Wake the Dead

( 1 )

Editorial Reviews

All Music Guide - Rick Anderson
Increasingly, it seems like the only thing that separates hardcore from metal, even "melodic" metal, is the vocals. If the singer is carrying a melody especially a high-pitched one, it's metal; if he's just yelling, it's hardcore. If he sounds like he's belching or channeling Cookie Monster, it's death metal. In either case, count on blistering tempos and big guitars that may follow complex chord progressions or may just sketch out vinegary power chord changes. Comeback Kid generally sticks with the complex-changes-and-declamatory-vocalist approach; tempos are good and brisk, the guitar sound varies between chuggingly aggressive and downright pretty, and singer Scott Wade...
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Editorial Reviews

All Music Guide - Rick Anderson
Increasingly, it seems like the only thing that separates hardcore from metal, even "melodic" metal, is the vocals. If the singer is carrying a melody especially a high-pitched one, it's metal; if he's just yelling, it's hardcore. If he sounds like he's belching or channeling Cookie Monster, it's death metal. In either case, count on blistering tempos and big guitars that may follow complex chord progressions or may just sketch out vinegary power chord changes. Comeback Kid generally sticks with the complex-changes-and-declamatory-vocalist approach; tempos are good and brisk, the guitar sound varies between chuggingly aggressive and downright pretty, and singer Scott Wade doesn't deliver his lyrics as much as he plunks them down in front of you like someone dropping a two-by-four on the sidewalk. Sometimes they trip themselves up: on "False Idols Fall" and "Our Distance," the tempos are fast enough that the drummer's backbeats sound like misplaced onbeats, and "Bright Lights Keep Shining" exhibits the worst kind of neo-punk lyrical laziness, with the standard-issue complaints about some undefined but apparently horrible "this." But man, those guitars. They pretty much make it all worthwhile, even when the drums are confusing and the lyrics are annoying.
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Product Details

  • Release Date: 2/22/2005
  • Label: Victory Records
  • UPC: 746105024625
  • Catalog Number: 246
  • Sales rank: 87,801

Album Credits

Performance Credits
Comeback Kid Primary Artist, Background Vocals
Bill Stevenson Background Vocals
Russ Rankin Vocals
Jeremy Hiebert Guitar, Group Member
Andrew Neufeld Guitar, Vocals, Group Member
Jason Lopez Background Vocals
Technical Credits
Alan Douches Mastering
Bill Stevenson Producer, Engineer
Jason Livermore Producer, Engineer
Andrew Berlin Engineer
Comeback Kid Composer, Producer, Engineer
Andrew Neufeld Engineer, Bass Engineer
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Customer Reviews

Average Rating 5
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Wow

    This CD by far surpasses nearly all of the other hardcore I have come to love. The lyrics are simply brilliant and the guitar riffs and bars are stunning. This CD is simply astonishing. Thank you, Comeback Kid.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews