Watershed

( 2 )

Editorial Reviews

Barnes & Noble
From the title on down to the all-new band, k. d. lang makes a fresh start on Watershed. Focusing her energies on recapturing the spark, the creative impulse in her art, lang looks away from the trappings of hits and fashion. The album is spare, which in lang's hands is a good thing, for few artists have the vocal chops to carry such unadorned beauty (she did famously stand toe-to-toe with Tony Bennett for an entire album). Documenting her stable relationship, immersion in Buddhism, and rejection of celebrity -- and a couple of years of writer's block -- Watershed is being hailed as a masterwork from one of contemporary pop's most gifted singers.
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Editorial Reviews

Barnes & Noble
From the title on down to the all-new band, k. d. lang makes a fresh start on Watershed. Focusing her energies on recapturing the spark, the creative impulse in her art, lang looks away from the trappings of hits and fashion. The album is spare, which in lang's hands is a good thing, for few artists have the vocal chops to carry such unadorned beauty (she did famously stand toe-to-toe with Tony Bennett for an entire album). Documenting her stable relationship, immersion in Buddhism, and rejection of celebrity -- and a couple of years of writer's block -- Watershed is being hailed as a masterwork from one of contemporary pop's most gifted singers.
All Music Guide - Thom Jurek
It seems very strange that Watershed is the first album of new -- as in self-penned -- material by kd lang in nearly seven years. Her last full-length, Hymns of the 49th Parallel, was a collection covers by fellow Canadians in 2004, and a compilation assembled from her country albums. Watershed also lists lang as producer, another first for the singer and songwriter. There are 11 songs here, including the beautiful single "Dream of Spring," that was released in December of 2007 and kicks off the set. There is a core band here that revolves around old friends Teddy Borowiecki who not only plays organ, guitar, arranges strings, and does some programming, but also provides additional production in places, steel guitarist Greg Leisz, drummer Danny Frankel, bassist David Piltch who also does some additional production, and some guests who include Ben Mink, trumpeter Jon Hassel, and Lynne Earls, who is also the recording engineer here. Lang plays guitars, banjo, piano, and assorted keyboards. There are bits and pieces of all of lang's best albums here. There is the elegance of Ingenue, the lush, restrained drama of Drag, and the earthiness of Shadowland with the contentment and joy of Invincible Summer. The songs are assembled as a sort of narrative. "Dream of Spring" opens with bluesy guitar, bass, and a drum loop that becomes a shimmering torch song with pedal steel guitar on its refrain. Lang's voice glides into a near swoon of longing from a reportorial, almost philosophical observation of places she'd inhabited before allowing herself to enter love openly and freely. The strings add a lushness that's in stark contrast with the steel, but it all works. While the song is sexy as all get out, there is a spiritual quotient in it; it's not enmeshed or entrenched. It's not desperate -- unlike some of the more blessed-out dream anthems on Ingenue. "Comin Home" opens with a sparse, slightly jaunty pluck of strings, and lang simply croons right into them: "Oh, sweet sorrow/Let's write the book tomorrow/For I caught a glimpse/Been obsessed with it ever since/My eyes no longer weak amongst the clarity that you pronounce in me..." This is an homage, and perhaps even a love song, but it's a platonic one that is spiritual in nature, whose tenets are very close to the eight worldly dharmas in Tibetan Buddhism. Noam Pikelny's banjo adds a nice dimension to this track, adding itself to the growing presence of strings, simple percussion, Leisz's pedal steel, and a dreaminess that is rooted in the everyday life of what illumination looks like when it is as apparent as the blue of the sky. "Once in a While" is among the most straightforward and ultimately sane love songs to ever come from the tip of lang's pen. The wonderful chorus of backing vocals all hers, with a simple drum loop, an array of guitars, and an underpinning bassline that glides rather than weights the tune through its changes. "Thread" certainly touches on the feel of the best material from Ingenue, and strangely enough, though it is basically a spiritual song, it's sparser than almost anything here -- and certainly more so than on her former album. There is a small problem with Watershed though on close reflection it reveals itself to be one of initial perception more than an actual flaw. Despite its wonderfully relaxed feel, an expert use of dynamics in individual songs, and the expert way of slotting different instrumental and stylistic elements next to one another and erasing the seams; it's that by about track six, "Close Your Eyes," the album seems to bleed into a whole, where the mood is so laid-back it makes one song more or less indistinguishable from another -- unless you are listening very closely. At under 39 minutes, it can simply go by you in a slow, dissolving blur. One reason is that lang doesn't stretch vocally the way she has in the past; there is a restraint in her vocalizing that is refreshing because nowhere does she over-emote and allow her natural mode of expression to handle the words, and she inflects enough heart and only enough to get the song across: she's not selling it, she's presenting it to the listener. That's new. She has a more disciplined approach to singing that's very attractive, but it is very different; one may mistake it for a kind of laziness on her part. On closer inspection, however, one can hear all the exceptions in these songs that prove this initial notion false. There's the single, of course, and the utterly steamy, jazzy, "Sunday," that feels like an afternoon of lovemaking; Borowiecki's vibraphone resembles Cal Tjader's light touch on the instrument, and the lithe, sinewy keyboard lines that intertwine and even embrace Piltch's basslines acoustic and electric are wan and hungry at once. "Flame of the Uninspired" is one place where lang allows her voice to go into its more readily expressive mode, and it's because the tune warrants it. "Shadow and the Frame" is a string heavy ballad where arrangement, and lang's harp the classical one, bring that notion of travel, distance, reflection, and loneliness to the fore, but the words reveal something very different. Ultimately, it's simply that the sound on Watershed is defined, elemental to its songs. It carries itself with dignity and sensuality, and a sense of balance that none of her previous records have been able to achieve. It's a fine return for the artist, an album she will most likely be proud of years from now. Many of her fans will no doubt be delighted with this artful yet accessible return, and hopefully, those who embraced the younger, wackier, campy aspect of lang's persona will allow for the fact that there isn't anything close to that here. The overachiever has left the building; the seasoned artist remains. [The Deluxe Edition of Watershed comes in a black box that includes not only the album, but a set of postcards and an extra disc. The bonus material includes four live cuts -- "I Dream of Spring," "Wash Me Clean," "The Valley," and Leonard Cohen's "Hallelujah" -- and a video interview with lang filmed in London.]
San Francisco Chronicle - David Wiegand
An intriguing mix. The structure of the songs, as well as the arrangements on several of the album's 11 cuts, make "Watershed" worth multiple listens.

An intriguing mix. The structure of the songs, as well as the arrangements on several of the album's 11 cuts, make "Watershed" worth multiple listens.
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Product Details

  • Release Date: 2/5/2008
  • Label: Nonesuch
  • UPC: 075597994926
  • Catalog Number: 406908
  • Sales rank: 148,531

Tracks

Disc 1
  1. 1 I Dream of Spring (4:00)
  2. 2 Je Fais La Planche (2:51)
  3. 3 Coming Home (3:26)
  4. 4 Once in a While (3:27)
  5. 5 Thread (3:38)
  6. 6 Close Your Eyes (4:26)
  7. 7 Sunday (4:17)
  8. 8 Flame of the Uninspired (3:30)
  9. 9 Upstream (3:37)
  10. 10 Shadow and the Frame (3:07)
  11. 11 Jealous Dog (2:32)
Disc 2
  1. 1 I Dream of Spring (3:45)
  2. 2 Wash Me Clean (4:10)
  3. 3 The Valley (6:21)
  4. 4 Hallelujah (7:53)
  5. 5 [CD-Rom Track]
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Album Credits

Performance Credits
k.d. lang Primary Artist, Banjo, Guitar, Percussion, Piano, Harp, Keyboards, Vocals
Jon Hassell Trumpet
Teddy Borowiecki Organ, Guitar, Piano, Keyboards, Vibes
Danny Frankel Percussion, Drums
Freddy Koella Guitar
Greg Leisz Guitar, Steel Guitar
Ben Mink Acoustic Guitar, Guitar
David Piltch Bass, Guitar, Percussion, Electric Bass, Drums, Acoustic Bass
Sebastian Steinberg Bass
Bryan Sutton Guitar
Grecco Buratto Guitar
Noam Pikelny Banjo
Technical Credits
Teddy Borowiecki Composer, Programming, Producer, String Arrangements, drum programming, String Conductor
k.d. lang Composer, Producer, drum programming
Greg Leisz Composer
David Piltch Producer, drum programming
Gary Stokes Engineer
Jeri Heiden Art Direction
Lynne Earls Programming, Engineer, Digital Editing, drum programming
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Customer Reviews

Average Rating 3.5
( 2 )
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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    not what I expected...BUT!!....

    It is very unique. Again a new sound from kd....to me the first impression I got was "different" ...sounds like music from Joni Mitchell(not all, but small parts)...slangish music as well, almost like when on "drugs"(from what I have seen)...There is also a similar sound to some of her very first full CD - "kd lang and the reclines - a truly western experience" - this you would have to listen to, and see what I am saying.....but then she throws in a very unique use of her vocals....again, unique. We shall see how it ALL sounds when we get the CD. I think allot of my comment is based on what I was expecting....not even close!..lol. So I am sure over time, I will enjoy it as much as the other cd's.....again, how did we adjust to Ingenue when she released that after being know as a country singer.....She is talented, a great voice, and likes to creat music that expresses things in her life.....she is amazing..especilly live!!!!!!! To me it sounds like expressions being told with a combination of her past early, and recent music, combined with some of her favrouate musicians, and other music. I do miss hearing her "powerful", expression while she sings(crying at the end - three cigarettes in and ashtray at the end - dont smoke in bed, etc)...here you really see the full release of many things.....with a spectacular voice. I hope it takes her even higher in the music field...very high! She deserves it.

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  • Anonymous

    Posted November 8, 2009

    No text was provided for this review.

Sort by: Showing all of 2 Customer Reviews