A Voice from Old New York: A Memoir of My Youth [NOOK Book]

Overview

At the time of his death, Louis Auchincloss—enemy of bores, self-pity, and gossip less than fresh—had just finished taking on a subject he had long avoided: himself. His memoir confirms that, despite the spark of his fiction, Auchincloss himself was the most entertaining character he has created. No traitor to his class but occasionally its critic, he returns us to his Society which was, he maintains, less interesting than its members admitted. You may differ as he unfurls his life with dignity, summoning his ...

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A Voice from Old New York: A Memoir of My Youth

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Overview

At the time of his death, Louis Auchincloss—enemy of bores, self-pity, and gossip less than fresh—had just finished taking on a subject he had long avoided: himself. His memoir confirms that, despite the spark of his fiction, Auchincloss himself was the most entertaining character he has created. No traitor to his class but occasionally its critic, he returns us to his Society which was, he maintains, less interesting than its members admitted. You may differ as he unfurls his life with dignity, summoning his family (particularly his father who suffered from depression and forgave him for hating sports) and intimates. Brooke Astor and her circle are here, along with glimpses of Jacqueline Onassis. Most memorable, though, is his way with those outside the salon: the cranky maid; the maiden aunt, perpetually out of place; the less-than-well-born boy who threw himself from a window over a woman and a man. Here is Auchincloss, an American master, being Auchincloss, a rare eye, a generous and lively spirit to the end.


 

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Editorial Reviews

Jonathan Yardley
A Voice From Old New York brings [Auchincloss's] career to a fit conclusion. It's a fine little book that may help readers understand that his literary legacy is far more complex and durable than most of his critics acknowledge.
—The Washington Post
Dwight Garner
…provide[s] a genuine taste of what makes Auchincloss so interesting a writer. It's plainspoken and pays close attention to a certain disappearing brand of manners and morals. A Voice From Old New York is a peek into a rapidly vanishing world and into a determined writer's coming of age.
—The New York Times
Publishers Weekly
Auchincloss, who had offered glimpses of his own life in the pages of his massive body of work, posthumously opens a window into his formative years in this graceful and entertaining memoir of his life from childhood through the early years of his marriage to the death of his mother. With wry humor he admits that he was unprepared for life at the Groton School; he was not athletic and avoided sports, and he made poor choices of friends--all of which made his first two years at the school a miserable experience. He recalls the moment when he decided to become a novelist; in his French course during his sophomore year at Yale, Auchincloss was "electrified" by Madame Bovary and The Red and the Black, and, as a result, he sat down and wrote and completed his own novel in a matter of a few months. Although the novel was rejected by Scribner's, Auchincloss had found his destiny. He recalls his working relationships with John Foster Dulles and brother Allen, during his early years as a lawyer, as well as his relationship with Jackie Onassis, then an editor at Doubleday. Above all in this excellent memoir, Auchincloss leaves readers with an observation that sums up his own life and work: "Society matters not so much. Words are everything." (Jan.)
From the Publisher
"Incisive, perceptive, openminded, open-hearted, and civilized, just like the rest of [Auchincloss's] work." —Booklist

"The prolific author’s last book is a farewell to a way of life that was gone before he was. . . . [Auchincloss] was the ideal chronicler of Gotham’s smart set and an apt student of the upper echelons of a putative classless society. . . . Throughout the memoir, the author’s prose is lapidary, graceful and eminently readable. In a world of postmodern letters, Auchincloss draws a curtain on a premodern, Whartonesque way of life. An anthropological guide to the phantom politesse of Old New York, rendered as neatly as ever." —Kirkus Reviews

"Graceful and entertaining . . . Excellent."—Publishers Weekly, starred review

"Too often pigeonholed and/or dismissed as a mere chronicler of the manners of the Northeastern upper class, [Auchincloss] was in fact a writer of rare skill and range, and his best books should find readers for a long time. . . . A Voice from Old New York  brings his career to a fit conclusion, a fine little book that may help readers understand that his literary legacy is far more complex and durable than most of his critics acknowledge."—Washington Post

"Louis Auchincloss’s memoir largely manages to be entertaining and occasionally even moving."—Boston Globe

"Often captivating . . . It is a pleasure... to have one more chance to read the graceful, patrician Auchincloss prose and to spend a few more moments in his Whartonesque world."— Wall Street Journal

Library Journal
Auchincloss (The Rector of Justin), who died in January 2010, was a prolific novelist, essayist, biographer, literary critic, and lawyer. Born into a well-to-do New York family, he was best known for his fictional works chronicling the world of the moneyed elite. His previous venture into autobiography was A Writer's Capital in 1974. In the present volume, Auchincloss focuses mainly on the early years of his life, covering everything from his trials at prestigious boarding schools to his earliest attempts at writing. Along the way he offers portraits of family members (including glimpses of his cousin's daughter, Jacqueline Kennedy Onassis) and family friends (such as socialite Brooke Astor), as well as servants, fellow writers, and colleagues in the law profession. Auchincloss's prose is spare, clear, witty, and engaging, reading much like one of his novels with breezy dialog and anecdotes. VERDICT This memoir, with chapters that read as separate essays, will be of interest to scholars of 20th-century American novels of manners, readers of Auchincloss's fiction, and anyone wanting an inside look at the world of 20th-century New York high society.—Alison M. Lewis, Drexel Univ., Philadelphia
Kirkus Reviews

The prolific author's last book is a farewell to a way of life that was gone before he was.

Including this memoir, Auchincloss (1917–2010) published nearly 70 books. Here the author looks at his coming of age not long after the passing of The Gilded Age, when the notion of "Society" was still in full flower. A scion of wealth, he was admitted to the New York Social Register as well as the New York bar. He was the ideal chronicler of Gotham's smart set and an apt student of the upper echelons of a putative classless society. His narrative is the story of a writer who enjoyed the Auchincloss family brownstone, which was staffed by a cadre of servants, and who summered in the family's place at Bar Harbor or on Long Island. He recalls fond memories of his nanny and presents elegant portraits of family and acquaintances. He passed through dancing school, Groton, Yale and the Navy. The author offers little about law school or the actual practice of law, which is fitting. Prose was his first love; his day job was at the firm, which he left at age 69 for a short turn at teaching writing. Throughout the memoir, the author's prose is lapidary, graceful and eminently readable. In a world of postmodern letters, Auchincloss draws a curtain on a premodern, Whartonesque way of life.

An anthropological guide to the phantom politesse of Old New York, rendered as neatly as ever.

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Product Details

  • ISBN-13: 9780547504841
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 12/2/2010
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 224
  • Sales rank: 458,810
  • File size: 146 KB

Meet the Author

Louis Auchincloss was honored in the year 2000 as a “Living Landmark” by the New York Landmarks Conservancy. During his long career he wrote more than sixty books, including the story collection Manhattan Monologues and the novel The Rector of Justin. The former president of the Academy of Arts and Letters, he resided in New York City until his death in January 2010.

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Read an Excerpt

1
Genealogy, et cetera
OF MANY PEOPLE it does not tell us much to describe them as residents of New York City because so large a portion of those so situated were born and raised elsewhere or are even recent arrivals. In my own case, the description is only too telling, as all eight of my grandparents lived the bulk of their lives in this marvelous place.
 I was born in 1917 to parents who had been wed in their early twenties in 1911. My father, Joseph Howland Auchincloss, named for a great uncle who had been a Civil War general, was a member of a prominent New York law firm known by the abbreviated title of Davis Polk. (The senior partner was the former Democratic presidential candidate John W. Davis.) My mother, the former Priscilla Stanton, was a member of a large, close-knit, and socially active clan, the Dixons, who lived in neighboring brownstones on West Forty-ninth Street and summered in shingle villas by the sea in Southampton.
 Both of my parents lived to be old and were devoted to their four children, John, Priscilla, myself, and Howland. But a seldom-discussed shadow complicated our lives. My father suffered all his life from severe periodic depressions that sometimes caused him to suspend the practice of law for as much as a year. It was as though something in his spirit simply fell away upon occasion and, whatever his exertions, could not be regained. Yet my father remained charming and popular with the world at large, whatever the cost to himself. We were not raised to show our problems or disappointments in public.

The term “getting ahead” invokes a sacred American goal. Yet it was not one ever much emphasized by my father, who was utterly content with his partners, his practice, his family, and his sports. He had no hankering for political office or other distinction. Until the onslaught of his nervous ailments in late middle age, he seemed as happy as a man could be. And why should he not have been? To support his devoted wife and children he could count, in the year 1931 for example, on the following assets: a modest but ample brownstone in Manhattan; a house in Long Island for weekends and summer; a rented villa in Bar Harbor, Maine, for July; four housemaids; two children’s nurses; a couple to maintain the Long Island abode; a chauffeur and four cars; several social clubs; and private schools for the children.
 Mother used to warn us when we went to the country for the weekend: “Now don’t expect anything fancy; we’ve just got the couple!” Father would add that “the couple” referred to most often in such circumstances was actually never more than one and a half people. (One always drank and the other was, unfailingly, a treasure.) But even so!
 My father managed all of the above on an income of a hundred thousand dollars a year, out of which he managed to make an annual saving. Of course the dollar went further then, but still. Yet it never occurred to me that we were rich. We lived only as other successful lawyers’ and doctors’ families did.
 I was quite aware of who the rich were. They inhabited Beaux Arts mansions rather than brownstones and had butlers and sometimes organs in the front hall. One of Father’s uncles had married a Standard Oil heiress. Now she was rich. She had thirty in help.
 The younger members of my world took the fact that it was supported by armies of domestic servants, like our beloved Maggie, largely for granted. That these domestics were mostly recruited from an Ireland that could no longer support its own we accepted. Without thinking too much about the circumstances. Just as we accepted the brownstone stoops that ascended to our front doors and the lights on stilts that controlled the traffic on Fifth Avenue. I don’t recall even discussing with another child the plight of the poor women who lived in narrow cubicles on the often cold top floors of our brownstones and who worked around the clock with one day off a week and nothing to do on it. At Christmas, one heard the parental whispered warning about not giving too much to the maids because “they give it all to the church.”
 The help weren’t the only group often ignored. I didn’t meet any Jews until I was sent to Bovee on Fifth Avenue at Sixty-fourth Street, which, unlike the other fashionable boys’ day schools of the time, had no restrictions. I don’t know why Father selected it, but it had a high reputation and most of the boys came from Protestant families. My time there was a great blessing, for getting to know some Jewish boys made me question the casual anti-Semitism that sprinkled the conversation at home and in the houses of family friends and relations.
 I don’t recall people (grownups, of course) giving any particular reason for objecting to Jews, except that they were supposed to be grasping in money matters. It simply seemed to be accepted that they were to be avoided at all costs in terms of social mixing. It was as if they carried some easily contractible and unattractive, though not necessarily dangerous, ailment.
 Although I neither understood nor sympathized with the prejudice—I liked my Bovee Jewish friends and admired their wealth—I saw that the attitude, however displeasing, was a natural phenomenon of the parents’ generation. When we moved our summer residence from Long Island’s south to north shore, I gave my friends Father’s reason as placidly as if it were a change of weather: “Because of the Jews.”
 Mother was too intelligent for prejudice but too indifferent to fight it. A friend of my father’s attending a reception at the Stantons as a young man told me that he once found my mother, Priscilla, then eighteen, pouting in a corner at some sort of gathering. She complained: “Mother asks all her pet Jews, but won’t have mine.”
 Mother’s prejudices were non-denominational. What she complained about in me was my admiration of wealth. “My grandmother’s snobbishness has come back to earth in Louis,” she used to say.
 Her grandmother, born Babcock, had been a rigid, bewigged old dowager with the rough candor about money of an earlier New York society. “Don’t say you don’t like Mrs. Kingsland,” she once reproached my mother. “She has three million dollars.”
 The elderly lady was not much impressed by Mother’s engagement to an Auchincloss. “I suppose it’s better than being the last leaf on the tree” was her comment. She thought of Mother at twenty-one as an old maid! She herself had been married at sixteen.

Despite the fact that there were few with whom she could discuss his depression, Mother gave my father unfailing and needed support. She had no ambition for the glories of the world, but she possessed a strong desire to hang on to the benefits of her family’s share of the status quo for her children. She had great faith in the economic opportunities available to her sons if they followed the normal course of their class and fortune. She dreaded their striking out into untested areas.
 In all of this she was an average mother; the trouble was that she was not an average woman. She was brilliantly imaginative, well read, and independently daring; she should have been the writer in the family. As it was she gave too much of her fine mind to the care of her offspring at the expense of their independence.
 But where these children were concerned she was abjectly timid; she deemed it her sacred duty to spare them all risks, emotional and physical. Her fine mind was singularly free of prejudice, but she saw danger to her dependents in the unconventional. And she saw it in any overemphasis on the arts, which she could not justify except in the case of near genius, which she certainly did not recognize in my literary aspirations, with the result that she used all her formidable talents to discourage my writing. She quite sincerely believed she was sparing me the bitterness of failure. But there was in her also a curious pessimism about the ability of her children to achieve success in any field. If one of us fell in love, for example, she tended to assume it would be unrequited.

 

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Table of Contents

CONTENTS


Introduction: Turning Back ix

Part I: How It Was

 1 | Genealogy, et cetera 3
 2 | John and Priscilla 9
 3 | What Some Call “Society” 17
 4 | A Few Words About Women 27

Part II: Education and After

 5 | Teachers, Beloved and Otherwise 39
 6 | My Life in Crime 47
 7 | Bar Harbor 55
 8 | Bad Sports 61
 9 | Religion 73
10 | The Great Depression 79
11 | The Brits 85
12 | Cohorts 91
13 | A Hang-up 97
14 | I Begin to Write 107
15 | Sea Duty 113
16 | Fear 117
17 | A Return to Society 123


18 | The Firm 129
19 | Fleeing the Law 141
20 | A Few More Words About Women 147
21 | Animal Encounters 155

Part III: The Writing Life

22 | Writerly Types 163
23 | Class 169
24 | Burdens 175
25 | A Would-be Writer, Not Forgotten 181

Part IV: Farewells

26 | My Mother 187
27 | And Please Do Not Forget 195

Epilogue: Words 201

 

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