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| Eloy | Primary Artist |
| Frank Bornemann | Acoustic Guitar, Electric Guitar, Vocals, Background Vocals |
| Hannes Folberth | Keyboards |
| Klaus-Peter Matziol | Bass |
| Bodo Schopf | Percussion, Drums |
| Michael Gerlach | Keyboards |
| Christof Littmann | Keyboards |
| Tina Lux | Vocals |
| Volker Kuinke | Renaissance Flute |
| Stephan Emig | Percussion |
| Frank Bornemann | Arranger, Composer, Producer, Sound Design |
| Bodo Schopf | Engineer |
| Michael Gerlach | Engineer |
| Christof Littmann | Engineer |
| Michael Narten Artwerk | Artwork, Cover Design |
| Arne Neurand | Engineer |
| Benjamin Schäfer | Engineer |
| Michael Krizek | Sound Design |
| Emanuel Klempa | Engineer |
| Michael Krzizek | Engineer, Mastering |
| Timo Soist | Engineer |
Editorial Reviews
All Music Guide - Alex Henderson
Eloy have had their share of creative ups and downs over the years. Some of their albums have been prog rock/space rock classics, and a few of them have been forgettable. Many longtime followers agree that Eloy hit a low point in the '80s, when they recorded some ultra-slick albums that were too middle of the road for their own good. There's nothing wrong with being commercial, but the type of high-gloss arena rock that worked for Survivor, Asia, or Journey in the '80s sounded awkward and insincere coming from Eloy. However, Eloy eventually got back on track creatively, and this 2008-2009 recording finds them in enjoyably good form. The band has had numerous personnel ...