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Want Two [Bonus Tracks + DVD] [Explicit Lyrics]

Editorial Reviews

All Music Guide
Picking up where Want One left off, Rufus Wainwright's Want Two is a deeply introspective, sometimes kinky and often personally critical set of mini-operettas that ruminate on his various relationships, drug abuse, and image in the media. Metaphorically liturgical and often classical in sound, Want Two touches on such inner-related themes as love, loneliness, sin and sacrifice. It's more focused than Want One and as such packs more of wallop both musically and emotionally. On the cover of Want One, Wainwright appeared as a chivalrous knight in armor bringing to mind the conquering crusader -- Sir Gawain the gay knight? Conversely, on Want Two he appears as a dark-haired maiden -- Sleeping Beauty or the suicidal ...
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Editorial Reviews

All Music Guide
Picking up where Want One left off, Rufus Wainwright's Want Two is a deeply introspective, sometimes kinky and often personally critical set of mini-operettas that ruminate on his various relationships, drug abuse, and image in the media. Metaphorically liturgical and often classical in sound, Want Two touches on such inner-related themes as love, loneliness, sin and sacrifice. It's more focused than Want One and as such packs more of wallop both musically and emotionally. On the cover of Want One, Wainwright appeared as a chivalrous knight in armor bringing to mind the conquering crusader -- Sir Gawain the gay knight? Conversely, on Want Two he appears as a dark-haired maiden -- Sleeping Beauty or the suicidal Ophelia? The imagery not only speaks to the campy and loaded cliché of the male and female, yin and yang drive of the gay male persona, but more importantly how one's personal desires are often sacrificed because of public successes. Never one to shy away from personal issues, Wainwright deals explicitly with how his sexuality has affected his life and career, not merely as a gay man but as a burgeoning gay icon with a complex desire to both embrace and ignore all that entails. This is no more apparent than on the album centerpiece, the iconoclastic "Gay Messiah," in which Wainwright both mocks gay pop culture and laments his ability to live up his fan base's desire for an artistic hero in the culture wars. He sings, "He will be reborn/ From 1970s porn/ Wearing tube socks with style/ And such an innocent smile," and later, "No it will not be me/ Rufus the baptist I be." Similarly, on the opening track "Agnus Dei," he croons, "Agnus dei/ Qui tollis peccata mundi/ Dona nobis pacem." Translated, it means "Lamb of God, Who takest away the sins of the world, Grant us peace." It's Wainwright's most direct plea for both personal and public absolution and helps leave the impression of an artist attempting to find emotional buoyancy in the often perilous waters of both the music business and the dating scene. Musically, Wainwright has never seemed more in command of his muse. References to Nilsson, Brian Wilson and Randy Newman are a matter of course, but Wainwright's growth as a pop craftsman with his own unique lyrical voice -- both conceptually and literally -- makes such comparisons unnecessary. To these ends, lush string orchestras, cheery choirs and piping horn sections decorate the impeccably scored album and perfectly complement Wainwright's swooning vocals. Taken as a whole, Want One and Want Two work well together as a sprawling and ambitious double album that is camp, serious and utterly compelling. [Want Two was also released with the bonus DVD, Rufus Wainwright Live at the Fillmore
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Product Details

  • Release Date: 12/21/2004
  • Label: Universal Int'l
  • UPC: 075021030213
  • Catalog Number: 210302
  • Sales rank: 298,672

Tracks

Disc 1
  1. 1 Agnus Dei (5:45)
  2. 2 The One You Love (3:44)
  3. 3 Peach Trees (5:59)
  4. 4 Little Sister (3:22)
  5. 5 The Art Teacher (3:51)
  6. 6 Hometown Waltz (2:33)
  7. 7 This Love Affair (3:13)
  8. 8 Gay Messiah (3:14)
  9. 9 Memphis Skyline (4:51)
  10. 10 Waiting for a Dream (4:14)
  11. 11 Crumb by Crumb (4:13)
  12. 12 Old Whore's Diet - Antony (9:09)
  13. 13 Coeur de Parisienne (Reprise D'Arletty) (2:46)
  14. 14 Quand Vous Mourez de Nos Amours (3:23)
Disc 2
  1. 1 Live at the Fillmore
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Album Credits

Performance Credits
Rufus Wainwright Primary Artist, Acoustic Guitar, Piano, Keyboards, Vocals, Background Vocals
Charlie Sexton Electric Guitar
Julianna Raye Vocals
Sterling Campbell Drums
Marius de Vries Keyboards, Vibes
Roger Greenawalt Banjo, Ukulele
Levon Helm Drums
Julia Kent Cello
Anna McGarrigle Accordion, Vocals, Background Vocals
Jenni Muldaur Vocals
Suzzy Roche Vocals
David Theodore Oboe
Cenovia Cummins Violin
Gerry Leonard Guitar, Electric Guitar
Christopher Cardona Violin
Jane Scarpantoni Cello
Kate McGarrigle Banjo, Piano, Vocals, Background Vocals
Antoine Silverman Violin
Martha Wainwright Violin, Vocals, Background Vocals
Joan Wasser Violin, Viola
Juliann Klopotic Violin
Brad Albetta Bass
Rob Burger Hammond Organ
Teddy Thompson Vocals
Leona Naess Background Vocals
Alison Gordon Viola
Anja Wood Cello
Maxim Moston Violin, Concert Master
Jeff Hill Bass
Alexandra Knoll Oboe
David Sapadin Clarinet
Daniel Shelly Bassoon
Kathryn Lockwood Viola
Lily Lanken Recorder, Background Vocals
Danielle Farina Viola
Matt Johnson Drums
Sophie Solomon Violin
Technical Credits
Van Dyke Parks Orchestral Arrangements
Gary Thomas Engineer
Guillame Bengle Live Recording
Andy Bradfield Engineer
Martin Brumbach Engineer
Marius de Vries Programming, Producer, Engineer, Orchestral Arrangements
Andy Taub Engineer
Gavyn Wright Orchestra Leader
Rufus Wainwright Composer, Producer, Orchestral Arrangements, Cover Art
Tom Schick Engineer
Kevin Metcalfe Mastering
Jacquelyn McKeever Engineer
Alexis Smith Programming
Rob Shearer Live Recording
Maxim Moston Orchestral Arrangements
Bob Ebeling Engineer
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