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| Anberlin | Primary Artist |
| Aaron Sprinkle | Guitar, Percussion, Keyboards, Vocals |
| Christian McAlhaney | Group Member |
| Nathan Young | Group Member |
| Joseph Milligan | Group Member |
| Deon Rexroat | Group Member |
| Nate Young | Group Member |
| Stephen Christian | Group Member |
| Aaron Sprinkle | Composer, Programming, Producer, Engineer |
| Aaron Mlasko | Drum Technician, Contribution |
| Alan Purcell | Contribution |
| Troy Glessner | Mastering |
| Anberlin | Composer |
| Nathan Young | Art Direction |
| Jeff Schneeweis | Engineer, Contribution |
| Kyle Griner | Management |
| Jordan Butcher | Art Direction, Collage |
| Josiah Holland | Contribution |
| Julia Marie | Contribution |
| Nick Storch | Booking |
| Taylor Bastain | Contribution |
| Paul Pele | Contribution |
| Christie Dupree | Contribution |
| Alana Aleman | Contribution |
| Aaron Feaver | Cover Photo |
Editorial Reviews
All Music Guide - Matt Collar
Moving on from the breakthrough emo-pop sound the band showcased on 2010's Brendan O'Brien-produced Dark Is the Way, Light Is a Place, Anberlin's 2012 effort, Vital, features a heavier metal and electronica-infused sound. Once again centered around the passionate, resonant vocals of Stephen Christian and paired with longtime producer Aaron Sprinkle, this is an ambitious, arena-ready album that, while still reflecting the band's knack for melody, reveals a bent toward bombastic, electronic-tinged hard rock. Although Anberlin have never shied away from angular sounds, much of the band's previous work revealed a mix of sparkling, U2-style uplift and plaintive, Paramore-style ...