- Shopping Bag ( 0 items )
Available on NOOK devices and apps
Want a NOOK? Explore Now
Want a NOOK? Explore Now
A stunning debut novel from a new voice in literary fiction, set on Lake Michigan following World War II, The Water Dancers limns the divide between the worlds of the wealthy elite "summer people" and the poor native population who serve them–and what happens when those worlds collide.
When Rachel Winnapee first comes to work at the March family summer home on vast and beautiful Lake Michigan, she quickly learns her place. Servants are seen and not heard as they bring the breakfast trays, wash and iron luxurious clothes, and serve gin and tonics to the wealthy family as they lounge on the deck playing bridge. Orphaned as a poverty–stricken young girl from the nearby band of Native Americans, Rachel is in awe of the Marches' glamorous life–and quite enamored of the family's son Woody.
Rachel is soon assigned the task of caring for Woody, a young man whose life has been changed utterly by his experience as a soldier in WWII. The war has cost Woody not only his leg, but, worse, the older brother he loved and admired. Now back at home, Woody cannot bear to face the obligations of his future – especially when it comes to his bride–to–be Elizabeth. Woody finds himself drawn to Rachel, who is like no one he's ever known. The love affair that unites these two lost souls in this Great Gatsby–esque portrait of class division will alter the course of their lives in ways both heartbreaking and profound.
This novel's richness is due, in part, to the author's memories of summers spent at her family's house on Lake Michigan, home to six generations of Gambles (as in Procter & Gamble). THE WATER DANCERS, told in a voice as clear and cool as lake water, is a luminescent tale of love, loss and redemption, and heralds the arrival of a remarkable new talent.
For six weeks, Rachel had been working at the Marches' house - six weeks of lining drawers, airing closets, carrying laundry, and she still couldn't keep the back stairs straight. One flight led from the kitchen to the dining room, the other up two floors to the bedrooms. Even the hallways confused her, twisting or stopping altogether. Wings and porches splayed out. Doors banged into each other. Twelve bedrooms and no one to use them but an old woman, the hope of one son, the ghost of another, and a girl who had died in infancy.
Even Mr. March would only come toward the end of August, if he came at all. It was a house of women. Since the beginning of the war, women had prepared the food, cleaned the floors, kept the books, given the orders, folded the sheets, scraped the dough off butcher's block. Then there was the ironing. Rachel had scorched three damask napkins before she got it right. The Kelvinator in the pantry made her crazy with its humming. The oven smelled of gas. Something was always boiling, fueling the humidity. When she had left the convent that morning to come to work, the air was so close, the dormitory where the girls slept had grown ripe with sweat. "Sister told us you could iron," said the cook, Ella Mae.
Her old, black eyes rested on Rachel's braids as though there might be bugs in there or worse.
"Remember," Ella Mae went on, shaking a finger, their dark eyes meeting, "the Marches have took you in for charity."
Charity. Even Sister Marie had made that clear from the start. Our campanile, our statue of Mary - all gifts from Lydia March. You may think she has everything, but fortune is a two-edged sword. The Marches have given God a son and a baby girl. They will pay you four dollars a week.
The Marches' house smelled of must, camphor, lilacs, and decayed fish that wafted up from the beach at night. Located on the very tip of a crooked finger of land, it had the best view of all the houses on Beck's Point. Who Beck had been, no one seemed to remember, but one of the girls at the convent told Rachel it used to be a holy place where spirits dwelled and no one dared to live. Now it was chock full of summer houses, all white and lined up like pearls on a necklace.
Across the harbor, the town of Moss Village sat at the base of limestone bluffs, residue from an ancient, salty sea. Then came the glacier, molding and carving Lake Michigan like a totem of land, the Indians at the bottom, then the French, a smattering of Polish farmers, the priests, fur traders, fishermen, lumberjacks, and, later, the summer people.
And always the church. Even after the first one burned, the Jesuits built a second, then a third, its steeple rising above everything else. Next to it - a large lump of a brick building full of girls, some small, some older, all dark. All sent or left or brought by the nuns to learn American ways and to forget all things Indian. No more dancing to spirits with suspicious, tongue-twisting names. No more clothes of deerskin. Put the girls to work, and when they were big enough, some summer family - preferably Catholic - would take them. Beyond the tip of the point, the water widened into a bay, the trees and hills beyond the town of Chibawassee faint upon the opposite shore. From the southern edge, the bay extended west toward the horizon. To the north of Beck's Point was the harbor - docks and trimmed lawns, raked beaches, moored boats - the best port between Grand Traverse and Mackinaw. From every window, Rachel could see water, hear water, smell it, taste it. Not like Horseshoe Lake, which was small, tranquil, almost a pond.
"So much water," Rachel said to Ella Mae's daughter, who was helping her with the fruit. "Like the flood itself," said Mandy, who could not swim. "Gives me the heebie-jeebies." A girl had drowned once, she told Rachel. Years before. A girl from the convent.
"I know how to swim," said Rachel.
Today, they were helping Ella Mae make cherry pie. Ella Mae worked the flour into butter until her thick, brown arms were gloved with white. Rachel pitted the fruit. It was July, and the cherries brought up from Traverse City were at their best. The juice ran down her arms. Whenever Ella Mae looked away, the girl hungrily licked them. She was always hungry, even when her stomach was full. As a child, she had licked stones and dirt, ravenous for their minerals, as if she could consume the earth itself.
Mandy was watching her. "How old are you?"
"Sixteen," Rachel said, running her tongue around her lips. She was never quite sure.
"Sixteen? I thought you and me's the same age."
"How old are you?"
"Seventeen," said Mandy.
The air filled with sugar, butter, cherry. Because of the war, it had been hard to get butter these last few years. That and gasoline. Stockings. Things Rachel hadn't even known to miss.
"Chocolate," said Ella Mae, listing the rationed items. "Try to find that."
Ella Mae had taught Rachel to roll the chilled dough out thin and cut it so as to waste little. Rachel wadded up doughy crumbs and put them in her pocket to eat later. She wondered if Ella Mae would taste like chocolate if Rachel licked her. Same with Mandy and Jonah, Ella Mae's husband. Their skin was darker than hers, which was the color of milky cocoa. Outside, Mrs. March, her gray hair coiled on top of her head, pointed to the empty fishpond. Victor, the gardener followed her finger, shrugged. After the war, he seemed to be saying. After the war we will fill the pond with fish, the lake with boats, the house with laughter.
A guest was arriving that afternoon. "Before the war, we filled all five guest rooms," Ella Mae said. "The senator from Ohio stayed a week."
Mandy dipped into the bowl and swiped a cherry. Rachel almost reached out and touched Mandy's lips, they were so big and wide and black. Where'd you get those lips? she was about to ask, but Mandy spoke first, fingering Rachel's thick, black braids. "Where'd you get that hair?" she said. "I could make it better."
Rachel touched her hair. Unbraided, it curled down her spine and spoke of something not Indian. French, perhaps. The fur trader who had taken her grandmother as his common-law wife. "You're plain," Mandy said. "That nose of yours. Where'd you get that nose?"
Even Rachel had to admit her nose was different, not flat and squished like most Odawa's, but longer and beaked like a bird of prey.
"And your cheeks!" said Mandy. She blew out her own until they were rounder than the girl's.
Rachel looked at Mandy's head - twenty tiny braids to her own thick two. It had been so long since someone had touched her, combed her hair. In the churchyard there was a statue of Mary holding the baby Jesus. Sometimes, the girl wanted to crawl right into Mary's arms, her face so sad like she knew she'd have to give her baby up.
Jesus died for your sins, the nuns told Rachel.
The Marches' daughter had died in the great influenza. There was an empty crib in one of the bedrooms, the curtains perpetually drawn. Had the Virgin Mary known her own sweet-faced son would die? Perhaps her own grief deafened her to Rachel's pleas to send her home to Horseshoe Lake.
"I wouldn't mind," Rachel said, letting Mandy touch her hair. Rachel's hands had grown sticky with cherries. Jesus bleeds for me, she thought as she picked up a towel, reddened it with her palms.
(Continues...)
Excerpted from The Water Dancers by Terry Gamble
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
For six weeks, Rachel had been working at the Marches' house -- six weeks of lining drawers, airing closets, carrying laundry, and she still couldn't keep the back stairs straight. One flight led from the kitchen to the dining room, the other up two floors to the bedrooms. Even the hallways confused her, twisting or stopping altogether. Wings and porches splayed out. Doors banged into each other. Twelve bedrooms and no one to use them but an old woman, the hope of one son, the ghost of another, and a girl who had died in infancy.
Even Mr. March would only come toward the end of August, if he came at all. It was a house of women. Since the beginning of the war, women had prepared the food, cleaned the floors, kept the books, given the orders, folded the sheets, scraped the dough off butcher's block. Then there was the ironing. Rachel had scorched three damask napkins before she got it right. The Kelvinator in the pantry made her crazy with its humming. The oven smelled of gas. Something was always boiling, fueling the humidity. When she had left the convent that morning to come to work, the air was so close, the dormitory where the girls slept had grown ripe with sweat. "Sister told us you could iron," said the cook, Ella Mae.
Her old, black eyes rested on Rachel's braids as though there might be bugs in there or worse.
"Remember," Ella Mae went on, shaking a finger, their dark eyes meeting, "the Marches have took you in for charity."
Charity. Even Sister Marie had made that clear from the start. Our campanile, our statue of Mary -- all gifts from Lydia March. You may think she has everything, but fortune is a two-edged sword. The Marches have given God a son and a baby girl. They will pay you four dollars a week.
The Marches' house smelled of must, camphor, lilacs, and decayed fish that wafted up from the beach at night. Located on the very tip of a crooked finger of land, it had the best view of all the houses on Beck's Point. Who Beck had been, no one seemed to remember, but one of the girls at the convent told Rachel it used to be a holy place where spirits dwelled and no one dared to live. Now it was chock full of summer houses, all white and lined up like pearls on a necklace.
Across the harbor, the town of Moss Village sat at the base of limestone bluffs, residue from an ancient, salty sea. Then came the glacier, molding and carving Lake Michigan like a totem of land, the Indians at the bottom, then the French, a smattering of Polish farmers, the priests, fur traders, fishermen, lumberjacks, and, later, the summer people.
And always the church. Even after the first one burned, the Jesuits built a second, then a third, its steeple rising above everything else. Next to it -- a large lump of a brick building full of girls, some small, some older, all dark. All sent or left or brought by the nuns to learn American ways and to forget all things Indian. No more dancing to spirits with suspicious, tongue-twisting names. No more clothes of deerskin. Put the girls to work, and when they were big enough, some summer family -- preferably Catholic -- would take them. Beyond the tip of the point, the water widened into a bay, the trees and hills beyond the town of Chibawassee faint upon the opposite shore. From the southern edge, the bay extended west toward the horizon. To the north of Beck's Point was the harbor -- docks and trimmed lawns, raked beaches, moored boats -- the best port between Grand Traverse and Mackinaw. From every window, Rachel could see water, hear water, smell it, taste it. Not like Horseshoe Lake, which was small, tranquil, almost a pond.
"So much water," Rachel said to Ella Mae's daughter, who was helping her with the fruit. "Like the flood itself," said Mandy, who could not swim. "Gives me the heebie-jeebies." A girl had drowned once, she told Rachel. Years before. A girl from the convent.
"I know how to swim," said Rachel.
Today, they were helping Ella Mae make cherry pie. Ella Mae worked the flour into butter until her thick, brown arms were gloved with white. Rachel pitted the fruit. It was July, and the cherries brought up from Traverse City were at their best. The juice ran down her arms. Whenever Ella Mae looked away, the girl hungrily licked them. She was always hungry, even when her stomach was full. As a child, she had licked stones and dirt, ravenous for their minerals, as if she could consume the earth itself.
Mandy was watching her. "How old are you?"
"Sixteen," Rachel said, running her tongue around her lips. She was never quite sure.
"Sixteen? I thought you and me's the same age."
"How old are you?"
"Seventeen," said Mandy.
The air filled with sugar, butter, cherry. Because of the war, it had been hard to get butter these last few years. That and gasoline. Stockings. Things Rachel hadn't even known to miss.
"Chocolate," said Ella Mae, listing the rationed items. "Try to find that."
Ella Mae had taught Rachel to roll the chilled dough out thin and cut it so as to waste little. Rachel wadded up doughy crumbs and put them in her pocket to eat later. She wondered if Ella Mae would taste like chocolate if Rachel licked her. Same with Mandy and Jonah, Ella Mae's husband. Their skin was darker than hers, which was the color of milky cocoa. Outside, Mrs. March, her gray hair coiled on top of her head, pointed to the empty fishpond. Victor, the gardener followed her finger, shrugged. After the war, he seemed to be saying. After the war we will fill the pond with fish, the lake with boats, the house with laughter.
A guest was arriving that afternoon. "Before the war, we filled all five guest rooms," Ella Mae said. "The senator from Ohio stayed a week."
Mandy dipped into the bowl and swiped a cherry. Rachel almost reached out and touched Mandy's lips, they were so big and wide and black. Where'd you get those lips? she was about to ask, but Mandy spoke first, fingering Rachel's thick, black braids. "Where'd you get that hair?" she said. "I could make it better."
Rachel touched her hair. Unbraided, it curled down her spine and spoke of something not Indian. French, perhaps. The fur trader who had taken her grandmother as his common-law wife. "You're plain," Mandy said. "That nose of yours. Where'd you get that nose?"
Even Rachel had to admit her nose was different, not flat and squished like most Odawa's, but longer and beaked like a bird of prey.
"And your cheeks!" said Mandy. She blew out her own until they were rounder than the girl's.
Rachel looked at Mandy's head -- twenty tiny braids to her own thick two. It had been so long since someone had touched her, combed her hair. In the churchyard there was a statue of Mary holding the baby Jesus. Sometimes, the girl wanted to crawl right into Mary's arms, her face so sad like she knew she'd have to give her baby up.
Jesus died for your sins, the nuns told Rachel.
The Marches' daughter had died in the great influenza. There was an empty crib in one of the bedrooms, the curtains perpetually drawn. Had the Virgin Mary known her own sweet-faced son would die? Perhaps her own grief deafened her to Rachel's pleas to send her home to Horseshoe Lake.
"I wouldn't mind," Rachel said, letting Mandy touch her hair. Rachel's hands had grown sticky with cherries. Jesus bleeds for me, she thought as she picked up a towel, reddened it with her palms.
The Water DancersIntroduction
Set during the tumultuous, war-torn years between 1942 and 1970, The Water Dancers is both a searing love story and a painful exploration of the many ways America is divided along lines of race and class, poverty and wealth, desire and responsibility.
Rachael Winapee is an orphaned Native American convent girl who is hired by the March family to work in their magnificent summer home on the shore of Lake Michigan. There she is given the task of caring for Woody March, who has lost a leg in WWII and is well on his way to morphine addiction and complete disillusionment with the life he is expected to lead. Rachel is dramatically different from Elizabeth, the woman Woody is supposed to marry. Dark, quiet, and acutely sensitive, Rachel is in touch with the rhythms and textures of the earth, while the highly civilized Elizabeth is locked into the conventions of her time and culture. A deep resonance, a sense of shared suffering, draws Woody and Rachel together, and their relationship, secret as it is, brings Woody back to life. Woody's social standing, his responsibility to take over the family banking business and marry Elizabeth, as well as the adamant opposition of his domineering mother, make it impossible for him to have a life with Rachel. But in ways they cannot foresee, their relationship will forever change the course of their lives.
The Water Dancers is more than a love story, as compelling and beautifully written as that love story may be. It is also the story of the Odawa Indians, their culture, their dances, their hopes, their deep but tenuous connection to the land. It is a larger story about wars and what they do to those whofight them. And it is a powerful human story about the desire to come together and all the social and racial barriers that keep us, tragically, apart.
Questions for Discussion
About the author
Terry Gamble has had numerous poems, short stories, and essays published in literary journals. A graduate of the University of Michigan, she lives in San Francisco with her husband and children. The Water Dancers is her first novel.
Anonymous
Posted October 5, 2004
Our local library reading club is here in the San Francisco Bay area, where the author of ¿The Water Dancers,¿ Ms Terry Gamble, resides. We were able to enlist her the other evening to join our review session covering her novel. It¿s too bad that most readers will never enjoy the good fortune of a somewhat informal chat with an author while discussing one of her recent works and how she goes about her craft. It provides a very different perspective. I first read ¿The Water Dancers¿ six months ago and recommended it to our reading club. In preparation for Ms Gamble¿s attendance, I gave the novel a second reading last week, which for me is always the ultimate test of a novel¿s real worth. During a second read do the characters still seem interesting and fresh? Does a rereading of the dialog provide new character insights? Are there elements of prose and style and structure that went unnoticed during the initial read because attentions were so fixed on plot points? And for this reader, ¿The Water Dancers¿ holds up as an exceptional novel, even with a second reading. Potential readers out there can gather the main plot points from any number of other reviews, so I won¿t bother to repeat them here. I only gave ¿The Water Dancers¿ four stars, but I¿m a hard grader. Most of the novels I pick up and read these days rate two or perhaps three stars, and often that¿s because I¿m feeling compassionate. One of the principle strengths of this novel is the way the Indian characters are drawn. I read a lot of novels covering the Native American cultures, and I¿ve grown more than tired of the patronizing way Indian characters always seem to be presented with extra sensory mystical insights into the religious beyond, and the supernatural powers to spot the Great White Buffalo stampeding across the distant plain. Terry Gamble¿s characters of Rachel Winnapee, Ben Winnapee and Honda Jackson act, talk and feel to the reader like real people experiencing and reacting to the real world. Two of the novel¿s most powerful scenes occur in the beginning and ending, when Rachel¿s grandmother and Lydia March appear to Rachel as ghost-like apparitions rising into the sky as they die in the flames of their burning houses. And yet these scenes did not feel to a reader like something from The X-Files. On the other hand, the white characters (with the exception of Ada and Bliss and Hank) seem so uniform in their physical, intellectual and emotional weaknesses that, for me, it becomes the principle shortcoming of the novel. At times the novel seems to incorporate the cliché that white people descended from wealth are evil by definition. By the end of the novel Ms Gamble is able to imbue some of these characters with more depth and understanding, but I wish she would have done it from the beginning. And then again, maybe that¿s just me. I loved that the sparse physical descriptions of the characters worked so well as a contrast to the detailed descriptions of all the surrounding physical geography. Ms Gamble¿s repeated descriptions of Rachel¿s hair as wild and ¿unbraided¿ was one of the subtle guides to our understanding of Rachel. But the real reason to pick up and read ¿The Water Dancers¿ is the prose. The writing within the novel is exceptional. Sentence structures are direct, rhythmic, paced, and always graceful. Those adjectives don¿t seem to fit together, but Terry Gamble¿s prose makes it all work. The novel was such an easy read that at the end you will need to stop and draw a breath to remind yourself just how good it was. Ms Gamble has another novel due out next year. So pick up ¿The Water Dancers¿ now, enjoy the read, and wait with baited breath like the rest of us for her upcoming novel.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted August 16, 2003
Ms. Gamble's Water Dancers is an evocatively written, well-researched tale taking place in the years after World War II on the shores of Lake Michigan. Primarily the story of three characters -- a wounded war vet who is the son of a wealthy family, a young Native American employee of that family, and their son, Ben, the story describes life in wealthy summer communities where people of different classes come together, yet live far separate lives. Particularly well-portrayed is how loss and disillusionment can give way to new, redefined relationship with land, class and family. The contrast between native life and that of the moneyed summer class is quite well drawn, as are the sympathetic but unsparing portraits of the character
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted May 22, 2003
In this well-written and very readable book, author Terry Gamble presents a wonderful story that unfolds over a 25 year period. It begins during World War II when wealthy families from St. Louis would move for the summer to Northern Michigan, to enjoy the beauty of Lake Michigan and the inland lakes. They would bring with them all of their social values, as well as their servants! Rachel Winnapee was a young Native American girl from the area who was hired by the March family to work as a 'charity case' servant at their summer home. She falls in love with the Marches' younger war-injured son, but their cultural and class differences make a long-term relationship impossible. As the story unfolds, Rachel struggles with her Native American identity and her own personal growth as a woman, a lover, and a mother. Good story -- I recommend it!
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted January 24, 2010
No text was provided for this review.
Anonymous
Posted January 5, 2011
No text was provided for this review.
Anonymous
Posted January 19, 2012
No text was provided for this review.
Overview
A stunning debut novel from a new voice in literary fiction, set on Lake Michigan following World War II, The Water Dancers limns the divide between the worlds of the wealthy elite "summer people" and the poor native population who serve them–and what happens when those worlds collide.
When Rachel Winnapee first comes to work at the March family summer home on vast and beautiful Lake Michigan, she quickly learns her place. Servants are seen and not heard as they bring the breakfast trays, wash and iron luxurious clothes, and serve gin and tonics to the wealthy family as they lounge on the deck playing bridge. Orphaned as a poverty–stricken young girl ...