The Vows of Silence (Simon Serrailler Series #4)

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Overview

Another wrenching Simon Serrailler novel of love, loss, dreadful crimes, and terror.

We met the enigmatic and brooding Simon Serrailler in The Various Haunts of Men and got to know him better in The Pure in Heart and The Risk of Darkness. The Vows of Silence, the fourth crime novel featuring Chief Inspector Serrailler, is perhaps even more compulsive and convincing than its predecessors.

A gunman is terrorizing young women in the cathedral town...

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Overview

Another wrenching Simon Serrailler novel of love, loss, dreadful crimes, and terror.

We met the enigmatic and brooding Simon Serrailler in The Various Haunts of Men and got to know him better in The Pure in Heart and The Risk of Darkness. The Vows of Silence, the fourth crime novel featuring Chief Inspector Serrailler, is perhaps even more compulsive and convincing than its predecessors.

A gunman is terrorizing young women in the cathedral town of Laffterton. What, if anything, links the apparently random murders? Is the marksman with the rifle the same as the killer with the handgun? With the complexity and character study that earned raves for The Pure in Heart and the relentless pacing and plot twists of The Various Haunts of Men, The Vows of Silence is truly the work of a writer at the top of her form.

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Editorial Reviews

Maureen Corrigan
The death that will haunt you long after reading Susan Hill's new mystery, The Vows of Silence, is a natural one. Granted, a serial killer is on the loose and young women are being murdered, but it's a mundane killer—cancer—whose "crime" is most shockingly dramatized. In this, her fourth police procedural featuring the dour Chief Inspector Simon Serrailler, Hill overturns the usual priorities of the crime novel and devotes her most searing passages not to the twisted rituals of the sniper but, rather, to the exhausting hospital stays and quiet deathbed struggles of a likable minor character in the series…The fact that The Vows of Silence is light on what traditionally constitutes a mystery plot hardly registers. It's the intelligence of this brooding series that rivets a reader's attention.
—The Washington Post
Publishers Weekly
In Hill's unremarkable fourth novel to feature Chief Insp. Simon Serrailler (after 2008's The Risk of Darkness), Serrailler and his team race against time to stop a killer who's gunning down young women, apparently at random. Newlywed Melanie Drew is the first victim, shot at close range inside her flat in Lafferton. The killer shifts method for his second attack, using a rifle to shoot into a crowd outside a nightclub. Next, he uses a handgun to murder a young mother in front of her toddler. The variety of approaches leads the police to consider whether two different killers are at work, even as Serrailler's sergeant finds the visits of Drew's widowed husband to the scenes of the subsequent crimes suspicious. Hill does a decent job of generating suspense with sections from the murderer's point of view, but many readers will lament the lack of fair-play clues to his identity. Hill is also the author of the acclaimed horror novel The Woman in Black. (Nov.)
Library Journal
The fourth in Hill's (Various Haunts of Men; Pure in Heart; Risk of Darkness) Simon Serrailler mystery series has the enigmatic Chief Inspector trailing a gunman who is murdering young women in the otherwise bucolic village of Lafferton. Time is of the essence owing to a pending visit from Prince Charles and Camilla for a local wedding, and Palace security is on full alert. The gunman seems to target his victims at weddings, prewedding events, or as they are settling into their newly established homes. Taking this case very personally while dealing with some difficult issues of his own, Serrailler pushes his fellow investigators to their limits. The shocking ending catches everyone unaware. VERDICT This top-notch, tautly plotted British mystery series just keeps getting better. Serrailler is a satisfyingly complex character with a challenging job aided by a supporting cast of strong and believable characters. An excellent read for fans of British procedurals.—Susan Clifford Braun, Aerospace Corp., El Segundo, CA
Kirkus Reviews
A master planner, expert gunman and lovelorn loner becomes a serial killer. DCI Simon Serrailler (The Risk of Darkness, 2008, etc.) is taxed to his emotional limit. His adored mother has gone to her death after undertaking a mercy killing of his youngest sister. His widowed father has emerged from his grief with a new companion. His brother-in-law has been diagnosed with a brain tumor. And Jane, who ran away from him rather than share a serious relationship, is back in Lafferton. These domestic traumas would be quite enough for anyone to deal with. In addition, however, Serrailler must stop the serial killer who's targeting women and dispatching them with an ease that suggests careful planning. As DS Whiteside bullies his way through suspect interviews without success, a further complication arrives with the collapse of a ride at the Jug Fair that kills nine people. A royal wedding that Charles and Camilla plan on attending approaches, and everyone is terrified they may wind up in the gunman's sights. Can Serrailler ferret out the killer's motive, prevent further havoc and still find the time to console his bereft sister and her kids, not to mention reestablish himself with Jane?Hill tackles Val McDermid territory with a bit more subtlety and a close look at love-how it begins, persists and ends-that may have readers turning to their significant others for a reassuring kiss.
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Product Details

  • ISBN-13: 9780099499299
  • Publisher: Knopf Publishing Group
  • Publication date: 9/28/2009
  • Series: Simon Serrailler Series , #4

Meet the Author

Susan Hill is also the author of the ghost story The Woman in Black, as well as four other mysteries starring Chief Inspector Simon Serrailler.

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Read an Excerpt

One

They had climbed for two hours. Then they had come into the low-hanging curtains of cloud. It had started to drizzle.

He opened his mouth to make some sour remark about the promise of a fine day, but, at the same moment, Iain turned his head a fraction to the left. Motioned with his forefinger.

Iain knew the hills and the weather of the hills, the subtle shifts of wind direction. Knew them better than anyone.

They stood, still, not speaking. There was a tension now. It hadn’t been there minutes before.

Something.

The sun broke apart the cloud curtain, leaving it in tatters. The sun shone at first with a watery cast but then, like a man leaping out into view, full and strong. The corners of Iain’s mouth twitched in a smile.

But still they stood. Motionless and silent. Waiting.

Iain lifted his binoculars to his eyes and looked from left to right, slowly, slowly.

And he waited, watching the set of Iain’s head, waiting for the moment.

Their clothes began to steam in the sun.

Iain lowered the glasses and nodded.

They were above the deer, and for another half-mile he saw nothing. But they were there of course. Iain knew. They went care­­­fully, keeping upwind. The ground was stony here, easy to slip.

He felt the old excitement. These were the best moments. When you knew. You were this close to it, this close to having it in your sights, this close to the whole point and purpose and culmination of it all.

This close.

There was the faintest outbreath from Iain’s pursed lips.

He followed the line of sight.

The stag was alone, halfway up the lower slope immediately west of where they were standing. It had sensed nothing — that much was clear for the moment. Keep it that way.

They dropped down and began to crawl, the soaking ground against their bellies, the sun on their backs. The midges came on with a vengeance, to find their way unerringly through chinks in clothing, brushing aside the barrier of citronella, but he was so keyed up now he barely noticed them. Later he would be driven mad.

They crawled for another ten minutes, dropping down slightly until they were level with the stag and a couple of hundred yards away.

Iain stopped. Lifted the glasses. They waited. Watched. Still as the stones.

The sun was hot now. The wind had dropped altogether.

They began to inch maybe thirty yards further and the thirty yards took ten minutes; they barely moved. Just enough.

The stag lifted its head.

‘The Old Man,’ Iain whispered, so softly he could barely hear.

The oldest stag. Not as huge as those living on the lower ground, and without the vast antlers. But mighty enough. Old. Too old for another winter. He had too much respect for the beast to let that happen.

They were downwind and perhaps a hundred and fifty yards off. But then the stag shook its head, turned side­ways, ambled a little way, though never turning its back. They waited.

Waited. The sun blazed. He boiled inside his wax jacket.

Then, casually, it turned and, in a breathtaking second, lifted its head and faced him full on. As if it knew. As if it had been expecting him. It positioned itself perfectly.

He unslipped his rifle. Loaded. Iain was watching intently through the glasses.

He balanced himself with care and then looked down the sights.

The old stag had not moved. Its head was raised higher now and it was looking straight at him.

It knew.

Iain waited, frozen to the glasses.

The world stopped turning.

He aimed for the heart.

Two

Dark blue jacket. Blue-and-white print skirt. Medium heels.

Scarf? Or the beads?

Beads.

Helen Creedy went into the bathroom and fiddled with her hair. Came out and caught sight of herself again in the full-length mirror. God, she looked — frumpish. That was the only word. As if she were going to a job interview.

She took off the skirt, blouse and jacket and started again.

It was very warm. Late September, an Indian summer.

Right. Pale grey linen trousers. Long linen jacket. The fuchsia shirt she hadn’t yet worn.

Better? Yes. Earrings? Just plain studs.

There was a roar outside as Tom gave his motorbike its usual final rev turning into the drive. The roar died. She heard the clunk of the metal rest going down onto the concrete.

Just after six o’clock. She had hours — got dressed far too early.

She sat down on the end of her bed. She had been excited. Keyed up. Nervous, but with something like pleasure, antici­pation. Now, it was as if the temperature had dropped. She felt sick. Anxious. Afraid. How absurd. Then she felt nothing but a draining tiredness so that she could not imagine ever having the energy to stand on her feet again.

The kitchen door slammed. She heard Tom drop his helmet and heavy leather gloves onto the floor.

Pale grey linen. New fuchsia shirt. She had even had her hair done. She wanted to lie down on her bed and sleep and sleep.

After another couple of minutes she went downstairs.

‘Oh, good choice, Ma.’ Elizabeth looked up from her French textbook.

Tom, as always when he got in, was at the toaster. Tom. He had said he was ‘OK’ about it. ‘Fine’ about it. But Helen still wondered.

She had nothing to worry about with Elizabeth, though — it was her daughter who had pushed her into this in the first place. ‘It’s six years since Dad. You won’t have us here for much longer. You’ve got to get a life, Ma.’

But now she caught a look on Tom’s face which was at odds with what he said. That he was ‘OK’ about it. ‘Fine.’

‘I thought you weren’t meeting this guy till eight.’

‘Half seven.’

‘All the same.’

Tom scraped what looked like half a pound of butter and a dollop of Marmite across four slices of toast.

The kitchen got the evening sun. It was warm. Elizabeth’s French books. Pens. Markers. Tom’s Marmite pot, lidless on the table. The smell of warm toast. And bike oil.

‘I can’t go,’ Helen said. ‘I can’t do this. What am I thinking?’

‘Oh God, not again, we’ve been through all this. Tom, tell her, back me up, will you?’

Tom shrugged.

His sister snorted impatiently. Put her pen down on Eugénie Grandet. ‘Right, let’s start again. Is it just first-night nerves or what?’

First-night nerves? How did that even begin to convey what she was feeling, sitting at the kitchen table in pale grey linen and a fuchsia shirt she had never worn and at least an hour too early?

It was a couple of months ago that Elizabeth had said, as they were walking Mutley, on the Hill, ‘I don’t think you’re meeting people.’

Helen had not understood. In her job as a pharmacist she met people every day.

‘I don’t mean that.’ Elizabeth had sat down and leaned her back against the Wern Stone. It was July. Mutley lay panting.

Helen had hesitated, standing, looking at the view over Lafferton so as not to look at her daughter. She sensed that something was important, or that things were about to change but she did not know what or how. It alarmed her.

‘Mum, don’t you think you might . . . well, meet someone — I mean, someone else. After Dad. Sit down, I’m getting a crick in my neck here.’

Helen sat on the dry grass. Elizabeth was looking straight at her. She had always been like this. Helen remembered the night she had been born: Lizzie had looked straight at her in this same, uncompromising way, even though newborn babies were not supposed to focus. She had done it as a small girl when asking a question. That straight, blue-eyed gaze that held you and did not let you off. Here it was now.

‘Before you know it I’ll be at Cambridge, fingers crossed. Tom will be off with his weirdos.’

‘And I’ll be on my own and I won’t be able to function is what you mean.’

‘Not exactly.’

‘What then?’

‘I worry that you’re missing out. You should have someone.’

‘I don’t want to be married again.’

‘How do you know? You may not want to in theory . . . but if you met someone.’

‘Well who’s to say I won’t?’

‘Not stuck in a windowless cubbyhole full of pill packets you won’t.’

‘I like my job.’

‘That’s not the point. Look, I think you should take a more proactive approach to this thing.’

‘There is no “thing”. Come on, Mutley’s too hot. So am I.’

She stood. But when Lizzie also stood, there it was, the direct gaze. Not letting her off. Helen had turned and started back down the Hill so fast she almost slipped on the stony track.

*

She had not wanted to think about it. She wouldn’t think about it. She was perfectly contented. She had met Terry when she was twenty-three, married him a year later, had the children, been happy. When Tom was six she had gone back to work, part-time. Life had been good.

When Terry had been diagnosed with malignant melanoma she was told he would have a couple of years, maybe more. He had had four months. Any sort of relationship with any other man had been — was — unthinkable. She realised as she reached the last few yards of the track that she was angry, angry and in some sort of panic.

‘I think —’ Elizabeth said, catching up with her.

‘Well, I don’t. Leave it. It is not a conversation I am prepared to have.’ She had spoken harshly but Elizabeth had simply gazed at her for a long moment without replying.

Two days later, a brochure came through the post.

‘My name is Laura Brooke. I run the Laura Brooke agency for men and women wishing to meet a partner hand-picked for them. I do not believe people can be matched by computers. I act as a friend. I only take on clients with whom I feel I can succeed and I only introduce clients to one another after extensive interviews and my own personal and careful consideration. I give clients my time and expertise to find them . . .’

She had stuffed the brochure in the bin.

The following day in the hairdresser’s, she was startled to find herself wondering if people really did meet successfully through agencies or via the Internet, if the whole thing was possibly not the con she had always assumed it to be. Sad people went to dating agencies, sad or sinister people. She could understand why you might join something or other if you were, say, new to a town and had no way of making friends — a club, a sports group, a night class. But friendship was one thing, this was another. She had friends. What she didn’t have was enough time to spend with them.

She was forty-six. By the time she was fifty Tom and Elizabeth would have left home. She would have her job and also more time for her friends. She would have the St Michael’s Singers and she might rejoin the Lafferton Players. She would volunteer for something.

Terry was irreplaceable. His death had devastated her and she still felt like someone who had lost a limb. Nothing would ever change that. Nothing and no one.

‘I’m not going,’ she said now. ‘I can’t do this.’

‘You are and you can, if I have to push you there.’

‘Elizabeth . . .’

‘Once, you said, just once when someone seemed really worth meeting. And he does. We agreed. Tom, didn’t we agree?’

Tom put his hands up. ‘Leave me out of this, OK?’ he said, banging out of the room.

‘He doesn’t like it,’ Helen said.

‘He doesn’t like anything that isn’t about his own peculiar world. Ignore him.’

‘Why are you pushing me into something I don’t want?’

‘You do want it. You want to get out of here, you want to open yourself up to something new. You want a fresh start.’

‘It’s only one date.’

‘Exactly!’

A part of her knew that Elizabeth was right. Helen had thought about it a good deal, once she had allowed the idea house room. She was fearful of being too much alone when her children had left home, she was too young to be in a rut, she needed to open herself to something new. All the same, to her, meeting someone through an agency or a dating website, or by answering an advert, was an admission of failure. And she wasn’t sure she even wanted to succeed. Besides, there was a stigma, when someone of her age did this.

‘Rubbish,’ Lizzie had said.

Of course it was a stigma. If she did — by remote chance — meet someone through a dating agency, and that someone came to be important, she would never be able to tell anyone how they had got together. She would cut out her tongue rather than admit it.

‘I don’t get it.’ But that was Elizabeth and she was her daughter.

‘I’ll send a text message and say I’m not well.’

‘That is absolutely pathetic. For God’s sake, Ma, this is a drink in a pub —’

‘A bar.’

‘A drink. A chat. You can leave it there. Oh God, we’ve been through all this — if you get the feeling he’s a mass murderer, you send Tom a text and he’ll be there in five.’

‘I won’t think he’s a mass murderer. He sounds . . .’

‘Like a nice bloke.’

‘Yes.’

‘Yes.’

‘You must have wanted to go through with it earlier, you got ready hours ago.’

‘Is this too dressed up?’

‘No, it’s great. That wasn’t my point.’

There was a long silence.

‘I do want to go. I want to. But I don’t want to. I just haven’t done anything like it before and it’s so many years since I even had an evening out with a man . . .’

Elizabeth got up, came round the table and gave her a hug, bending over her as if she were the mother, Helen the child.

‘You look great and it’s going to be fine. And if it isn’t — so what? What have you lost? One evening.’

‘EastEnders.’

‘Well, that’s crap at the moment so there you are.’

Elizabeth settled down to Eugénie Grandet again. The room went quiet.

‘Lizzie . . .’

‘Mother — go away!’

She had retrieved the agency brochure from the waste-paper bin. But she felt uncertain about being interviewed by someone with the firm intention of matching her with a man on their books, particularly when she didn’t even know if she wanted to meet anyone at all.

Which was how she had come upon the website peoplemeetingpeople.com. Because she would admit to that. Yes. She would agree that she was a person wanting to meet people.

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Sort by: Showing all of 3 Customer Reviews
  • Posted September 20, 2009

    more from this reviewer

    fine British police procedural

    In Lafferton, a culprit uses a handgun to kill newlywed Melanie Drew in her apartment. Soon after that a sniper uses a rifle to shoot into a crowd standing outside a nightclub. Next a gun is fired killing a mother standing with her infant. The seemingly random killings have the townsfolk frightened and panicked.

    Lafferton Police Chief Inspector Simon Serrailler and his unit see no ties beyond the age and sex of the victims. The three homicides is made even more complicated by the use of two weapons. Simon wonders if two killers are stalking the streets yet keeps going back to the concept of a psychopathic serial killer. As he struggles with preventing the next murder, his sister Cat has health issues and his nephew is known for creative cheating at Scrabble.

    The police procedural subplot is well written, filled with suspense and has a red herring suspect, but the emotional intensity happens more to people in Simon's personal circle as he is the "watcher" even with Jane Fitzroy, a woman he is attracted to. The story line is fast-paced except with the relationship dance between Simon and Jane. Susan Hill effortlessly moves back and forth between the case (to include the killer's perspective) and Simon's personal life. British police procedural fans will enjoy Simon's not simple investigation and look for his previous caseload (THE VARIOUS HAUNTS OF MEN, THE PURE IN HEART and THE RISK OF DARKNESS).

    Harriet Klausner

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