Voyages of the Self: Pairs, Parallels, and Patterns in American Art and Literature: Pairs, Parallels, and Patterns in American Art and Literature [NOOK Book]

Overview


Barbara Novak is one of America's premier art historians, the author of the seminal books American Painting of the Nineteenth Century and Nature and Culture, the latter of which was named one of the Ten Best Books of the Year by The New York Times and was nominated for a National Book Critics Circle Award.
Now, with Voyages of the Self, this esteemed critic completes the trilogy begun with the two earlier works, offering once again an exhilarating exploration of American art ...
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Voyages of the Self: Pairs, Parallels, and Patterns in American Art and Literature: Pairs, Parallels, and Patterns in American Art and Literature

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Overview


Barbara Novak is one of America's premier art historians, the author of the seminal books American Painting of the Nineteenth Century and Nature and Culture, the latter of which was named one of the Ten Best Books of the Year by The New York Times and was nominated for a National Book Critics Circle Award.
Now, with Voyages of the Self, this esteemed critic completes the trilogy begun with the two earlier works, offering once again an exhilarating exploration of American art and culture. In this book, Novak explores several inspired pairings of key writers and painters, drawing insightful parallels between such masters as John Singleton Copley and Jonathan Edwards, Winslow Homer and William James, Frederic Edwin Church and Walt Whitman, and Jackson Pollock and Charles Olson. Through these and other groupings, Novak tracks the varied meanings of the self in America, in which the most salient characteristics of each artist or writer is shown to draw from--and in turn influence--the larger map of American life. Two major threads weaving through the book are the American preoccupation with the "object" and our continuing return to pragmatism. Novak notes for instance how Copley's art mirrors the puritan denial of self found in Jonathan Edwards and how as colonial scientists they share an interest in sensation and observation. She sees Winslow Homer and William James as practitioners of a pragmatic self grounded in an immediate experience that looks for concrete results. Through such fruitful comparisons--whether between Copley and Edwards, or Lane and Emerson, or Ryder and Dickinson--Novak sheds unmatched light on our nation's artistic heritage.
Wonderfully illustrated withdozens of black-and-white pictures and sixteen full-color plates, here is a stunning work that yields a wealth of insight into American art and culture--and concludes Novak's landmark trilogy.
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Editorial Reviews

Library Journal

Novak's (art history, emerita, Barnard Coll. & Columbia Univ.) seminal American Painting of the Nineteenth Century(1969) and her National Book Critics Circle Award-winning Nature and Culture(1980) are being reissued in third editions by Oxford with the publication of this final book in her trilogy on American art and culture. Here, she pairs some of her earlier artist subjects, as well as some 20th-century artists, with a major writer of the same period (e.g., John Singleton Copley and Jonathan Edwards, Winslow Homer and William James, Frederic Edwin Church and Walt Whitman, Jackson Pollock and Charles Olson), drawing remarkable parallels between their themes, philosophies, and aesthetics and revealing what she sees to be their uniquely American pragmatism. While her scholarship is meticulous, her writing style is accessible to general readers who follow American art and literature. This multidisciplinary work is highly recommended for public libraries where there is interest and for academic art history, literature, and American studies collections.
—Marcia Welsh Copyright 2007 Reed Business Information

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Product Details

  • ISBN-13: 9780195345650
  • Publisher: NetLibrary, Incorporated
  • Publication date: 1/1/2007
  • Sold by: Barnes & Noble
  • Format: eBook
  • File size: 4 MB

Meet the Author



Barbara Novak is Helen Goodhart Altschul Professor of Art History Emerita at Barnard College and Columbia University. She is the acclaimed author of American Painting of the Nineteenth Century ("surely the best book ever written on the subject"--Hilton Kramer, The New York Times Book Review) and Nature and Culture ("awesomely good"--Anatole Broyard, The New York Times). She has been a Commissioner of the Smithsonian's National Portrait Gallery for the last twenty-five years.
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Table of Contents



Preface
Acknowledgements
Introduction
1. Copley and Edwards: Self, Consciousness, and Thing
2. Emerson and Lane: Luminist Time and the Transcendental Aboriginal Self
3. Thoreau and Indian Selfhood: Circles, Silence, and Democratic Land
4. Whitman and Church: Transcendent Optimism and the Democratic Self
5. Homer and James: The Pragmatic Self Made Concrete
6. Dickinson and Ryder: Immortality, Eternity, and the Reclusive Self
7. Pollock and Olson: Time, Space, and the Activated Bodily Self
Notes
Selected Bibliography
Illustration Credits
Index
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