War, Battering, and Other Sports: The Gulf Between American Men and Women

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Overview

This "fascinating . . . superbly written" (Boston Globe) national bestseller tells the story of James McBride and his mother--a rabbi's daughter, born in Poland and raised in the South, who fled to Harlem, married a black man, founded a church, and put 12 children through college. Movie rights optioned by Midge Sanford and Sarah Pilsbury. Targeted print features.

Around the narrative of Ruth McBride Jordan, a.k.a. Rachel Deborah Shilsky, the daughter of an angry, failed Orthodox Jewish rabbi in the South, her son James writes of the inner confusions he felt as a black child of a white mother and of the love and faith with which his mother surrounded their large ...

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Overview

This "fascinating . . . superbly written" (Boston Globe) national bestseller tells the story of James McBride and his mother--a rabbi's daughter, born in Poland and raised in the South, who fled to Harlem, married a black man, founded a church, and put 12 children through college. Movie rights optioned by Midge Sanford and Sarah Pilsbury. Targeted print features.

Around the narrative of Ruth McBride Jordan, a.k.a. Rachel Deborah Shilsky, the daughter of an angry, failed Orthodox Jewish rabbi in the South, her son James writes of the inner confusions he felt as a black child of a white mother and of the love and faith with which his mother surrounded their large family. The result is a powerful portrait of growing up, a meditation on race and identity, and a poignant, beautifully crafted hymn from a son to his mother.

Editorial Reviews

Library Journal
The need to clarify his racial identity prompted the author to penetrate his veiled and troubled family history. Ruth McBride Jordan concealed her former life as Rachel Deborah Shilsky, the daughter of an Orthodox Jewish rabbi, from her children. Her grim upbringing in an abusive environment is left behind when she moves to Harlem, marries a black man, converts to Christianity, and cofounds a Baptist congregation with her husband. The courage and tenacity shown by this twice-widowed mother who manages to raise 12 children, all of whom go on to successful careers, are remarkable. The intertwined accounts, told alternately by mother and son, are enhanced by the gifted voices of readers Andre Braugher and Lainie Kazan. Highly recommended for public libraries.-Linda Bredengerd, Univ. of Pittsburgh Lib., Bradford, Pa.
Booknews
Noting that war, football, and battering are all male practices that brutalize "the other," McBride (religion and social ethics, Fordham U.) suggests that the only way to end "the war between the sexes" is to radically change our child-rearing practices to effect a new male subjectivity. McBride also rejects the "men's movement" espoused by Robert Bly and others, citing its frequent articulation of misogynistic views and its isolation of men from women. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Product Details

Meet the Author

James McBride
James McBride
James McBride burst onto the scene with The Color of Water, a memoir exploring the author's struggle to understand his biracial identity. A bit of a Renaissance man -- he's a skilled musician who has written for the likes of soul diva Anita Baker -- McBride crossed over into the fiction camp with the war novel Miracle at St. Anna.

Biography

James McBride's bestselling memoir, The Color of Water: A Black Man's Tribute to His White Mother, explores the author's struggle to understand his biracial identity and the experience of his white, Jewish mother, who moved to Harlem, married a black man, and raised 12 children. Readers may not know that the multitalented McBride has another dual identity: He's trained as a musician and a writer and has been highly successful in both careers.

After getting his master's degree in journalism from Columbia University at the age of 22, he began a career in journalism that would include stints as staff writer at the Boston Globe, People magazine, and The Washington Post. But McBride also loved writing and performing music, and at age 30, he quit his job as a feature writer at The Washington Post to pursue a music career in New York. After Anita Baker recorded a song he'd written, "Good Enough," McBride had enough contacts in the industry to spend the next eight years as a professional musician, writing, recording, and performing (he plays the saxophone).

He was playing tenor sax for jazz singer Little Jimmy Scott while he wrote The Color of Water "on airplanes and in hotels." Like the jazz music McBride plays, the book alternates voices, trading off between McBride's perspective and that of his mother. The Color of Water was a worldwide success, selling millions of copies and drawing high praise from book critics. "This moving and unforgettable memoir needs to be read by people of all colors and faiths," wrote Publishers Weekly. It now appears on reading lists at high schools and colleges around the country.

After the enormous success of The Color of Water, McBride felt some pressure to continue writing memoirs, or at least to continue with the theme of race relations in America. Instead, he turned to fiction, and although his second book draws part of its inspiration from family history, it isn't autobiographical. "My initial aim was to write a novel about a group of black soldiers who liberate a concentration camp in Eastern Europe," McBride explains on his web site. "I read lots of books and spent a lot of time researching the subject but soon came to the realization that I'm not qualified to write about the holocaust. It's too much." Instead, he recalled the war stories of his uncle and cousin, who served in the all-black 92nd Infantry Division, and began researching World War II in Italy -- particularly the clashes between Italian Partisans and the German army.

The resulting novel, Miracle at St. Anna, is "an intricate mosaic of narratives that ultimately becomes about betrayal and the complex moral landscape of war" (The New York Times Book Review) and has earned high marks from critics for its nuanced portrayal of four Buffalo Soldiers and the Italian villagers they encounter. McBride, perhaps not surprisingly, likens writing fiction to playing jazz: "You are the soloist and the characters are the bandleaders, the Duke Ellingtons and Count Basies. They present the song, and you must play it as they determine."

Good To Know

McBride has written songs for Anita Baker, Grover Washington Jr., Gary Burton, and the PBS television character Barney. He has also written the score for several musicals and currently leads a 12-piece jazz/R&B band.

One of his most taxing assignments as a journalist was to cover Michael Jackson's 1984 Victory Tour for six months. "I thought I was going to lose my mind," he told USA Today.

For a book fair, he performed with the Rock Bottom Remainders, a rock band made up of writers including Amy Tan, Mitch Albom, Stephen King, Dave Barry, and Ridley Pearson.

    1. Hometown:
      Bucks County, Pennsylvania
    1. Date of Birth:
      1957
    2. Place of Birth:
      New York, New York
    1. Education:
      Oberlin Conservatory of Music; M.A., Columbia University School of Journalism

Table of Contents

Illustrations
Acknowledgments
Preface
1 From Baghdad to Battering: Male Territorial Games and the Abuse of Women 1
2 America's War in the Gulf: Phallic and Castration Imagery in the Rhetoric of Combat 35
3 From Battle Front to Home Front: Football Metaphors and America's "Superbowl" 77
4 Scapegoating the Emasculated: Social Psychological Models of Authoritarianism and Sacrificial Violence 107
5 Descent into the Masculinist Psychic Economy: Bataillean and Irigarayan Models of Interpretation 140
6 The Men's Movement: An Alternative to "Acting Out" Male Hysteria? 177
Index 215

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