Vision, Race, and Modernity: A Visual Economy of the Andean Image World / Edition 1

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Overview

Through an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, Deborah Poole explores the role visual images and technologies have played in shaping modern understandings of race. Vision, Race, and Modernity traces the subtle shifts that occurred in European and South American depictions of Andean Indians from the late eighteenth to the early twentieth centuries, and explains how these shifts led to the modern concept of "racial difference." While Andean peoples were always thought of as different by their European describers, it was not until the early nineteenth century that European artists and scientists became interested in developing a unique visual and typological language for describing their physical features. Poole suggests that this "scientific" or "biological" discourse of race cannot be understood outside a modern visual economy. Although the book specifically documents the depictions of Andean peoples, Poole's findings apply to the entire colonized world of the nineteenth century.

Poole presents a wide range of images from operas, scientific expeditions, nationalist projects, and picturesque artists that both effectively elucidate her argument and contribute to an impressive history of photography. Vision, Race, and Modernity is a fascinating attempt to study the changing terrain of racial theory as part of a broader reorganization of vision in European society and culture.

"Long-awaited work analyzes role of visual images and technologies (particularly photography, painting, and drawing) in shaping modern understandings of race in the Andes. This fascinating work documents various depictions of Andean peoples from the 18th - 20th centuries, placing scientific analyses of race within the sphere of the modern visual economy"--Handbook of Latin American Studies, v. 57.

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Editorial Reviews

From the Publisher

One of Choice's Outstanding Academic Titles for 1997
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Product Details

  • ISBN-13: 9780691006451
  • Publisher: Princeton University Press
  • Publication date: 5/23/1997
  • Series: Princeton Studies in Culture/Power/History Series
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 272
  • Product dimensions: 8.90 (w) x 6.00 (h) x 0.80 (d)

Table of Contents

List of Illustrations
Acknowledgments
Ch. 1 Introduction 3
Ch. 2 The Inca Operatic 25
Ch. 3 An Economy of Vision 58
Ch. 4 A One-Eyed Gaze 85
Ch. 5 Equivalent Images 107
Ch. 6 The Face of a Nation 142
Ch. 7 The New Indians 168
Ch. 8 Negotiating Modernity 198
Notes 217
References 239
Index 253
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