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Overview


The hero of Philip Jolowicz's astonishing debut thriller is an everyman who believes he has everything but soon finds himself inexplicably plunged into a world of unspeakable moral corruption. A world where, for its victims, death is most likely the preferred option. In his office off Wall Street, Fin Border surveys his future with confidence. He's a young attorney bound for partnership in a British law firm set to merge with its immensely powerful American cousin in Rockefeller Center. His client list is the envy of his colleagues, his already burgeoning bank account is about to swell. And he truly believes he has consigned to the past the shame and disillusion surrounding the death of ...
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Overview


The hero of Philip Jolowicz's astonishing debut thriller is an everyman who believes he has everything but soon finds himself inexplicably plunged into a world of unspeakable moral corruption. A world where, for its victims, death is most likely the preferred option. In his office off Wall Street, Fin Border surveys his future with confidence. He's a young attorney bound for partnership in a British law firm set to merge with its immensely powerful American cousin in Rockefeller Center. His client list is the envy of his colleagues, his already burgeoning bank account is about to swell. And he truly believes he has consigned to the past the shame and disillusion surrounding the death of his once-revered father, a founding partner of the firm.

But an invitation from JJ Carlson, Fin's client and best friend and one of Wall Street's most mercurial investment bankers, proves just how fragile Fin's existence really is. After five shocking minutes, Fin is staring at a scene of carnage on the FDR Drive, as well as the wreckage of his own life and career in New York.

Fin's clients are abruptly torn from him, his money is siphoned and replaced by crippling debt, and the prospect of crushing litigation and a criminal record loom large. Fin's friendships and connections count for nothing. Only Carol Amen, senior in-house counsel with Jefferson Trust -- JJ's former employer -- seems to offer any chance of survival, professional or emotional. She has a deal for him, a salve for his pride and something that will get him out of the United States for a while. But Fin has been booked on a flight to the last place on earth he wants to visit.

A crackling, character-driven business thriller, masterfully spun by a true-life legal titan of global finance, Walls of Silence follows a fast-rising lawyer through a treacherous international maze of preying power brokers and deadly conspiracies.

Editorial Reviews

Publishers Weekly
This engrossing, labyrinthine debut legal thriller by a British attorney with a background in international finance is at times annoyingly murky, but the tension level is high. Five years an expatriate in the New York offices of a London-based law firm, Fin Border the son of an original partner who died in Bombay under highly questionable circumstances is caught in a web of intrigue when one of his clients, an influential banker, commits suicide by driving a million-dollar custom automobile over a parapet and plummeting down to Manhattan's FDR Drive. To avoid scandal, Fin is taken off the momentous merger of his firm with a top competitor and sent to Bombay, accompanied by his girlfriend the legal counsel for another important banking client to handle the acquisition of a nondescript Indian corporation. After an old crony of his father tries to warn him that he may be in jeopardy, Fin finds this kindly ally brutally murdered, the only clues a slim book of Rudyard Kipling stories and a letter to a young paralegal that has scores of numbers scrawled across its back. In Bombay, Fin is drugged, taken to a brothel and then to the site of his father's enigmatic death, where an attempt is made to assassinate him; his mother pays the ultimate price. International white slavery and high finance lead back to old school ties at Oxford and the schemes of a secret cabal of four undergraduates. Although the disjointed narrative may frustrate the reader trying to sort out the myriad Gordian plot twists, the action culminates in a heart-stopping finale. Readers who have the patience to deal with a complex plot will find that this has all the diabolic undercurrents of a first-class chiller. 5-city author tour. (June) Copyright 2002 Cahners Business Information.
Library Journal
In this first novel by former attorney Jolowicz, J.J. Carlson drives his million-dollar McLaren F1 over an embankment and onto the FDR Drive, killing himself and 15 others. Attorney Finley Border, Carlson's friend and witness to the crash, finds that his life has been turned upside down. He is listed as the McLaren owner, making him liable for all the damages plus the payments on the car. Then the law firm he represents removes his client base, and he is hounded by the press and relatives of the victims in the accident. Fin is offered the chance to be legal counsel in a buyout of a company in Bombay, but this is the last place he wants to go, as his father committed suicide there several years before. He is given no choice, however, and the action takes off as he and Carol Amen, his new girlfriend and fellow attorney, arrive in India to find that things are no better there than in New York. The threads of the complex plot take awhile to come together, which dampens some of the urgency of the action, but pace and story ultimately carry the reader to a satisfying end. For most fiction collections where legal and financial thrillers are popular. Jo Ann Vicarel, Cleveland Hts.-University Hts. P.L., OH Copyright 2002 Cahners Business Information.
Kirkus Reviews
A brisk but predictable debut legal thriller about an innocent man on the run from New York to India and back again. For openers: elements familiar to the classic chase thriller. Early one morning on the Manhattan's Upper East Side, JJ Carlson invites fellow attorney Fin Border to check out a million-dollar car that can hit 240 miles an hour. As Border watches helplessly from the sidewalk, Carlson powers the car over a barrier and onto the FDR Drive, killing and injuring scores of rush-hour drivers. Border's life from that point on falls into chaos. Someone, the bank insists, registered and purchased the dream car in his name with funds drawn from his account. And now not only are the police on his tail, but Carlson's widow and brother are shooting menacing glances in his direction and the families of the dead and injured are about to sue him for damages. Fearful that his presence will wreck a major merger in the works, his firm shunts him off to India to oversee the purchase of a Bombay stock firm. There, he discovers (too easily) that the India firm is involved in money-laundering, adult and child prostitution-and the brutal murder years ago of his own father. He also connects all of this corruption to the puzzling car suicide. Back in New York, he confronts the guilty parties, who set off in violent pursuit, leaving him, but probably few readers, out of breath. British author Jolowicz, a former attorney and "seventeen-year veteran of the global financial market," has an eye for the detail that can elicit fear or empathy but is less canny than it might be, and his style-an annoying series of brief paragraphs, short sentences, and terse fragments-further thins the long work's texture.Too much and not enough. Author tour

Product Details

  • ISBN-13: 9780743436953
  • Publisher: Atria Books
  • Publication date: 6/4/2002
  • Sold by: SIMON & SCHUSTER
  • Format: eBook
  • Pages: 448
  • File size: 477 KB

Meet the Author


Before turning his talents to writing, Philip Jolowicz was an attorney who held one of the top legal posts in the European financial industry. A seventeen-year veteran of the global financial market, he has lived and worked in New York, Hong Kong, and London, and traveled extensively throughout Europe, Asia, and the Far East. He now resides in England and is currently working on his second novel.

Read an Excerpt


Chapter One

I was a morning person.

So when JJ Carlson rang me at 6:00 A.M. that Monday, he caught me on my second cup of black coffee and the last page of the Wall Street Journal.

He had something to show me, he said. Something neat. No clues. I was just to get myself to the corner of East 80th and First. I knew it was going to be special, worth the journey. It wouldn't be JJ's vacation snapshots.

I was with him in no time. I stood and stared.

My God, it was a beautiful car.

I ran my hand along the silver paneling. The headlights glared from the foot of a massive hood that reared up into a subtly tinted sweep of windshield. A thousand car magazine clichés ran through my mind as I fought to find a single word that might do justice to this piece of machinery.

"A McLaren F1," I murmured.

"Yup," said JJ Carlson. His tanned and manicured finger tapped lightly on the bodywork. "Only one in Manhattan, least that's what the guy said."

He was probably right. In my five years in New York, I'd never seen an F1 weaving through the clutter of yellow cabs and buses or stuck in a line headed for the Lincoln Tunnel. But JJ would've wanted it in writing. He never left anything to chance.

He towered over me, sleek as the car. He opened the gull-wing door and signaled for me to get inside. I wanted to look casual, cool. But it wasn't easy as I squatted down low and eased a leg over the sill. I was then confounded by the sight of the steering wheel on a console sticking out from the center of the dash. Where the hell was I supposed to go?

Then I noticed that there were three seats. The driver's was in the middle.

I eased myself back into the rock-firm leather. The seatbelt was like a parachute harness. JJ slid behind the wheel and turned to buckle me up.

I scanned the dash -- utilitarian, serious; portholes of precise data.

"Two hundred and forty miles per hour," JJ said, reading my mind. "And before you ask, a million and change."

A million dollars for a car.

I whistled appreciatively and JJ seemed pleased. He turned on the engine. To my surprise the noise wasn't anything special, neither a purr nor a growl. JJ put the car into first gear, brought up the clutch, and gently pressed on the accelerator. The light caught pricks of sweat on his temples as he tilted his head back a fraction.

He rammed his foot down.

I was thrust back into my seat. We headed down East 80th, hitting one hundred miles an hour in too few seconds to count.

JJ's arms stretched out, locked on the stubby steering wheel at an unyielding three o'clock. Eyes glossed by a film of adrenaline.

The world outside was a blur. Before I could begin to assess the likelihood of bowling over a pedestrian or atomizing another car coming out of a parking space, JJ slammed on the brakes and came to a dead stop at the junction of East 80th and East End Avenue.

I felt the steel grip of his hand on my shoulder.

"What do you think?" he asked.

I thought of those gut-wrenching roller-coaster rides I'd never completely enjoyed as a kid. "Awesome," I managed.

"It's only a car," he said, then started to listen intently to the rumble of the idling engine. "I heard a noise."

He toed the throttle a little.

"Sounds okay to me," I ventured.

"Maybe you're right," JJ said after a moment. He pressed something and my door opened. "But I just want to give it another run." He turned to me with a grin. "No distractions this time."

As I got out, JJ leaned over and gave me a helpful shove. His eyes were cold blue now.

"Chill out, Fin," he said. "When I get back I'm going to let you have a go behind the wheel. You like?"

"Oh, yes, I like." I smiled.

"Cross over East End Avenue and wait for me at the end of East 80th. I'll be with you in two minutes."

JJ waited for the light to turn green before easing the car from a standstill and turning right to head around the block.

"What the hell was that?" a dog walker asked, rocking back on his heels and yanking at about ten leashes like he was auditioning for the chariot race in Ben-Hur.

"A McLaren F1," I said.

"Never heard of it," he said. "But I guess it goes pretty fast."

"About two-forty miles an hour."

The dog walker thought for a moment. "What's the point of a car like that in Manhattan?" he said.

"I'll get back to you on that," I replied.

I looked up East 80th and could make out headlights flashing about two blocks up. I ran to the other side of East End Avenue.

East 80th at this point was a dead end. A sign made that quite clear. And to emphasize the fact, there was a stoplight showing a permanent red. The street ran about twenty yards before terminating at a steel barrier. Beyond the barrier there was a sheer drop into a deep gully, about thirty feet across. Beyond the gully lay the FDR Drive. I could hear the hum of early-morning traffic nose-to-tailing it down the southbound lane. Beyond the FDR lay the East River.

I headed toward the barrier so that I could stand facing up East 80th and get a full frontal view of the McLaren as it approached. I noticed that there was some old burlap and a few strips of lumber lying on the sidewalk. Unusual in this part of town; the residents would not be pleased. Two pieces of lumber were laid up against the barrier.

I heard the shriek of an engine at full throttle. JJ was about a hundred feet from the junction. He covered the distance between us in a blink and I realized he wasn't going to stop. I threw myself to the side and looked up in time to see the front wheels mount the lumber. The wood snapped, but the car had cleared the barrier and spun out over the gully.

There was silence.

I watched the sun flash against bodywork as the McLaren rolled and revealed its dark underbelly. For a second, the car held still at the top of its arc, as if it had a decision to make.

Then it dropped.

There was an ear-splitting crash as it landed in the midst of the traffic on the FDR. I could hear the helpless thuds of vehicle after vehicle piling into one another.

Then, again, silence.

I got up and looked over the parapet. The nucleus of the impact was an insoluble puzzle of twisted metal, shimmering in a haze of gas vapor and boiling coolant. Farther back, the zigzag of wreckage was more intelligible, somehow retaining more familiar shapes, badly bent but still recognizable.

For a moment, there was nobody to be seen. It was as if dozens of vehicles had decided to stage a mass suicide and just gone out and done it, leaving their owners at home.

Then I heard the screaming. Cars don't scream. People do that; hurt, trapped people. And then those who weren't trapped -- or dead -- started to emerge, stooped, bloodied, like blitzkrieg survivors venturing from their bunkers.

Drivers and passengers from the cars in front of where JJ had landed were running toward the center of the conflagration that had missed them by less than the jolt of a second hand. Those in their wake had been doomed by an extra spoonful of cereal, the clean bra they couldn't find, the lazy gas pump attendant.

"What the fuck happened?"

It was the dog walker again.

"I don't know," I said weakly.

I stared at the carnage, trying to make sense of it.

Then the sirens came.

The noise rose, the cranking up of the emergency service's cacophony. Time dissolved into shouts and the scrape of cordons being dragged into place. The rattle of helicopters vied with the drone of generators powering lifting and cutting equipment. A news reporter, one hand cupped over his ear, yelled real-time commentary at a camera set up next to a van gored by a transmitter mast as tall as a tree.

I didn't bother to check my wristwatch. Time was now the allotted slice of satellite uplink.

I wanted to go back to my apartment and hear the seconds lazily clack by on the simple kitchen clock.

Copyright © 2002 by Philip Jolowicz

First Chapter

Chapter One

I was a morning person.

So when JJ Carlson rang me at 6:00 A.M. that Monday, he caught me on my second cup of black coffee and the last page of the Wall Street Journal.

He had something to show me, he said. Something neat. No clues. I was just to get myself to the corner of East 80th and First. I knew it was going to be special, worth the journey. It wouldn't be JJ's vacation snapshots.

I was with him in no time. I stood and stared.

My God, it was a beautiful car.

I ran my hand along the silver paneling. The headlights glared from the foot of a massive hood that reared up into a subtly tinted sweep of windshield. A thousand car magazine clichés ran through my mind as I fought to find a single word that might do justice to this piece of machinery.

"A McLaren F1," I murmured.

"Yup," said JJ Carlson. His tanned and manicured finger tapped lightly on the bodywork. "Only one in Manhattan, least that's what the guy said."

He was probably right. In my five years in New York, I'd never seen an F1 weaving through the clutter of yellow cabs and buses or stuck in a line headed for the Lincoln Tunnel. But JJ would've wanted it in writing. He never left anything to chance.

He towered over me, sleek as the car. He opened the gull-wing door and signaled for me to get inside. I wanted to look casual, cool. But it wasn't easy as I squatted down low and eased a leg over the sill. I was then confounded by the sight of the steering wheel on a console sticking out from the center of the dash. Where the hell was I supposed to go?

Then I noticed that there were three seats. The driver's was in the middle.

I eased myself back into the rock-firm leather. The seatbelt was like a parachute harness. JJ slid behind the wheel and turned to buckle me up.

I scanned the dash -- utilitarian, serious; portholes of precise data.

"Two hundred and forty miles per hour," JJ said, reading my mind. "And before you ask, a million and change."

A million dollars for a car.

I whistled appreciatively and JJ seemed pleased. He turned on the engine. To my surprise the noise wasn't anything special, neither a purr nor a growl. JJ put the car into first gear, brought up the clutch, and gently pressed on the accelerator. The light caught pricks of sweat on his temples as he tilted his head back a fraction.

He rammed his foot down.

I was thrust back into my seat. We headed down East 80th, hitting one hundred miles an hour in too few seconds to count.

JJ's arms stretched out, locked on the stubby steering wheel at an unyielding three o'clock. Eyes glossed by a film of adrenaline.

The world outside was a blur. Before I could begin to assess the likelihood of bowling over a pedestrian or atomizing another car coming out of a parking space, JJ slammed on the brakes and came to a dead stop at the junction of East 80th and East End Avenue.

I felt the steel grip of his hand on my shoulder.

"What do you think?" he asked.

I thought of those gut-wrenching roller-coaster rides I'd never completely enjoyed as a kid. "Awesome," I managed.

"It's only a car," he said, then started to listen intently to the rumble of the idling engine. "I heard a noise."

He toed the throttle a little.

"Sounds okay to me," I ventured.

"Maybe you're right," JJ said after a moment. He pressed something and my door opened. "But I just want to give it another run." He turned to me with a grin. "No distractions this time."

As I got out, JJ leaned over and gave me a helpful shove. His eyes were cold blue now.

"Chill out, Fin," he said. "When I get back I'm going to let you have a go behind the wheel. You like?"

"Oh, yes, I like." I smiled.

"Cross over East End Avenue and wait for me at the end of East 80th. I'll be with you in two minutes."

JJ waited for the light to turn green before easing the car from a standstill and turning right to head around the block.

"What the hell was that?" a dog walker asked, rocking back on his heels and yanking at about ten leashes like he was auditioning for the chariot race in Ben-Hur.

"A McLaren F1," I said.

"Never heard of it," he said. "But I guess it goes pretty fast."

"About two-forty miles an hour."

The dog walker thought for a moment. "What's the point of a car like that in Manhattan?" he said.

"I'll get back to you on that," I replied.

I looked up East 80th and could make out headlights flashing about two blocks up. I ran to the other side of East End Avenue.


East 80th at this point was a dead end. A sign made that quite clear. And to emphasize the fact, there was a stoplight showing a permanent red. The street ran about twenty yards before terminating at a steel barrier. Beyond the barrier there was a sheer drop into a deep gully, about thirty feet across. Beyond the gully lay the FDR Drive. I could hear the hum of early-morning traffic nose-to-tailing it down the southbound lane. Beyond the FDR lay the East River.

I headed toward the barrier so that I could stand facing up East 80th and get a full frontal view of the McLaren as it approached. I noticed that there was some old burlap and a few strips of lumber lying on the sidewalk. Unusual in this part of town; the residents would not be pleased. Two pieces of lumber were laid up against the barrier.

I heard the shriek of an engine at full throttle. JJ was about a hundred feet from the junction. He covered the distance between us in a blink and I realized he wasn't going to stop. I threw myself to the side and looked up in time to see the front wheels mount the lumber. The wood snapped, but the car had cleared the barrier and spun out over the gully.

There was silence.

I watched the sun flash against bodywork as the McLaren rolled and revealed its dark underbelly. For a second, the car held still at the top of its arc, as if it had a decision to make.

Then it dropped.

There was an ear-splitting crash as it landed in the midst of the traffic on the FDR. I could hear the helpless thuds of vehicle after vehicle piling into one another.

Then, again, silence.

I got up and looked over the parapet. The nucleus of the impact was an insoluble puzzle of twisted metal, shimmering in a haze of gas vapor and boiling coolant. Farther back, the zigzag of wreckage was more intelligible, somehow retaining more familiar shapes, badly bent but still recognizable.

For a moment, there was nobody to be seen. It was as if dozens of vehicles had decided to stage a mass suicide and just gone out and done it, leaving their owners at home.

Then I heard the screaming. Cars don't scream. People do that; hurt, trapped people. And then those who weren't trapped -- or dead -- started to emerge, stooped, bloodied, like blitzkrieg survivors venturing from their bunkers.

Drivers and passengers from the cars in front of where JJ had landed were running toward the center of the conflagration that had missed them by less than the jolt of a second hand. Those in their wake had been doomed by an extra spoonful of cereal, the clean bra they couldn't find, the lazy gas pump attendant.

"What the fuck happened?"

It was the dog walker again.

"I don't know," I said weakly.

I stared at the carnage, trying to make sense of it.

Then the sirens came.

The noise rose, the cranking up of the emergency service's cacophony. Time dissolved into shouts and the scrape of cordons being dragged into place. The rattle of helicopters vied with the drone of generators powering lifting and cutting equipment. A news reporter, one hand cupped over his ear, yelled real-time commentary at a camera set up next to a van gored by a transmitter mast as tall as a tree.

I didn't bother to check my wristwatch. Time was now the allotted slice of satellite uplink.

I wanted to go back to my apartment and hear the seconds lazily clack by on the simple kitchen clock.

Copyright © 2002 by Philip Jolowicz

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