The Virginian (100th Anniversary)

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Overview

The Virginian (1902) is Owen Wister's classic popular romance, and the most significant shaping influence on the Western genre. This edition includes Wister's neglected essay, The Evolution of the Cow-Puncher (1895) and an introduction highlighting the social, gender, and political implications of Wister's mythic West in the context of its actual economic history and Wister's patrician career.

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Overview

The Virginian (1902) is Owen Wister's classic popular romance, and the most significant shaping influence on the Western genre. This edition includes Wister's neglected essay, The Evolution of the Cow-Puncher (1895) and an introduction highlighting the social, gender, and political implications of Wister's mythic West in the context of its actual economic history and Wister's patrician career.

Editorial Reviews

A full-cast dramatization keeps this Western story fast-paced and involving. Set in Wyoming, this tells of a Southerner who is peaceful, fair, and strong - but lacking in romance. Enter a beautiful Eastern woman to complete his life. The dramatic recording style makes for a wonderful presentation filled with the action and defects of an old-time radio show, but with modern players (the St. Charles Players).

Product Details

  • ISBN-13: 9780451528322
  • Publisher: Penguin Group (USA)
  • Publication date: 4/28/2002
  • Format: Mass Market Paperback
  • Edition description: 100th Anniversary Edition
  • Edition number: 100
  • Pages: 400
  • Product dimensions: 4.30 (w) x 6.74 (h) x 0.95 (d)

Meet the Author

Robert Shulman is Professor of English and American Studies at the University of Washington.

Table of Contents

Introduction vii
To the Reader xxiii
Re-Dedication and Preface xxv
I. Enter the Man 1
II. "When You Call Me That, Smile!" 6
III. Steve Treats 19
IV. Deep into Cattle Land 27
V. Enter the Woman 37
VI. Em'ly 40
VII. Through Two Snows 52
VIII. The Sincere Spinster 55
IX. The Spinster Meets the Unknown 59
X. Where Fancy Was Bred 66
XI. "You're Going to Love Me Before We Get Through" 76
XII. Quality and Equality 85
XIII. The Game and the Nation--Act First 91
XIV. Between the Acts 97
XV. The Game and the Nation--Act Second 102
XVI. The Game and the Nation--Last Act 108
XVII. Scipio Moralizes 125
XVIII. "Would You Be a Parson?" 129
XIX. Dr. MacBride Begs Pardon 137
XX. The Judge Ignores Particulars 141
XXI. In a State of Sin 145
XXII. "What Is a Rustler?" 155
XXIII. Various Points 162
XXIV. A Letter with a Moral 169
XXV. Progress of the Lost Dog 173
XXVI. Balaam and Pedro 183
XXVII. Grandmother Stark 196
XXVIII. No Dream to Wake From 218
XXIX. Word to Bennington 220
XXX. A Stable on the Flat 230
XXXI. The Cottonwoods 239
XXXII. Superstition Trail 246
XXXIII. The Spinster Loses Some Sleep 259
XXXIV. "To Fit Her Finger" 268
XXXV. With Malice Aforethought 272
XXXVI. At Dunbarton 295
Literary Allusions and Notes 309
Suggestions for Further Reading 321

First Chapter

Chapter One

Enter the Man

Some notable sight was drawing the passengers, both men and women, to the window; and therefore I rose and crossed the car to see what it was. I saw near the track an enclosure, and round it some laughing men, and inside it some whirling dust, and amid the dust some horses, plunging, huddling, and dodging. They were cow ponies in a corral, and one of them would not be caught, no matter who threw the rope. We had plenty of time to watch this sport, for our train had stopped that the engine might take water at the tank before it pulled us up beside the station platform of Medicine Bow.1 We were also six hours late, and starving for entertainment. The pony in the corral was wise, and rapid of limb. Have you seen a skilful boxer watch his antagonist with a quiet, incessant eye? Such an eye as this did the pony keep upon whatever man took the rope. The man might pretend to look at the weather, which was fine; or he might affect earnest conversation with a bystander: it was bootless. The pony saw through it. No feint hoodwinked him. This animal was thoroughly a man of the world. His undistracted eye stayed fixed upon the dissembling foe, and the gravity of his horse-expression made the matter one of high comedy. Then the rope would sail out at him, but he was already elsewhere; and if horses laugh, gayety must have abounded in that corral. Sometimes the pony took a turn alone; next he had slid in a flash among his brothers, and the whole of them like a school of playful fish whipped round the corral, kicking up the fine dust, and (I take it) roaring with laughter. Through the window-glass of our Pullman2 the thud of their mischievous hoofs reached us, and the strong, humorous curses of the cow-boys. Then for the first time I noticed a man who sat on the high gate of the corral, looking on. For he now climbed down with the undulations of a tiger, smooth and easy, as if his muscles flowed beneath his skin. The others had all visibly whirled the rope, some of them even shoulder high. I did not see his arm lift or move. He appeared to hold the rope down low, by his leg. But like a sudden snake I saw the noose go out its length and fall true; and the thing was done. As the captured pony walked in with a sweet, church-door expression, our train moved slowly on to the station, and a passenger remarked, "That man knows his business."

But the passenger's dissertation upon roping I was obliged to lose, for Medicine Bow was my station. I bade my fellow-travellers good-by, and descended, a stranger, into the great cattle land. And here in less than ten minutes I learned news which made me feel a stranger indeed.

My baggage was lost; it had not come on my train; it was adrift somewhere back in the two thousand miles that lay behind me. And by way of comfort, the baggage-man remarked that passengers often got astray from their trunks, but the trunks mostly found them after a while. Having offered me this encouragement, he turned whistling to his affairs and left me planted in the baggage-room at Medicine Bow. I stood deserted among crates and boxes, blankly holding my check, furious and forlorn. I stared out through the door at the sky and the plains; but I did not see the antelope shining among the sage-brush, nor the great sunset light of Wyoming. Annoyance blinded my eyes to all things save my grievance: I saw only a lost trunk. And I was muttering half-aloud, "What a forsaken hole this is!" when suddenly from outside on the platform came a slow voice: --

"Off to get married again? Oh, don't!"

The voice was Southern and gentle and drawling; and a second voice came in immediate answer, cracked and querulous: --

"It ain't again. Who says it's again? Who told you, anyway?"

And the first voice responded caressingly: --

"Why, your Sunday clothes told me, Uncle Hughey. They are speakin' mighty loud o' nuptials."

"You don't worry me!" snapped Uncle Hughey, with shrill heat.

And the other gently continued, "Ain't them gloves the same yu' wore to your last weddin'?"

"You don't worry me! You don't worry me!" now screamed Uncle Hughey.

Already I had forgotten my trunk; care had left me; I was aware of the sunset, and had no desire but for more of this conversation. For it resembled none that I had heard in my life so far. I stepped to the door and looked out upon the station platform.

Lounging there at ease against the wall was a slim young giant, more beautiful than pictures. His broad, soft hat was pushed back; a loose-knotted, dull-scarlet handkerchief sagged from his throat; and one casual thumb was hooked in the cartridge-belt that slanted across his hips. He had plainly come many miles from somewhere across the vast horizon, as the dust upon him showed. His boots were white with it. His overalls were gray with it. The weather-beaten bloom of his face shone through it duskily, as the ripe peaches look upon their trees in a dry season. But no dinginess of travel or shabbiness of attire could tarnish the splendor that radiated from his youth and strength. The old man upon whose temper his remarks were doing such deadly work was combed and curried to a finish, a bridegroom swept and garnished; but alas for age! Had I been the bride, I should have taken the giant, dust and all.

He had by no means done with the old man.

"Why, yu've hung weddin' gyarments on every limb!" he now drawled, with admiration. "Who is the lucky lady this trip?"

The old man seemed to vibrate. "Tell you there ain't been no other! Call me a Mormon,3 would you?"

"Why, that -- "

"Call me a Mormon? Then name some of my wives. Name two. Name one. Dare you!"

" -- that Laramie wido' promised you -- "

"Shucks!"

" -- only her docter suddenly ordered Southern climate and -- "

"Shucks! You're a false alarm."

" -- so nothing but her lungs came between you. And next you'd most got united with Cattle Kate, only -- "

"Tell you you're a false alarm!"

" -- only she got hung."

"Where's the wives in all this? Show the wives! Come now!"

"That corn-fed biscuit-shooter4 at Rawlins yu' gave the canary -- "

"Never married her. Never did marry -- "

"But yu' come so near, uncle! She was the one left yu' that letter explaining how she'd got married to a young cyard-player the very day before her ceremony with you was due, and -- "

"Oh, you're nothing; you're a kid; you don't amount to -- "

" -- and how she'd never, never forget to feed the canary."

"This country's getting full of kids," stated the old man, witheringly. "It's doomed." This crushing assertion plainly satisfied him. And he blinked his eyes with renewed anticipation. His tall tormentor continued with a face of unchanging gravity, and a voice of gentle solicitude: --

"How is the health of that unfortunate -- "

"That's right! Pour your insults! Pour 'em on a sick, afflicted woman!" The eyes blinked with combative relish.

"Insults? Oh, no. Uncle Hughey!"

"That's all right! Insults goes!"

"Why, I was mighty relieved when she began to recover her mem'ry. Las' time I heard, they told me she'd got it pretty near all back. Remembered her father, and her mother, and her sisters and brothers, and her friends, and her happy childhood, and all her doin's except only your face. The boys was bettin' she'd get that far too, give her time. But I reckon afteh such a turrable sickness as she had, that would be expectin' most too much."

At this Uncle Hughey jerked out a small parcel. "Shows how much you know!" he cackled. "There! See that! That's my ring she sent me back, being too unstrung for marriage. So she don't remember me, don't she? Ha-ha! Always said you were a false alarm."

The Southerner put more anxiety into his tone. "And so you're a-takin' the ring right on to the next one!" he exclaimed. "Oh, don't go to get married again, Uncle Hughey! What's the use o' being married?"

"What's the use?" echoed the bridegroom, with scorn. "Hm! When you grow up you'll think different."

"Course I expect to think different when my age is different. I'm havin' the thoughts proper to twenty-four, and you're havin' the thoughts proper to sixty."

"Fifty!" shrieked Uncle Hughey, jumping in the air.

The Southerner took a tone of self-reproach. "Now, how could I forget you was fifty," he murmured, "when you have been telling it to the boys so careful for the last ten years!"

Have you ever seen a cockatoo -- the white kind with the top-knot -- enraged by insult? The bird erects every available feather upon its person. So did Uncle Hughey seem to swell, clothes, mustache, and woolly white beard; and without further speech he took himself on board the East-bound train, which now arrived from its siding in time to deliver him.

Yet this was not why he had not gone away before. At any time he could have escaped into the baggage-room or withdrawn to a dignified distance until his train should come up. But the old man had evidently got a sort of joy from this teasing. He had reached that inevitable age when we are tickled to be linked with affairs of gallantry, no matter how.

With him now the East-bound departed slowly into that distance whence I had come. I stared after it as it went its way to the far shores of civilization. It grew small in the unending gulf of space, until all sign of its presence was gone save a faint skein of smoke against the evening sky. And now my lost trunk came back into my thoughts, and Medicine Bow seemed a lonely spot. A sort of ship had left me marooned in a foreign ocean; the Pullman was comfortably steaming home to port, while I -- how was I to find Judge Henry's ranch? Where in this unfeatured wilderness was Sunk Creek? No creek or any water at all flowed here that I could perceive. My host had written he should meet me at the station and drive me to his ranch. This was all that I knew. He was not here. The baggage-man had not seen him lately. The ranch was almost certain to be too far to walk to to-night. My trunk -- I discovered myself still staring dolefully after the vanished East-bound; and at the same instant I became aware that the tall man was looking gravely at me, -- as gravely as he had looked at Uncle Hughey throughout their remarkable conversation.

To see his eye thus fixing me and his thumb still hooked in his cartridge-belt, certain tales of travellers from these parts forced themselves disquietingly into my recollection. Now that Uncle Hughey was gone, was I to take his place and be, for instance, invited to dance on the platform to the music of shots nicely aimed?

"I reckon I am looking for you, seh," the tall man now observed.

Copyright © 1902 by The Macmillan Company

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  • Posted December 3, 2011

    This started it all -- from cowboy movies through Star Wars protagonists

    Until last summer, this was just one of those books I had on my 'bucket list'. I bought it and didn't start to read it until two months later. Then, I read it and then, I read it again, dog ear-ing pages that made sense, had notable descriptions, quotations, etc.

    The Virginian is a classic. Wister takes a long range introduction, as if he had a movie camera in the first few pages, describing what he saw from the train window as everyone noticed that distinctive cow-puncher who was able to corral the wild horse when others failed. And so we meet "The Virginian". The rest of the story unfolds, with fantastic descriptions of the landscape, segues of thought, opinion, politics, etc. For me, it brought the West alive, made me care about the characters and, yes, see how history repeats itself even today. Folks in the old West were concerned about pollution and clean air, just wonder what they would say if they saw our American landscape today.

    This novel introduced the new American hero and a new way of writing without the Jane Austen angst and insufferable hoity-toity innuendoes.
    No wonder it created a sensation.

    It's a great blueprint for aspiring writers as well: just try to write smoothly as omniscient, first person and third as well as Wister does without confusion. If I 'ain't' confused, you won't be.

    Hmmm, I should read it again . . . after the holidays! Yes, seh!

    1 out of 1 people found this review helpful.

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  • Posted April 1, 2009

    I Also Recommend:

    The original "Western"

    I must say I admire Owen Wister's restraint. Rather than ruining his novel with too much mindless action, Wister focuses on the more domestic aspects of life in the old West, incorporating his action scenes sparingly. However, I can't say I enjoyed this book as much as most of the other classics I have read. Unfortunately, Wister's story never really "gets off the ground" until probably the last fourth or fifth of the book; before then the story lags and is even incoherent in parts. The narrator known simply as "the tenderfoot" guides the reader through much of the story but occasionally drops out completely, which, though not necessarily a big problem, did strike me as strange. Wister originally wrote the stories that would become The Virginian as serials, or short stories in local newspapers, later combining them into a single volume and crafting a "novel." As a group of short stories, I could get into these--as a novel, not so much. Lest I sound too critical, the story does possess redeeming qualities, however. Wister develops the romance between the Virginian and Miss Wood in a superb manner, and he also interjects his own thoughts into the story on occasion (much like Tolstoy). His portrayal of Judge Henry, well-schooled in law, is marvelous, and he can be astoundingly funny in parts. Ultimately, however, the book, as a novel, falls a little flat. I'd rate this book a 4/9, if that gives you a better idea than the rather limited "five star" system.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 21, 2007

    the best western I have ever read

    I had to read this book in history class and loved it. It presents that mystery and excitement of the west that you genreally don't get from history books.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 12, 2006

    Still wonderful

    Although not fond of Westerns generally, I devoured this first as a pre-adolescent, in an unabridged, well-annotated version. That edition introduced objects and references that might otherwise have been lost on me--there is an enormous amount of history, and humor, here. The characters and subject matter are engaging, athough the pages of philosophical musings can be tedious.--Just skip them until you're ready for them. This work has given me a lifelong appreciation for the West when it was young, and a special interest in Wister's life and works--he saw the West firsthand. The Virginian is the template for all things 'Western' that came after it, and none has matched it. (I found a 100-year-old copy of its sister work, 'Lin McClean,' in a used bookstore. Aha!)

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 11, 2005

    Wonderful

    This novel is highly compelling and maintains an accurate account of the Western era. Each segmeant is incredibly enjoyable, and the language flows quite clearly. Conflict between the character's natural duty and pursuit of love, too, makes it all the more interesting.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 20, 2004

    Recklessness and loose morals out west

    This book has the theme of the wildness and the loose morals that were present in the west during the years 1874-1890. The Virginian is sort of like a gypsy and an experienced traveller who has seen it all and is harden by it. This book shows that the west in those days was based on the survival of the fittest and a lack of caring for others. The Virginian out smarts them all and does get his own way by trickery and intellect.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 18, 2004

    best hero ever!

    this is the original western written when the old west was still alive and kicking, and the virginian is like robin hood in cowboy incarnate! the plot is interesting and the characters are really complex. there are also funny parts that keep you reading. even wister's introduction is funny. 'when you call me that, smile!'

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 23, 2003

    Please don't

    Ok, I know that this book is considered a classic by some, but seriously guys, it was so boring! I consider myself to be pretty well-read and I've always enjoyed great literature, but it was so hard to get through this book. It drags on and on, and although there is romance, it's so hard to enjoy any aspect of this book. I'm sure some really enjoy this book, but I really couldn't stand it.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 28, 2000

    The Virginian

    This book took a long time to get very little. I am only suggesting this book to people who enjoy Westerns. The beginning was really slow but then it began to pick up. The way the description of the showdown between Trampas and the Virginian was awesome.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 2, 2000

    Must read

    I was very disappointed with the novel. After reading half of the book I was bored to tears. You must pay attention to details and have a good attention span for this novel.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 24, 2012

    Loved this book

    It was what made a western a western if this book was the originall bluprint of what a western was it has it. This book was amazing it has many great points great original sayings, the characters in here are original it has some good humor, you just get so taken with the story you cant just put it down. I give this book a high recommendation.

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  • Anonymous

    Posted October 26, 2011

    came very highly recommended by a tour guide in the national park system.

    A must read if you have any interest in the way the west was settled.

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  • Anonymous

    Posted October 13, 2011

    Excellent Classic Read

    The basis for most western novels written since. "Good" cowboy with well defined sense of moarlity v. "Bad" cowboy trying to make his way taking what he thinks to be the easiest route. Good cowboy meets eastern school-marm who struggles with her eastern civilized morals vs. the western vigilante justice. Climax with good cowboy winning his battle with his antagonist AND wins the girl with his wholesome morals.

    Ebook version had several incidences of dropped pages or pages that had to be navigated to using "go to" function rather than simple page turning; frustrating but not insurmountable.

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  • Anonymous

    Posted January 16, 2011

    don't recommend

    boring

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  • Anonymous

    Posted October 15, 2010

    Wonderful!

    THE best treatment of masculinity I've ever read in fiction. Delightful.

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    Posted October 13, 2010

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    Posted May 22, 2011

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    Posted March 27, 2011

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    Posted October 19, 2010

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    Posted July 23, 2010

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