Walt Whitman, Where the Future Becomes Present
Whitman’s poetry is full of places where he directly addresses his future readers, acknowledges the time span between them, then shrugs it off. “The greatest poet,” he writes in his preface to Leaves of Grass, “places himself where the future becomes present.” By celebrating the complex legacy of Leaves of Grass, the ten essayists in this spirited collection affirm the truth of its premise: “Past and present and future are not disjoined but joined.”

Walt Whitman, Where the Future Becomes Present
invigorates Whitman studies by garnering insights from a diverse group of writers and intellectuals. Writing from the perspectives of art history, political theory, creative writing, and literary criticism, the contributors place Whitman in the center of both world literature and American public life. The volume is especially notable for being the best example yet published of what the editors call the New Textuality in Whitman studies, an emergent mode of criticism that focuses on the different editions of Whitman’s poems as independent works of art.

Written one hundred fifty years after the book’s publication, these timely, innovative responses to Leaves of Grass confirm that the future of Whitman’s poems is vital to our present.
1012231980
Walt Whitman, Where the Future Becomes Present
Whitman’s poetry is full of places where he directly addresses his future readers, acknowledges the time span between them, then shrugs it off. “The greatest poet,” he writes in his preface to Leaves of Grass, “places himself where the future becomes present.” By celebrating the complex legacy of Leaves of Grass, the ten essayists in this spirited collection affirm the truth of its premise: “Past and present and future are not disjoined but joined.”

Walt Whitman, Where the Future Becomes Present
invigorates Whitman studies by garnering insights from a diverse group of writers and intellectuals. Writing from the perspectives of art history, political theory, creative writing, and literary criticism, the contributors place Whitman in the center of both world literature and American public life. The volume is especially notable for being the best example yet published of what the editors call the New Textuality in Whitman studies, an emergent mode of criticism that focuses on the different editions of Whitman’s poems as independent works of art.

Written one hundred fifty years after the book’s publication, these timely, innovative responses to Leaves of Grass confirm that the future of Whitman’s poems is vital to our present.
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Walt Whitman, Where the Future Becomes Present

Walt Whitman, Where the Future Becomes Present

Walt Whitman, Where the Future Becomes Present

Walt Whitman, Where the Future Becomes Present

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Overview

Whitman’s poetry is full of places where he directly addresses his future readers, acknowledges the time span between them, then shrugs it off. “The greatest poet,” he writes in his preface to Leaves of Grass, “places himself where the future becomes present.” By celebrating the complex legacy of Leaves of Grass, the ten essayists in this spirited collection affirm the truth of its premise: “Past and present and future are not disjoined but joined.”

Walt Whitman, Where the Future Becomes Present
invigorates Whitman studies by garnering insights from a diverse group of writers and intellectuals. Writing from the perspectives of art history, political theory, creative writing, and literary criticism, the contributors place Whitman in the center of both world literature and American public life. The volume is especially notable for being the best example yet published of what the editors call the New Textuality in Whitman studies, an emergent mode of criticism that focuses on the different editions of Whitman’s poems as independent works of art.

Written one hundred fifty years after the book’s publication, these timely, innovative responses to Leaves of Grass confirm that the future of Whitman’s poems is vital to our present.

Product Details

ISBN-13: 9781587297106
Publisher: University of Iowa Press
Publication date: 04/01/2008
Series: Iowa Whitman Series
Sold by: Barnes & Noble
Format: eBook
Pages: 200
File size: 2 MB

About the Author

The author of Walt Whitman and the Culture of American Celebrity, David Haven Blake is an associate professor of English at the College of New Jersey. Michael Robertson is a professor of English at the College of New Jersey and the author of Stephen Crane, Journalism, and the Making of Modern American Literature and Worshiping Walt: The Whitman Disciples.

Table of Contents

Acknowledgments

David Haven Blake and Michael Robertson
Introduction: Loos'd of Limits and Imaginary Lines

David Lehman
The Visionary Whitman

Wai Chee Dimock
Epic and Lyric: The Aegean, the Nile, and Whitman

Meredith L. McGill
Walt Whitman and the Poetics of Reprinting

Kenneth M.Price
"Debris", Creative Scatter, and the Challenges of Editing Whitman

Michael Warner
Civil War Religion and Whitman's Drum-Taps

Benjamin R. Barber
Walt Whitman's Song of Democracy

Angela Miller
The Twentieth-Century Artistic Reception of Whitman and Melville

Ed Folsom
So Long, So Long! Walt Whitman, Langston Hughes, and the Art of Longing

James Longenbach
Whitman and the Idea of Infinity

Kirsten Silva Gruesz
Walt Whitman, Latino Poet

Contributors
Index

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