Visual Alterity: Seeing Difference in Cinema
Reconsidering the dynamics of perception

Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive and neuroscience to argue that there is no pure "natural" sight. We always see in a particular way, from a particular vantage point, and through a specific apparatus, and Halle shows how human beings have used cinema to experiment with the apparatus of seeing for over a century. Visual alterity goes beyond seeing difference to being conscious of how one sees difference. Investigating the process allows us to move from mere perception to apperception, or conscious perception.

Innovative and insightful, Visual Alterity merges film theory with philosophy and cutting-edge science to propose new ways of perceiving and knowing.

1137782922
Visual Alterity: Seeing Difference in Cinema
Reconsidering the dynamics of perception

Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive and neuroscience to argue that there is no pure "natural" sight. We always see in a particular way, from a particular vantage point, and through a specific apparatus, and Halle shows how human beings have used cinema to experiment with the apparatus of seeing for over a century. Visual alterity goes beyond seeing difference to being conscious of how one sees difference. Investigating the process allows us to move from mere perception to apperception, or conscious perception.

Innovative and insightful, Visual Alterity merges film theory with philosophy and cutting-edge science to propose new ways of perceiving and knowing.

19.95 In Stock
Visual Alterity: Seeing Difference in Cinema

Visual Alterity: Seeing Difference in Cinema

by Randall Halle
Visual Alterity: Seeing Difference in Cinema

Visual Alterity: Seeing Difference in Cinema

by Randall Halle

eBook

$19.95 

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Overview

Reconsidering the dynamics of perception

Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive and neuroscience to argue that there is no pure "natural" sight. We always see in a particular way, from a particular vantage point, and through a specific apparatus, and Halle shows how human beings have used cinema to experiment with the apparatus of seeing for over a century. Visual alterity goes beyond seeing difference to being conscious of how one sees difference. Investigating the process allows us to move from mere perception to apperception, or conscious perception.

Innovative and insightful, Visual Alterity merges film theory with philosophy and cutting-edge science to propose new ways of perceiving and knowing.


Product Details

ISBN-13: 9780252052590
Publisher: University of Illinois Press
Publication date: 03/30/2021
Sold by: Barnes & Noble
Format: eBook
Pages: 280
File size: 6 MB

About the Author

Randall Halle is the Director of the Film and Media Studies Program and the Klaus W. Jonas Professor of German Film and Cultural Studies at the University of Pittsburgh. His books include The Europeanization of Cinema: Interzones and Imaginative Communities and Queer Social Philosophy: Critical Readings from Kant to Adorno.

Table of Contents

Cover Title Copyright Contents Acknowledgments Introduction 1. The Image of the Some Thing Other 2. Self/Other Image: Hegel 3. Phenomenology and Alterity: Seeing Is Always Seeing of Something Else 4. Apparatus Theory Now More Than Ever! 5. Cine-Cognition: Montage 6. Cine-Cognition: Collage, Fragmentation, Integration 7. Cine-Cognition: The Kippbild, Dis/Ambiguation 8. The Apparatus of Difference: Xenophobia/philia 9. The Cinematic Face: Interior Recognition, Gay Surface, Queer Multistability 10. The Ethics of Visual Alterity: The Face of the Other, the Faceless Other Conclusion Notes Bibliography Index Back cover
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