with the worst of them. As in his debut (The Darkest Place, 2006), Judson plots haphazardly, but the writing's pretty good.

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Product Details

St. Martin's Press
Publication date:
Edition description:
First Edition
Product dimensions:
5.40(w) x 8.20(h) x 0.90(d)

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The Violet Hour

By Daniel Judson

St. Martin's Press

Copyright © 2009 Daniel Judson
All rights reserved.
ISBN: 978-1-4299-6111-0


During the final week of October, on a clear but moonless night, the last train from Manhattan pulled into Bridgehampton, a solitary female passenger disembarking and heading straight for the nondescript black Ford sedan waiting at the far end of the station parking lot.

She was tall — this much her long overcoat could not conceal — but beneath the coat was the body of an athlete, lean and strong, which was something of a miracle, considering where she had come from, the childhood she'd endured and, at last, escaped. A head of curly black hair, the dark skin of her South American mother, all of twenty-six years old now but confident — something else her overcoat could not hide. She walked steadily, without once looking around, and reached finally the sedan. The glove compartment was to contain directions to her final destination, and under the passenger seat she was to find a two-foot-long Maglite flashlight. Once inside the vehicle, she retrieved both items and laid them beside her, then waited behind the wheel till the train began to pull away from the empty platform. When it was gone, she surveyed the lot, particularly its several shadows, looking for anything that might indicate she wasn't alone. Seeing nothing suspicious, she removed the key from over the visor and turned the ignition, beginning the last — and, hopefully, the briefest — leg of her night's journey.

The directions looked simple enough, only a handful of turns, and in the end it took her less than ten minutes, which pleased her; a long late-night train ride meant she wasn't in the mood for difficulties. The building sat on the edge of a two-lane road called, according to the paper beside her, Montauk Highway. Hardly a highway at all, she thought, at least not as she understood the meaning of the word, but that was English, wasn't it? Of all the things she'd learned in these past few years — all the things she'd been taught to make her what she was now — it was the English language that had given her the most trouble.

Her instructions tonight were to pull around to the back of this building, and as she did, following the curve of the gravel path, she caught sight of the unlit neon sign hanging above the darkened front door. HOTEL ST. JAMES. Maybe once, she thought, long ago; now, though, it was just a two-story building with all its windows boarded over, little more than a dark shape standing silent and still beneath the dark night. Her home for the next few days, but she'd known worse places than this, suffered through hardships greater by far than a few nights in some abandoned hotel at the end of the known world.

She parked the sedan at the rear driveway's edge, out of sight of the main road. No need to worry about leaving tire tracks or footprints, or so she'd been told; still, she kept to the gravel as she approached the back door.

Using the flashlight to find the key that had been placed for her under the second of three stone steps, she entered the building through its kitchen, instantly sensing all around her an absolute stillness. This was a dormant and forgotten place, cold to the point of being raw — that kind of chill that is only found inside, never outside. Stagnant, like a cave. As always, she carried with her only what she needed, deriving for herself a deep joy from limited possessions. Maybe it was simply a matter of her enjoying the fact that it was by choice, her choice, as opposed to the times in her life — the first twenty years of it, trapped in the slums of São Paulo — when having nothing was not a choice at all.

Her few possessions — clothes for a handful of days and various tools of her trade — were packed into a small canvas shoulder bag, a tank mechanic's bag, according to the man at the army surplus store. Though compact, it held all that would be required to live till it came time for her to act.

The room in which she was to wait for the call — in the only part of the building with running water and electricity — was on the second floor, at the far end of the hall. Looking for the stairs, her flashlight the only source of illumination, she left the kitchen and entered a dining room, stepping from there into a large and echoing foyer beyond which stood the main stairway. Wide, curving, its ornate banister all but lost to rot. She made her way to it and started up, testing each plank before she dared to place her full weight upon it.

The room at the end of the hall was as cold as the rest of the hotel. She found a light switch on the wall just inside the door, flipped it on, and looked around for a thermostat but found none. Beside the bed, which had been made up for her with fresh linens and several heavy blankets, was a small electric heater. She plugged it in, her face already numbing, and switched the power on, watching as the inner coils went from black to orange.

As the dry heat began finally to rise, she placed the mechanic's bag on the foot of the strange bed. Still in her overcoat, she looked around this bare and indifferent room, studying each wall and corner, bracing herself for the long days of solitude, and the even longer nights, ahead.

Inside her still, despite what she was now, what she had become, was that child he had found, the slum-flower, he had called her, who lived in fear every day of sunset.

The call came three nights later, on a Friday, at half past seven.

She sat up fast, answering before the cell phone had the chance to buzz a second time. Only Janssen had this number, so there was no reason for her to consider that it might be someone else on the other end.

"Hey," she whispered. Her voice was soft, groggy. She wished instantly that she had sounded different — anything other than this sleepy girl.

"I woke you," Janssen said.

She moved to the edge of the mattress, looked toward the one window that wasn't boarded over. It offered a view of the rear driveway and a backyard of overgrown grass, but all she could see now was the top of the line of half-bare trees that bordered the property.


"Daydreaming, then?"

She nodded. "Yeah."

"Good things, I hope."

"Yes," she said. It was a lie. To cover it up, she said quickly, "Are you home?"

"I am."

She closed her eyes, thought of his place — their place, he insisted.

"If all goes well tonight," he said, "you'll be back in time for breakfast."

Hearing that pleased her. The sooner she was out of there — too much time to lie around and remember the past — the better.

"I can be out the door in a half hour."

"We have time, so no need to rush. Do what you need to do first. According to our man on the inside, he should be in place some time after ten. It shouldn't be difficult at all for you to get next to him. I'll text you the details."


"If for some reason he doesn't show tonight, we'll try again tomorrow night."

She closed her eyes at the thought of another day spent sleeping till she could sleep no more, then lying still on that worn and musty mattress, waiting for the night to come. She decided to focus on him instead. Significantly older than she, his hair already gray, he was nonetheless a vital man. Tall, strong, kind, patient. The touch of his hand all but paralyzed her, brought her joy instead of torment. His was the only hand to ever do so. Of course, all she had of him at this moment was the sound of his voice — deep and resonant like a cello. It, too, had an effect on her, but it wasn't enough, not now.

"We'll go away after this," he offered. "Once it's done we'll be free to go anywhere we want."

"I'd like that." She paused a moment, then said, "I miss you."

There was no hesitation from Janssen. "I miss you, too, Evie. Get this done and come back to me. Okay?"


Before she could say anything more, the line went dead.

* * *

The transformation didn't take long at all; she was good at making this change, so much so that the woman who made her way down the dark hallway a half hour later was, for all intents and purposes, not the woman who had entered it three days before.

A wig of thick auburn hair — straight, with long bangs — masked her dark curls, and her eyes, which were green — covetous eyes, he called them — were sharp blue now, made so by the contact lenses he had provided. High heels and a padded bra changed not only her overall shape but the way she carried herself — no longer simply tall, she was now statuesque; no longer athletic, she was now curvy. Eye-catching, provocative, she — not she, not Evangeline Amendora, Evie to him, but rather this woman — would no doubt stand out in a crowd, which was a necessity. Have them looking for this auburn-haired woman while a woman with dark curly hair was slipping out of town.

A black evening dress that hugged her curves — natural and otherwise — completed the transformation from who and what she was to who and what she needed to be. Even her overcoat, held closed against the stagnant chill of the dark hallway, couldn't hide the woman below, not this woman.

The text he had sent her was thorough, as always. Directions to the location, a restaurant in the nearby town of Southampton. He had also sent several photos of the target and her best route of escape, should it come to that. In that case, she was to make it to a train station a mile to the north — directions to it and the times of the last few trains for the night were, of course, included. Though she expected nothing less, she was grateful for his attention to detail; as good as she was, a number of things could still go wrong. She had to always keep that in mind.

Reaching the end of the hallway, she climbed down the rotting stairs, needed to move with more caution than before now because of the heels. Making her way to the empty kitchen, she exited through the back door and started toward the sedan. Cold out tonight, windy, dead leaves scuffling across the gravel driveway. That, and the sound of her footsteps, was all there was for her to hear.

Heading westward, into strong winds, it felt at times as if she were driving against the current of a rushing river, but the glass and steel of the sedan protected her, and the heater, set on high, blew an endless supply of warmth that was nothing less than exquisite.

Twenty minutes later she was in the town of Southampton, found the restaurant easily enough — in the heart of that village on Main Street — its facade a long row of tall glass doors, its interior lit by soft yellow light. She rode past it, slowly, studying the place, then turned around at the end of the block and passed it once more before driving north, through a residential neighborhood to the train station. From there she could catch the train west, take it back to the city, leaving the sedan to be picked up by whoever had left it for her.

On her way back to the heart of town she took note of the storm drains, where she would ditch her various elements of disguise as she made her escape. Again, only if things went wrong.

She passed the restaurant one last time, then parked a half block down from it but remained behind the wheel, taking a good look at her surroundings. She saw shops and boutiques and a number of other restaurants — upper-scale places, every last one of them. The shops were all closed, so the restaurants were the only signs of life tonight. A street somehow both lit and dark. A wealthy town, no doubt about that. She sat still, felt nothing but a steady calm now. Poised to strike. No one better at that than she.

At ten she took one more look at herself in the rearview mirror — cold blue eyes all but obscured by long auburn bangs — then got out and walked toward the restaurant. Her heels sounded hollow on the old brick sidewalk, the echo somehow both following her and out in front. Steps from the restaurant, she felt her stomach suddenly tighten. Not nerves or fear, simply an anticipatory response, as deep and raw as a sexual urge.

He lived only a few blocks away, on a street called Meeting House Lane; she, of course, knew this, knew, too, that he walked home from this restaurant, more than likely to avoid having to drive his brand-new car while drunk. It was a walk that would take them, at best, ten minutes, and as she sat next to him at the bar and drank, holding her own with him, she counted on those moments in the cold night air to clear her head, knew that she could drag the walk out longer if she needed more time.

Control was crucial, always.

Her mark was a big man, but she wasn't at all intimidated. In his midthirties, handsome enough, in that polished but rugged way — short dark hair, perfectly tousled, a square jaw shadowed with a few days' stubble, a midlength leather jacket, wornout but still shiny, well-fitting jeans and motorcycle boots. Militich was his name, though he was known by another here, had used it, as she knew he would, when, after several drinks, it came time finally for them to exchange names.

She added time to their walk to his place — arm in arm, so obvious, to him and those who had seen them leave together, where exactly this seemingly chance meeting was leading — by stopping at shops to look in their windows at things that were on display, things she otherwise had no interest in. She giggled and laughed, pretended to almost fall over now and then — an exaggeration of her inebriated state that was for him and anyone who might be watching them. Each time she almost fell, he'd pull her to him, hold her close. There was a youthfulness to his power, but she had no interest in that, either.

His apartment, three small rooms on the top floor of a two-story house, looked exactly like the hideaway it was. Sparsely furnished, bare walls, little that couldn't be taken quickly or, if needed, left behind. He kept the lights off; the streetlamps outside were more than enough. Plus, she knew, a woman was more likely to be uninhibited in dim light.

She stood by his front window, still wearing her overcoat, looked down at the narrow side street, lined with modest homes, and asked if he had something for them to drink. It was, at last, time for her to act. He went into his kitchen and came out with a bottle of cheap tequila and two tumblers — thick glass with heavy bottoms, square shaped, the words SOUTHAMPTON PUBLICK HOUSE stenciled on three sides. She sent him back into the kitchen for some ice, then added, once he was gone from sight, a clear liquid to his glass, expertly pouring it from a mini flask that she then returned to her overcoat. Back from the kitchen, he dropped a handful of ice into her glass, and she handed his to him. They drank, the contents of both glasses gone in single gulps. This alcohol wouldn't hit her system for a while, wouldn't negate her efforts to keep in control, at least not immediately. The effects of what she had added to his drink, however, wouldn't take long at all to manifest.

He stayed with her by the window, facing her, standing close and touching her shoulder with his right hand. He was, it seemed, in no rush, was maybe even waiting for her to make the move, be the one to initiate their inevitable shift from strangers to lovers.

She told him she needed to use the bathroom first, made the point of softly emphasizing the word "first." Let him believe he was just moments away.

In the tiny room off the kitchen she ran the cold water, splashing her face with it. She would need every possible scrap of clarity now. Drying her face and hands, she looked at her reflection in the mirror above the sink, told herself what she always told herself in the moments prior to a kill.

Men were now the prey, and she was the one with the power.

She returned to the living room, saw that he was seated on the couch, slouching, his eyes closing and opening sluggishly. When he realized that she was standing in the doorway, he looked at her, said softly, "Hey," and got up, or at least tried to. He managed to stand, but it took him a moment to do so, and even when he was at last upright, facing her, he swayed just a little.

She felt no sadness for him.

He took a step toward her, stumbled, caught himself, then stood perfectly still, as if he were afraid suddenly of moving at all, in any manner or direction. She remained where she was, watching him. There was nothing left for her to do now but wait. Just moments left.


Excerpted from The Violet Hour by Daniel Judson. Copyright © 2009 Daniel Judson. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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