"Visionary Women Writers of Chicago's Black Arts Movement fills a gap in contemporary scholarship on the women writers of the Chicago Black Arts Movement. Its discussion of OBAC and of Johari Amini, Carolyn Rogers, and Angela Jackson begins to untangle the complex subtleties of that movementits paradoxes, its challenges, its achievements, and its legacy. Indeed, it is required reading for scholars interested in contemporary black women's poetry specifically and in the Black Arts Movement more generally." Dana A. Williams, professor of African American literature at Howard University
Visionary Women Writers of Chicago's Black Arts Movementby Carmen L. Phelps
A disproportionate number of male writers, including such figures as Amiri Baraka, Larry Neal, Maulana Karenga, and Haki Madhubuti, continue to be credited for constructing the iconic and ideological foundations for what would be perpetuated as the Black Art Movement. Though there has arisen an increasing amount of scholarship that recognizes leading women artists,
A disproportionate number of male writers, including such figures as Amiri Baraka, Larry Neal, Maulana Karenga, and Haki Madhubuti, continue to be credited for constructing the iconic and ideological foundations for what would be perpetuated as the Black Art Movement. Though there has arisen an increasing amount of scholarship that recognizes leading women artists, activists, and leaders of this period, these new perspectives have yet to recognize adequately the ways women aspired to far more than a mere dismantling of male-oriented ideals.
In Visionary Women Writers of Chicago's Black Arts Movement, Carmen L. Phelps examines the work of several women artists working in Chicago, a key focal point for the energy and production of the movement. Angela Jackson, Johari Amiri, and Carolyn Rodgers reflect in their writing specific cultural, local, and regional insights, and demonstrate the capaciousness of Black Art rather than its constraints. Expanding from these three writers, Phelps analyzes the breadth of women's writing in BAM. In doing so, Phelps argues that these and other women attained advantageous and unique positions to represent the potential of the BAM aesthetic, even if their experiences and artistic perspectives were informed by both social conventions and constraints. In this book, Phelps's examination brings forward a powerful and crucial contribution to the aesthetics and history of a movement that still inspires.
- University Press of Mississippi
- Publication date:
- Margaret Walker Alexander Series in African American Studies
- Sold by:
- Barnes & Noble
- NOOK Book
- File size:
- 2 MB
Meet the Author
Carmen L. Phelps, Toledo, Ohio, is assistant professor of African American literature and director of graduate studies in English at the University of Toledo. Her work has appeared in Living the Funk, Journal of Lesbian Studies, and the African American Review.
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