Voyeur

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Stated 1st, 1999 Very Good+, No Dust Jacket Oblong 8vo, unpaginated, B/W Photos, Hardcover. Hardcover: Clean and crisp. Black binding with photo on front board. Title in white ... on spine. Endpapers and photo pages are crisp and clean. Nice tight binding. Slipcase: Soft cardboard slipcase has cut-out which allows front board photo to show through. Light shelfwear and rubbing. Read more Show Less

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0060195223 Used, in good condition. Book only. May have interior marginalia or previous owner's name.

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New York 1999 Hard Cover First Edition Fine. No Jacket 8vo-over 7"-9" tall. (unpaginated) First printing. In a Fine slipcase.

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1999 Hard Cover First Edition; First Printing Fine 0060195223. 119 photographs by Atget, Henri Cartier-Bresson, Larry Clark, Elliott Erwitt, David Hockney, Izis, Duane Michals, ... Weegee, Garry Winogrand and other great photographers. Edited by Charles Melcher and Steven Diamond. With an essay by Luc Sante.; Hardcover in slipcase. Tight, clean and crisp, with only a faint hint of shelf wear to slipcase. No inscriptions. No remainder mark. Not ex-library, ; 8vo; 192 pages. Read more Show Less

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1999-11-01 Hardcover Good

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Overview

"Voyeurs are not hard to please. They want to look upon sex, sex parts, the settings of sex. They like their sex hot, cold, sweet, sour. They want it at night and in broad daylight, mysterious and seedy, sun-dappled and wholesome. Fundamentally, they want their pleasures snatched from the vine like stolen fruit. They want in another words to recapture the dizzying shock of sex in those early days when it was still new and dangerous and scary."

—Luc Sante

Throughout the history of the medium, the greatest photographers have also been voyeurs. Gathered in this beautiful volume are 119 of the most suggestive stolen glances ever captured on film. A tour of ...

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More About This Book

Overview

"Voyeurs are not hard to please. They want to look upon sex, sex parts, the settings of sex. They like their sex hot, cold, sweet, sour. They want it at night and in broad daylight, mysterious and seedy, sun-dappled and wholesome. Fundamentally, they want their pleasures snatched from the vine like stolen fruit. They want in another words to recapture the dizzying shock of sex in those early days when it was still new and dangerous and scary."

—Luc Sante

Throughout the history of the medium, the greatest photographers have also been voyeurs. Gathered in this beautiful volume are 119 of the most suggestive stolen glances ever captured on film. A tour of the erotic world of looking, featuring artist such as:

Atget Henri Cartier-Bresson Sophie Calle Larry Clark Edgar Degas Patrick Demarchelier Elliott Erwitt Walker Evans Larry Fink David Hockney Izis Dorothea Lange Jacques Henri Lartigue Duane Michals Susan Meiselas Cindy Sherman Edward Steichen Alfred Stieglitz Weegee Garry Winogrand

 

Essay by Luc Sante Edited by Charles Melcher and Steven Diamond A Melcher Media Book Design by Eric Baker

Editorial Reviews

Paper
The ideal gift for the person you want to stuff your stocking, this deliciously dirty book details the inherent relationship between voyeurism and photography from the 20s to today. Photographers from Atget to Mario Testino have caught friends, lovers and strangers in all stages of the act. Whether it's teenagers in a rec room or an unexpected flash of girl pie, these beautifully presented images are hotter than a yule log.

Product Details

  • ISBN-13: 9780060195229
  • Publisher: HarperCollins Publishers
  • Publication date: 10/28/1999
  • Edition description: SLIPCASE
  • Edition number: 1
  • Pages: 192
  • Product dimensions: 9.32 (w) x 9.50 (h) x 0.92 (d)

Read an Excerpt

From the Essay
Voyeurs are not hard to please. They want to look upon sex, sex parts,the settings of sex. They like their sex hot, cold, sweet, sour. Theywant it at night and in broad daylight, mysterious and seedy,sun-dappled and wholesome. They like it when celebrities are involved,and when the players are nobodies from nowheresville. Fundamentally,they want their pleasures snatched from the vine like stolen fruit. Theywant, in other words, to recapture the dizzying shock of sex in thoseearly days when it was still new and dangerous and scary.
-Luc Sante

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