Warren Zevon

Editorial Reviews

All Music Guide - Mark Deming
Warren Zevon was a ten-year music industry veteran who had written songs for the Turtles, backed up Phil Everly, done years of session work, and been befriended by Jackson Browne by the time he cut his self-titled album in 1976 which wasn't his debut, though the less said about 1969's misbegotten Wanted Dead or Alive the better. Even though Warren Zevon was on good terms with L.A.'s Mellow Mafia, he sure didn't think or write like any of his pals in the Eagles or Fleetwood Mac; Zevon's music was full of blood, bile, and mean-spirited irony, and the glossy surfaces of Jackson Browne's production failed to disguise the bitter heart of the songs on Warren Zevon. The album ...
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Editorial Reviews

All Music Guide - Mark Deming
Warren Zevon was a ten-year music industry veteran who had written songs for the Turtles, backed up Phil Everly, done years of session work, and been befriended by Jackson Browne by the time he cut his self-titled album in 1976 which wasn't his debut, though the less said about 1969's misbegotten Wanted Dead or Alive the better. Even though Warren Zevon was on good terms with L.A.'s Mellow Mafia, he sure didn't think or write like any of his pals in the Eagles or Fleetwood Mac; Zevon's music was full of blood, bile, and mean-spirited irony, and the glossy surfaces of Jackson Browne's production failed to disguise the bitter heart of the songs on Warren Zevon. The album opened with a jaunty celebration of a pair of Old West thieves and gunfighters "Frank and Jesse James", and went on to tell remarkable, slightly unnerving tales of ambitious pimps "The French Inhaler", lonesome junkies "Carmelita", wired, hard-living lunatics "I'll Sleep When I'm Dead", and truly dastardly womanizers "Poor Poor Pitiful Me", and even Zevon's celebrations of life in Los Angeles, long a staple of the soft rock genre, had both a menace and an epic sweep his contemporaries could never match "Join Me in L.A." and "Desperados Under the Eaves". But for all their darkness, Zevon's songs also possessed a steely intelligence, a winning wit, and an unusually sophisticated melodic sense, and he certainly made the most of the high-priced help who backed him on the album. Warren Zevon may not have been the songwriter's debut, but it was the album that confirmed he was a major talent, and it remains a black-hearted pop delight.
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Product Details

  • Release Date: 5/19/1992
  • Label: Elektra / Wea
  • UPC: 075596060820
  • Catalog Number: 1060
  • Sales rank: 878

Album Credits

Performance Credits
Warren Zevon Primary Artist, Primary Artist, Primary Artist, Bass, Guitar, Piano, Keyboards, Vocals, Vocal Harmony
Jackson Browne Guitar, Vocals, Slide Guitar, Vocal Harmony
Lindsey Buckingham Guitar, Vocals, Vocal Harmony
Don Henley Vocals, Vocal Harmony
David Lindley Banjo, Fiddle, Violin
Stevie Nicks Vocals
Bonnie Raitt Vocals, Vocal Harmony
Jorge Calderon Vocals, Vocal Harmony
Phil Everly Vocals, Vocal Harmony
Carl Wilson Vocals, Vocal Harmony
Ned Doheny Guitar
Rosemary Butler Vocals, Vocal Harmony
Marty David Bass
Glenn Frey Guitar, Rhythm Guitar, Vocals, Vocal Harmony
Gentlemen Boys Vocals, Vocal Harmony
Bob Glaub Bass
Billy Hinsche Vocal Harmony
Bobby Keys Saxophone
Roy Marinell Bass
Sid Sharp Strings
J.D. Souther Vocals, Vocal Harmony
Richard Wachtel Guitar, Vocals, Guitar
Larry Zack Drums
Gary Mallaber Drums
Jai Winding Piano, Keyboards, Vocals
Stephanie Nicks Vocal Harmony
Technical Credits
Jackson Browne Producer
Carl Wilson Vocal Arrangements
Kent Nebergall Engineer
Fritz Richmond Engineer
Sid Sharp Contributor
Richard Wachtel Producer
Warren Zevon Arranger, Producer
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