Drop whatever you are doing and sit down to read Michael Perry’s Visiting Tom….Perry is a craftsman of the highest order….When you go back to doing what you were doing when you picked up this book, you might just see your world with a broader, more humane perspective.” — New York Journal of Books
“Warmhearted….engaging….down-to-earth and genuine.” — Kirkus Reviews
“Funnier than Keillor.” — MinnPost
“Visiting Tom is more than just a whimsical portrait of a unique character. It’s a meditation on modernity and self-reliance that sneaks up on you with its unexpected depth.” — Capital Times
“Charming and humorous.” — Booklist
“Michael Perry writes the words that create the memoirs that make so many of us want to raise chickens and pigs, plant a few rows of corn or otherwise just make hay. Mostly, though, he makes us want to get to know our neighbors better - no matter where we live.” — Experience Wisconsin Magazine
“The portrait Mr. Perry paints...is of a place and a life that is worth noting….His writing is beautiful and immediate and elegant.” — Wall Street Journal
“[Perry] is a sharp and empathetic observer.” — Journal Sentinel
“In Visiting Tom , a story that melds Perry’s unique humor with notes of Garrison Keillor and Billy Bryson, the elderly man’s tenderness and character jump off the page as he shares his thoughts on life and love.” — Express Milwaukee
“It’s part memoir, part character piece. There’s a bit of the poetic to it. It’s about fighting bureaucracy, Foxfire-ish self-sustenance, life the ‘old timer’s’ way, and male-bonding foolishness. It’s about fatherhood, marriage and love. And it’s just about one of the sweetest books you’ll ever read.” — Daily Sparks Tribune
Drop whatever you are doing and sit down to read Michael Perry’s Visiting Tom….Perry is a craftsman of the highest order….When you go back to doing what you were doing when you picked up this book, you might just see your world with a broader, more humane perspective.
New York Journal of Books
The portrait Mr. Perry paints...is of a place and a life that is worth noting….His writing is beautiful and immediate and elegant.
It’s part memoir, part character piece. There’s a bit of the poetic to it. It’s about fighting bureaucracy, Foxfire-ish self-sustenance, life the ‘old timer’s’ way, and male-bonding foolishness. It’s about fatherhood, marriage and love. And it’s just about one of the sweetest books you’ll ever read.
[Perry] is a sharp and empathetic observer.
Visiting Tom is more than just a whimsical portrait of a unique character. It’s a meditation on modernity and self-reliance that sneaks up on you with its unexpected depth.
Funnier than Keillor.
In Visiting Tom , a story that melds Perry’s unique humor with notes of Garrison Keillor and Billy Bryson, the elderly man’s tenderness and character jump off the page as he shares his thoughts on life and love.
Charming and humorous.
Michael Perry writes the words that create the memoirs that make so many of us want to raise chickens and pigs, plant a few rows of corn or otherwise just make hay. Mostly, though, he makes us want to get to know our neighbors better - no matter where we live.
Experience Wisconsin Magazine
Charming and humorous.
The portrait Mr. Perry paints...is of a place and a life that is worth noting….His writing is beautiful and immediate and elegant.
The portrait Mr. Perry paints...is of a place and a life that is worth noting….His writing is beautiful and immediate and elegant.
Charming and humorous.
Michael Perry writes the words that create the memoirs that make so many of us want to raise chickens and pigs, plant a few rows of corn or otherwise just make hay. Mostly, though, he makes us want to get to know our neighbors better - no matter where we live.
Experience Wisconsin Magazine
Visiting Tom is more than just a whimsical portrait of a unique character. It’s a meditation on modernity and self-reliance that sneaks up on you with its unexpected depth.
In Visiting Tom , a story that melds Perry’s unique humor with notes of Garrison Keillor and Billy Bryson, the elderly man’s tenderness and character jump off the page as he shares his thoughts on life and love.
Funnier than Keillor.
It’s part memoir, part character piece. There’s a bit of the poetic to it. It’s about fighting bureaucracy, Foxfire-ish self-sustenance, life the ‘old timer’s’ way, and male-bonding foolishness. It’s about fatherhood, marriage and love. And it’s just about one of the sweetest books you’ll ever read.
Drop whatever you are doing and sit down to read Michael Perry’s Visiting Tom….Perry is a craftsman of the highest order….When you go back to doing what you were doing when you picked up this book, you might just see your world with a broader, more humane perspective.
New York Journal of Books
[Perry] is a sharp and empathetic observer.
Tom is 82-year-old Tom Hartwig, who lives in a classic twin-porched Wisconsin clapboard farmhouse down the road from Perry, his wife and daughters. As Perry puts it, “We live on a farm, but I am not a farmer.” Instead, he plays music with his band, delivers lectures, and from his office over the garage he turns out magazine articles and books. He first wrote about his Wisconsin neighbors in Population: 485 and traveled back roads in Truck before covering rural rituals in Coop. In this outing, the rustic images of Wisconsin photographers John Shimon and Julie Lindemann serve as chapter intros and fuse with the text. A photo of a dust-covered cannon in Hartwig’s cluttered workshop leads into Tom’s account of making the cannon. Every object has a story, from lathe to sawmill: “This is the most complicated thing I ever built, he says, hands on his hips as he stares at the sawmill.... There’s over a hunnerd pounds’ a welding rods in that thing.” Perry hopes his daughters will see the historical implications and “all the wisdom and history” in Tom’s stories. Blending his own autobiography into Tom’s profile, Perry plunges into the soul of the American heartland. While Foxfire fans will relish the emphasis on forgotten crafts and tools, others will appreciate Perry’s gift as a bucolic wordsmith, etching a sensitive portrait of vanishing country life where “the light of a firefly is the size of a teardrop.” (Sept.)
Award-winning author Perry, an NPR contributor, recently returned home to a 37-acre farm in New Auburn, WI (see his Population: 485). There, he's neighbors with octogenarian Tom Hartwig, who runs a shop seemingly "stocked by Rube Goldberg" and defies the four-lane interstate that was shoved through his front yard a few decades back. A portrait of an individual and a place; look for a big driving tour in the heartland.
The warmhearted account of a middle-aged man's friendship with an eccentric octogenarian neighbor. When Men's Health contributing editor Perry (Coop: A Year of Poultry, Pigs, and Parenting , 2009, etc.) met Tom Hartwig, he had no idea that this man with the "brushy shock of hair, the fatless cheeks, the deep-seamed skin and the nose like a flint broadhead" would one day become an important part of his life. A farmer who loved tinkering in a home workshop that looked like it was "stocked by Rube Goldberg, curated by Hunter Thompson, and rearranged by a small earthquake," Tom had a special fondness for assembling, and firing, vintage Civil War canons. Perry did not consciously go to Tom "seeking" anything beyond repairs for small pieces of equipment or the occasional get-together, yet he still found himself quietly inspired by Tom's feistiness and wisdom. The older man's unwillingness to surrender his dignity in the face of an interstate construction project that cut through his farm gave Perry the courage to fight a county-highway-commission project to reconfigure an intersection near his own house. The almost-60-year relationship Tom had with his wife, Arlene, offered a model of enduring domestic success that Perry also admired. Musing on his own comparatively brief marriage, the author observes somewhat wryly, "[f]amiliarity is no excuse for lowering your standards." But perhaps most importantly of all, the couple provided both Perry and his family a link to the past and a feeling of generational continuity rare in an otherwise disconnected modern age. Perry's portrayal of Tom and his life are both engaging, although the meandering nature of the narrative can be frustrating. Nevertheless, the moments of genuine emotion make up for its slow pace. Flawed, but down-to-earth and genuine.
