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Starred Review, Kirkus Reviews, June 15, 2011
"Parra’s colorful folk-style illustrations of acrylics on board bring Ana’s real and imaginary worlds to life...The book is perfect for read-alouds, with occasional, often onomatopoeic Spanish words such as “quiquiriquí,” “tacatac” and “iii-aah” adding to the fun."
Review, Publishers Weekly, May 9, 2011
"Parra's naïve-styled acrylics brim with scenes of country life. A palette of salmon pinks and turquoise and sky blues, painted on board, give the book a rough-hewn, handmade quality and an innocent, childlike appeal (with her wide face, delicate features, and rouged cheeks, Ana even resembles a porcelain doll). In a metafictional ending, readers will notice that the book Ana hands the bibliotecario upon his return is this very book—fitting, as this truly is Ana's story."
Review, The Horn Book, July/August 2011
“This sample of the impact of traveling librarians on rural children, inspired by a Colombian teacher-librarian, not only celebrates their work but eloquently portrays a matchless way to inspire learning: by feeding the natural hunger for story....Small, brown-faced Ana’s enthusiasm is contagious, and the satisfying denouement, in which she donates her homemade book to the traveling collection, is just right."
Inspired by Colombian librarian Luis Soriano Bohórquez, Brown's latest tells of a little girl whose wish comes true when a librarian and two book-laden burros visit her remote village.
Ana loves to read and spends all of her free time either reading alone or to her younger brother. She knows every word of the one book she owns. Although she uses her imagination to create fantastical bedtime tales for her brother, she really wants new books to read. Everything changes when a traveling librarian and his two donkeys, Alfa and Beto, arrive in the village. Besides loaning books to the children until his next visit, the unnamed man also reads them stories and teaches the younger children the alphabet. When Ana suggests that someone write a book about the traveling library, he encourages her to complete this task herself. After she reads her library books, Ana writes her own story for the librarian and gives it to him upon his reappearance—and he makes it part of his biblioburro collection. Parra's colorful folk-style illustrations of acrylics on board bring Ana's real and imaginary worlds to life. This is a child-centered complement to Jeanette Winter'sBiblioburro(2010), which focuses on Soriano.
The book is perfect for read-alouds, with occasional, often onomatopoeic Spanish words such as "quiquiriquí," "tacatac" and "iii-aah" adding to the fun. (author's note, glossary of Spanish terms)(Picture book. 4-8)