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Virtuosi

Editorial Reviews

All Music Guide - Judith Schlesinger
This CD features Gary Burton's vibes and Makoto Ozone's piano in ten classical duos with jazz improvisations. The two styles have never merged with more soul, spirit, or, well, virtuosity, and the material is rich and varied enough to please fans of both. It begins with one of Maurice Ravel's most popular compositions, "Le Tombeau de Couperin," which in these masterful hands sparkles as it flows, reminding listeners why Ravel's harmonies inspired so many jazz musicians. The collection includes a thunderous Rachmaninoff prelude leavened with swing and a Latin feel, a Brazilian take on Brahms, the lush and passionate tango "Milonga," a gorgeous, extended medley from ...
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Editorial Reviews

All Music Guide - Judith Schlesinger
This CD features Gary Burton's vibes and Makoto Ozone's piano in ten classical duos with jazz improvisations. The two styles have never merged with more soul, spirit, or, well, virtuosity, and the material is rich and varied enough to please fans of both. It begins with one of Maurice Ravel's most popular compositions, "Le Tombeau de Couperin," which in these masterful hands sparkles as it flows, reminding listeners why Ravel's harmonies inspired so many jazz musicians. The collection includes a thunderous Rachmaninoff prelude leavened with swing and a Latin feel, a Brazilian take on Brahms, the lush and passionate tango "Milonga," a gorgeous, extended medley from the opera Lakme with a familiar second part arranged by Jay Kennedy, who worked on four of the tracks here, and a Samuel Barber gem where it's hard to tell the original from the improvisation. There are two beauties by George Gershwin, whose 1924 "Rhapsody in Blue" first collapsed the wall between jazz and classical music; Burton and Ozone add new bluesiness to his "Prelude No. 2" and comment brilliantly on his "Piano Concerto in F." On "Sonata K20," they soften Scarlatti's starchy edges with sensuous Latin figures. In yet another pleasing segue -- this CD is very well-paced -- this is followed by a rare "Impromptu," all shifting, Debussy-like pastels until Ozone introduces some barrelhouse piano. The closer is Ozone's quiet, haunting "Something Borrowed, Something Blue," which was inspired by the project itself. Burton and Ozone produce a fulsome, totally satisfying sound, and their fluidity and grace are astonishing. Burton's extensive notes explain the selections and approach to each piece, deepening the experience. A stunning accomplishment, and highly recommended.
jazzreview.com
Once again, Gary Burton has taken a road less traveled, and his fellow traveler, Makoto Ozone, makes the journey a memorable one. Virtuosi is one of those albums that will become a collectible because it creates paths for others to follow in the future.
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Product Details

  • Release Date: 3/12/2002
  • Label: Concord Records
  • UPC: 013431210528
  • Catalog Number: 2105
  • Sales rank: 52,231

Tracks

Disc 1
  1. 1 Le Tombeau de Couperin I-Prelude - Makoto Ozone (5:20)
  2. 2 Excursions I, Opus 20 - Makoto Ozone (5:37)
  3. 3 Prelude VIII, Opus 32 - Makoto Ozone (4:10)
  4. 4 Milonga - Makoto Ozone (6:10)
  5. 5 Prelude II - Makoto Ozone (6:28)
  6. 6 Sonata K20 - Makoto Ozone (6:39)
  7. 7 Impromptu - Makoto Ozone (6:09)
  8. 8 Piano Concerto in F-Movement III - Makoto Ozone (6:23)
  9. 9 Lakmé Medley: Berceuse/Duettino - Makoto Ozone (10:32)
  10. 10 Capriccio II, Opus 76 - Makoto Ozone (5:55)
  11. 11 Something Borrowed, Something Blue - Makoto Ozone (6:16)
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Album Credits

Performance Credits
Gary Burton Primary Artist, Vibes
Makoto Ozone Piano
Technical Credits
Gary Burton Arranger, Producer, Liner Notes
Makoto Ozone Arranger
John Burk Executive Producer
George Horn Mastering
Bill Scheniman Engineer
Glen Barros Executive Producer
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