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I turned and faced the road we'd come down, my face hard and set. The kids moved on without me. I could still see a slight glow and the murky, gray smoke reaching above the trees, where it spread to the south....
When I thought they were out of earshot, I took a deep breath. "You lied to me," I whispered toward the building, to all the people it represented, to the hours I'd spent on those hard, split-log seats, and to my childish epiphanies born there .... "You lied," I said. "These are my best friends now."
Rare is the gift of a writer who is able to conjure up the voices of very different worlds, to give them heat and power and make them sing. Such is the talent of Nancy E. Turner. Her beloved first novel, These Is My Words, opened readers to the challenges of a woman's life in the nineteenth-century Southwest. Now this extraordinary writer shifts her gaze to a very different world — East Texas in the years of the Second World War — and to the life of a young woman named Philadelphia Summers, known against her will as Frosty.
From the novel's harrowing opening scene, Frosty's eyes survey the landscape around her — white rural America — with the awestruck clarity of an innocent burned by sin. In her mother and sisters she sees fear and small-mindedness; in the eyes of local boys she sees racial hatred and hunger for war. When that war finally comes, it offers her a chance for escape -to California, and the caring arms of Gordon Benally a Native-American soldier. But when she returns to Texas she must face the rejection of a town still gripped by suspicion — and confront the memory of the crime that has marked her soul since adolescence.
Propelled by the quiet power of one woman's voice, The Water and the Blood is a moving and unforgettable portrait of an America of haunted women and dangerous fools — an America at once long perished and with us still.
We set fire to the Nigra church after the junior-senior Halloween costume party. Marty Haliburton brought the gasoline. Coby Brueller brought his cigarettes and a couple boxes of matches. The Bandy twins came with two pint jars of shinney each pulling down the side pockets of their overalls, and we'd all had several tastes by the time we did it. Those four boys were the root of all evil in our town for most of their lives. But the rest of us were there, too, just as much a part as the boys who spread the gas and fanned the flames.
My friends represented a few fairly nice girls and about the sorriest collection of humans caught in the throes of pre-manhood ever scraped together. Maggy, Neomadel, and Garnelle made a little half circle with me in the middle. I guess there's something odd or poetic about me, a girl named Frosty, being in the middle of something burning on a hot October night in East Texas. That bunch of boys and girls would make up about a third of the graduating class of 1942 from Big Thicket High School, but in the fall of 1941 that event still seemed a lifetime away.
Neomadel dared me to taste the moonshine, and all the kids giggled as I took the jar. It looked just like water. I put it to my lips and just touched it with the tip of my tongue.
Garnelle snickered into her hand. "Coby, don't be pushing that on her," she said.
Coby looked back at her and shrugged. "Nobody's making her drink it, are they? Give it back or drink up, Frosty." He held out his open hand toward me. They were all watching closely.
"I'm not drinking after you," I said. "Just give me a second. I'll take a drink."
"She won't either, " Neomadel said. "I knew she wouldn't do it."
"Nobody has to if they don't want to," Maggy said.
I guess I wasn't in the mood to be swept aside like that. I guess I had something in my craw that a good swig of liquid might wash away. I opened my mouth and gulped. The fire surged to a pit somewhere below my navel and boiled out the top, as if steam shot from my ears. My eyes watered; my nose stung; my throat closed like a large hand had reached around my neck and squeezed. From somewhere in the back of my head a little voice said, "She isn't breathing. Slap her on the back, get her to breathe."
Black sky and grass and stars and dirt rolled around in my eyes, and my face was pressed flat somewhere wet and dark and froggy-smelling. "Sit her up," the voice said again.
Voices swirling in the darkness argued for a second, then I coughed so loud and long I thought my lungs would burst. All I could think of was Garnelle's daddy coming home from the war gas and coughing his lungs out and barely breathing and what if I have to have an iron lung and live in a tube forever? After a few minutes the coughing subsided. I held my elbows tight to my ribs, and I could see the kids circling me.
"Lookit," Marty said, "We came to do something, and we're gonna do it. You all can horse around later. Pass me that shine." He took a drink, smacking his lips with a satisfied sigh. "Sissies and babies shouldn't be drinking a man's drink anyway."
Coby said, "You girls just take a little sip first, till you get the hang of it. Y'all doing all right, Frosty?"
"I'm fine," I croaked. "Your turn, Neomadel."
We passed that jar around the circle, and then we passed it again. I began to feel better than I had all day.
It was Marty's idea that we come here tonight. The Bandy boys always had their hands on shinney, so that part probably wasn't planned. Marty had a rusty yellow can full of at least three weeks' worth of gasoline, and he was circling the little shack like he had a special purpose on earth, sizing up the place, checking for anybody hiding out that might tell on us. Satisfied, he returned to our cluster and said in a whisper, "Let's do it." Then he held out his hand to Coby. "Gimme them cigarettes, Cobe."
Coby said, "Nothing doing. You pour the gas, someone else lights. Otherwise you're liable to set yourself up, too." Coby upended the first jar of shine and finished it off, smacking his lips and belching to punctuate the act. Farrell Bandy had already started on a second one. Beans had a whole one to himself.
The boys circled the little church, marching, pouring gas in arcs against the sides so the liquid left slick black hooks painted on the walls. The girls and I stepped back, watching intently as they walked round the building a second time, drizzling the gasoline into the damp ground. I took another step into the shadows cast by long pines under the watered-down moonlight. I knew there could be nothing hiding in the darkness any meaner than I was.
The scratch-puff of matches being struck made me keen in the direction of the sound. Abruptly there was a hustling noise, jostling, elbowing, and out of the darkness the boys ran, headed toward us. We waited. Nothing happened. After all the gas was gone and most of the matches, there was still only a meager flicker of flame on one side. It had rained just yesterday. The wood was soaked.
"Let's go home," Coby said. "This is no good anyhow. There's enough there to show 'em we meant business. It don't have to really burn..."
The Water and the Blood. Copyright © by Nancy Turner. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.Drei
Posted January 29, 2010
I Also Recommend:
Nancy Turner's first three books have been recountings of the various events during the life of her fictional frontier character Sarah Agnes Prine. Readers expecting a similar book, be warned.
Water And The Blood is set during the Depression and World War II eras. The main character is Philadelphia (Frosty) Sumners. The novel is told not only from her perspective, but includes others such as the sheriff, Frosty's older sister Delly, and Gordon Benally. The story opens with Frosty telling us in a flashback how she watched as the area's African-American chuch was burned down by other teenagers. The author skillfully weaves the various characters' viewpoints and differing experiences over a lifespan into a seamless whole. The conclusion is inevitable from the opening scene, but the winding route to the tale's culmination is in no way boring, and it is satisfying to see two people who feel they are "misfits" in their own separate communities ultimately discover they complement each other. Turner has a unique ability to speak the language of her various characters fluently, and to poignantly illustrate the beliefs of that earlier era.
2 out of 2 people found this review helpful.
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Posted February 17, 2012
I loved These is my Words which lead me to read this book. In this novel this author once again showes a woman who becomes stronger than she thinks she is. I enjoyed the complex relationships between people and cultures shown in this story. I especially enjoyed her including the Navajo Code Talkers and their spiritual/cultural conflicts posed in their lives.
1 out of 1 people found this review helpful.
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Posted November 12, 2005
Nancy E. Turner has a wonderful use of words. Her 3 books are all worth a 2nd read. She does an excellent job of weaving story and characters.
1 out of 1 people found this review helpful.
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Posted May 11, 2004
This book is so different from the author's first book, you'll think they're from two different writers. However, this story is incredibly moving, set in 1940's east Texas and California. Anyone familiar with life in a small, rural, southern town will recognize the cast of characters, the scenery, and the visual and visceral details. The characters are all broken people, needy people, and so much realism is brought in from what must have been meticulous research, that you will feel as if you are reliving the experience with them. The Water and The Blood is a strange combination of the most unlikely stories, that of a young woman in a poverty- and religious-zealotry stricken family, and a young Navajo code talker. Their strange dance of love woven through a crime drama and racist themes makes for a really unusual story. Quite a trek, and worth a second read for me.
1 out of 1 people found this review helpful.
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Posted November 15, 2002
This is obviously not a sequel to these is my words, and is much darker, melancholy, and more intense. But this book is an excellent portrayal of racism and other forms of bigotry in smalltown America, and deserves an unbiased read. I found this book difficult to put down, and impossible to forget.
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Posted January 30, 2013
Loved her first series, but this book was exhausting to read. So many things didn't even make sense. I had a hard time getting into the book, the middle section caught my interst, but the last part was hard to understand and follow. I would not suggest this book to anyone..
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Posted August 19, 2002
After the most excellent first novel, THESE IS MY WORDS, this second work of fiction is a tremendous let down. It lacks the sympathetic characters and very 'readable' storyline of her first work: a historical fiction of 1800's Arizona.
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Posted September 20, 2011
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Overview
I turned and faced the road we'd come down, my face hard and set. The kids moved on without me. I could still see a slight glow and the murky, gray smoke reaching above the trees, where it spread to the south....
When I thought they were out of earshot, I took a deep breath. "You lied to me," I whispered toward the building, to all the people it represented, to the hours I'd spent on those hard, split-log seats, and to my childish epiphanies ...