Walk Across the Sea
Her family's lighthouse home is an island of enchantment for 13-year-old Eliza Wells. Surrounded by whales, seals, and pelicans, she avoids the problems that beset the mainland: like the increasingly heated conflict between the local town's white and Chinese citizens. This compelling historical novel by the award-winning author of Shadow Spinner is based on actual 19th-century events. Narrator Christina Moore voices all the confusion, compassion, and strength of a heroine willing to risk what she loves most in order to do what she knows is right.
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Walk Across the Sea
Her family's lighthouse home is an island of enchantment for 13-year-old Eliza Wells. Surrounded by whales, seals, and pelicans, she avoids the problems that beset the mainland: like the increasingly heated conflict between the local town's white and Chinese citizens. This compelling historical novel by the award-winning author of Shadow Spinner is based on actual 19th-century events. Narrator Christina Moore voices all the confusion, compassion, and strength of a heroine willing to risk what she loves most in order to do what she knows is right.
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Walk Across the Sea

Walk Across the Sea

by Susan Fletcher

Narrated by Christina Moore

Unabridged — 4 hours, 26 minutes

Walk Across the Sea

Walk Across the Sea

by Susan Fletcher

Narrated by Christina Moore

Unabridged — 4 hours, 26 minutes

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Overview

Her family's lighthouse home is an island of enchantment for 13-year-old Eliza Wells. Surrounded by whales, seals, and pelicans, she avoids the problems that beset the mainland: like the increasingly heated conflict between the local town's white and Chinese citizens. This compelling historical novel by the award-winning author of Shadow Spinner is based on actual 19th-century events. Narrator Christina Moore voices all the confusion, compassion, and strength of a heroine willing to risk what she loves most in order to do what she knows is right.

Editorial Reviews

Kirkus Reviews

Racism and her mother's miscarriage bring an end to a happy chapter in the life of a California lighthouse-keeper's daughter in this emotionally tumultuous novel, set in the 1880s. Until a group of townsfolk band together to drive the "celestials," the small Chinese immigrant community, out of Crescent City, the only cloud in Eliza Jane's sky is her goat Parthenia's genius at escaping to munch on other people's flowers. Despite her father's orders to stay away from the "heathen," however, she finds herself drawn to a talented young artist, and inadvertently becomes an angry, horrified witness to incidents of harassment that culminate in a nighttime mass kidnapping of Chinese women and children. Meanwhile, she is also wrestling with her religious faith after her mother loses a baby, and coming to discover that her father isn't quite the pillar of strength she had always believed him to be. Drawing the forced removal from historical accounts, Fletcher enriches her tale's setting with carefully researched detail about lighthouses and the families that kept them, and ultimately brings to her troubled protagonist both an epiphany that restores her respect for God and her father, and a new baby brother. An intense, meaty historical novel from the author of Shadow Spinner (1998). (Fiction. 10-12)

Product Details

BN ID: 2940171312763
Publisher: Recorded Books, LLC
Publication date: 02/20/2015
Edition description: Unabridged
Age Range: 10 - 13 Years

Read an Excerpt

Chapter 1: The China Boy


March 1886
Crescent City, California


The beginning of the end of our life in the lighthouse was the day the goat got loose.

Well. There were many such days. Papa had bought her — Parthenia — to crop the poison oak and blackberry bushes that threatened to overtake our island. The milk was extra blessing.

Parthenia did her job too well. When she had taken her fill of brambles, she commenced upon Mama's vegetables and roses. Mama gave roses the go-by in time, but Papa built fence after fence for the garden before he finally set up one that goat looked upon as a discouragement.

After that, she raided other folks' gardens. She would escape the island at ebb tide, and after-ward we would hear reports — Mrs. Somersby at church fuming about her hollyhocks, Horace Ahrens at school giving account of his mother's lost cabbages, Dr. Wilton from the hospital lamenting his late nasturtiums. Dr. Wilton was goodhearted about it though. He said Parthenia went tripping through the tiny clapboard hospital, entertaining the patients. The whole place felt jollier when she was there.

But Papa said it was not right to let Parthenia run loose. Besides, he said, the heathen Chinamen in the shanties at the edge of town were known to eat all manner of meat — rat meat, crow meat, cat meat, dog meat. They'd likely look upon Parthenia as a tasty supper indeed. Still, that cantankerous goat would escape. She could gnaw through any rope. She could jump atop her shed and vault across the fence. She could lean against the slats and knock them flat. If she purely wanted out, we couldn't hold her — just slow her down. It was my job to find her and fetch her home before the tide came in.

This day I'm telling of was a Saturday early in March — two years ago, when I was thirteen. Parthenia had tucked into Mrs. Overmeyer's primroses, and that lady was none too pleased. "Eliza Jane McCully," she said when I came upon the scene, "you get that goat out of my garden, do you hear me? Shoo! Goat, shoo! Oh, my primroses! My poor, poor primroses!"

It took some doing to cultivate primroses so near the Pacific Ocean, with the constant salty wind and the sandy soil. Primroses — and other flowers — were a luxury and purely cherished by folks who grew them. I tied a rope around Parthenia's neck, and we played tug-o'-war for a spell, until she clapped eyes on the violets by the hospital and made a beeline in that direction. I managed to steer her away, toward the bluff above the isthmus. "Folks get contentious, with you laying into their flowers," I told her. "Haven't you noticed? Haven't you wondered why all the conniptions when you're about?"

Parthenia bleated mournfully, looked back at me with great, round, sorrowful eyes. She was misunderstood, she seemed to say. She was only hungry.

I first caught sight of Wah Chung when we reached the edge of the bluff. I didn't know yet he was called Wah Chung. I didn't know a blessed thing about him — save that he was squatting beside some rocks on the path to our island, his long pigtail hanging down his back beneath a wide, flat straw hat. A Chinaman. Seemed like he was writing something. Or drawing, maybe.

I stood there a tick, not knowing what to do. I was forbidden to mill about the China shanties, as some children did, buying litchi nuts and ginger candies. "Heathen things," Papa called them. So I stayed away. I was forbidden even to speak to a Chinaman. "If you see one coming toward you," Papa said, "step away and don't look at him. If you meet their eyes, they might try to converse with you. Best have nothing to do with them."

But the tide was on the uprise that afternoon. It had already swallowed up most of the isthmus, and the thin, foamy edges of waves washed across the narrow way that remained. I couldn't get home without passing quite near to this Chinaman. And I dared not wait for him to leave.

If it hadn't been for Parthenia, I might have turned back. The Wiltons let me stay with them whenever it was needful — when I became stranded on the mainland unexpectedly, or when, because of the tides, I had to leave for school early or turn homeward late. Mrs. Wilton had devised a signal to show that I was safely settled at their house: a yellow banner hung above their front porch and visible from the island. But the invitation did not include Parthenia. And besides, I didn't hanker for more doings with gardeners on a rampage.

I hurried along the steep path down the bluff. The brisk, sea-smelling wind whipped at my skirts and coat. It was a clear day, rare this time of year. High, thin clouds raced shoreward across a forever sky; gulls wheeled and cried overhead. Parthenia, at once seeming eager to be home, minced along before me, her udder bulging, flapping side to side. As we picked our way through the heaps of driftwood I saw the Chinaman glance toward us and away. He rose partway to his feet, seemed to think better of it, then squatted back on his heels and stared hard into the tide pool. It came to mind that he might wish to be shut of me as fervently as I wished to avoid him. But I had cut off his avenue of retreat.

Drawing near, I saw that he was holding a paintbrush and a sheet of paper tacked to a board. An ink jar sat on a rock beside him. A wave lapped over his bare feet and wet the legs of his baggy denim trousers, but he did not try to escape it by moving into our path. He sat like a stone. When we had nearly come abreast, Parthenia gave a quick, hard lurch in the Chinaman's direction

and tried to bite his hat. I yanked her away and stepped sideways into a tide pool, flooding my boots with cold water, soaking my skirt and petticoat to my knees. A jet of anger spurted up inside me. This was our path to our island. What business had he here?

He did not look up. I cinched Parthenia's rope, clambered out of the pool and, shoes sloshing in my boots, marched for home.

But now Parthenia dawdled. She kept craning back to ogle the Chinaman, no doubt lusting after his hat. I slapped her flanks to urge her along — a mistake, I discovered. She balked — head down, ears back, legs splayed. "Come along, Parthenia," I said between clenched teeth. For pure cussedness that goat could not be beat. She backed toward the mainland, glaring at me. I jerked her rope sharp — another mistake. She wheeled round and bolted toward the Chinaman so quick, she took me off guard. Her rope slipped, burning, through my hand. I snatched at it, missed, and stumbled forward, hoping to catch hold of goat or rope before she reached the Chinaman.

He had turned to stare. His eyes looked wild. He leaped to his feet, flailed his arms, shouted something I couldn't understand. My heart stopped. Was he threatening me? Trying to scare me away from Parthenia so he could steal her? But something about the way he moved made me look over my shoulder, and then I saw it — a wave, a great, tall breaker, looming behind me. I ran, tripped, fell — my skirts were heavy, clinging. I got up and scrambled across a heap of rocks to a sturdy-looking boulder, then clung to the landward side as Papa had taught me — crouching, nestling into the curves of it, digging my fingers into its crannies. And the wave came roar-ing down upon me. Green water — not just white water and foam. It poured over my head, engulfed me to my waist, knocked me about, tried to jerk my feet from under me and pry me away. I pressed against the boulder until barnacles cut into my skin. The current dragged at me, so strong. My fingers slipped; I was peeling away...

Then it was past. I dashed the stinging salt spray from my eyes and scanned the sea. Though water still sucked at my skirts below my knees, I saw nothing alarming on the horizon.

A sneaker wave. I had been caught by them before, though never so direly as this, and Papa warned me constantly against them. Never turn your back on the sea, he always said — though of course we must, at times. But it was folly to do so for long.

And now I heard a piteous bleat. Parthenia! I turned to see her flailing in the arms of the Chinaman. I had a mind to shout at him, to tell him to put her down, but then I saw that he was wading toward me. "You...goat," he said. He set her down in the ebbing water and held out the end of the rope to me. He was drenched, head to foot. Hat gone, long blue jacket torn, a fresh gash across one cheek. He stood just my height, I saw. He seemed...my age, or very near.

A China boy.

Parthenia bleated again, long and deep and sad. She was a sorry sight, all stomach, bones, and udder, with her hair plastered to her body, and her slotted amber eyes reproaching me. All at once I felt ashamed. I had not given her a thought, had just run to save my own skin. And yet this China boy...Had he rescued Parthenia from the wave? Or just plucked her up after it had passed?

He held out the rope again. "You...goat," he said.

I glanced over my shoulder at the sea — all was well — then hastened toward the China boy. I kept my eyes averted. But at the last moment, when I was about to mumble my thanks, my eyes snagged on his — strange, lidless-seeming, almond-shaped. Something moved inside me, like a sudden shift in the wind.

The China boy ducked his head. I snatched the rope from his hand.

"Come along, Parthenia," I said sternly. "Come along!"

Copyright © 2001 by Susan Fletcher

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