We Are All in the Dumps with Jack and Guy

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Overview

We are all in the dumps
For diamonds are thumps
The kittens are gone to St. Paul's!
The baby is bit
The moon's in a fit
And the houses are built
Without walls

Jack and Guy
Went out in the Rye
And they found a little boy
With one black eye
Come says Jack let's knock
Him on the head
No says Guy
Let's buy him some bread
You buy one loaf
And I'll buy two
And we'll bring him up
As other folk do

Two traditional rhymes from Mother Goose, ingeniously joined and interpreted by Maurice Sendak.

Joins together two traditionaI nursery rhymes with illustrations depicting the plight and eventual triumph of orphaned and homeless children.

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Product Details

  • ISBN-13: 9780062050144
  • Publisher: HarperCollins Publishers
  • Publication date: 9/1/1993
  • Series: Michael di Capua Bks.
  • Edition description: 1st ed
  • Pages: 56
  • Sales rank: 634,905
  • Age range: 4 - 8 Years
  • Product dimensions: 10.90 (w) x 8.10 (h) x 0.70 (d)

Meet the Author

Maurice Sendak

In addition to Where the Wild Things Are, Maurice Sendak's books include Kenny's Window, Very Far Away, The Sign on Rosie's Door, Nutshell Library (consisting of Chicken Soup with Rice, Alligators All Around, One Was Johnny, and Pierre), Higglety Pigglety Pop! or There Must Be More to Life, In the Night Kitchen, Outside Over There, We Are All in the Dumps with Jack and Guy, and Bumble-Ardy.

He received the 1964 Caldecott Medal for Where the Wild Things Are; the 1970 Hans Christian Andersen Award for Illustration; the 1983 Laura Ingalls Wilder Award, given by the American Library Association in recognition of his entire body of work; and a 1996 National Medal of Arts in recognition of his contribution to the arts in America. In 2003, he received the first Astrid Lindgren Memorial Award, an international prize for children's literature established by the Swedish government.

In addition to Where the Wild Things Are, Maurice Sendak's books include Kenny's Window, Very Far Away, The Sign on Rosie's Door, Nutshell Library (consisting of Chicken Soup with Rice, Alligators All Around, One Was Johnny, and Pierre), Higglety Pigglety Pop! or There Must Be More to Life, In the Night Kitchen, Outside Over There, We Are All in the Dumps with Jack and Guy, and Bumble-Ardy.

He received the 1964 Caldecott Medal for Where the Wild Things Are; the 1970 Hans Christian Andersen Award for Illustration; the 1983 Laura Ingalls Wilder Award, given by the American Library Association in recognition of his entire body of work; and a 1996 National Medal of Arts in recognition of his contribution to the arts in America. In 2003, he received the first Astrid Lindgren Memorial Award, an international prize for children's literature established by the Swedish government.

Biography

"I never wrote a book where I taught a lesson," Maurice Sendak once bragged in an interview. Fans of his lyrical, lushly illustrated picture books know Sendak has a far more important mission. Rather than instructing his young readers in proper manners, the man who's been called "the Picasso of children's books" has been a vital, expressive voice for children's feelings.

Sendak first honed his art as an illustrator for writers like Ruth Krauss and Else Holmelund Minarek. He explored different styles of drawing and painting, influenced by sources as diverse as William Blake, Randolph Caldecott and Walt Disney.

In the '50s and early '60s, Sendak began to write his own books, and to forge his own distinctive visual style. The most popular of the works produced in what he later called his "apprenticeship period" was The Nutshell Library, a collection of four tiny books (2 1/2 by 4 inches wide) that was instantly and enduringly popular.

His first mature work, Where the Wild Things Are (1963), was a watershed both in Sendak's career and the history of children's literature. It tells the story of a boy named Max, whose mother sends him to his room without supper, calling him a "wild thing." Max makes an imaginary journey to a land of monsters, where he's crowned King of All Wild Things. But his longing for comfort and security return him at last to his room, where he finds his supper waiting for him. Some adults were dismayed by the book's ferocious-looking monsters and its belligerent young hero. "It is not a book to be left where a sensitive child may come upon it at twilight," one librarian cautioned.

Despite the warnings, Where the Wild Things Are was a huge commercial success, and was awarded the prestigious Caldecott Medal in 1964. In his acceptance speech, Sendak seemed to address his critics when he said that despite adults' desires to protect children from "painful experiences," the fact is "that from their earliest years children live on familiar terms with disrupting emotions, that fear and anxiety are an intrinsic part of their everyday lives, that they continually cope with frustration as best they can. And it is through fantasy that children achieve catharsis. It is the best means they have for taming Wild Things."

In the following years, Sendak illustrated dozens of books, and wrote and illustrated several more of his own, including In the Night Kitchen (1970) and Outside Over There (1981), which he considered to be the second and third parts of a trilogy that began with Where the Wild Things Are. A lover of theatre, he has also designed and produced numerous operas, plays and ballets.

Though his work has sometimes been controversial, Sendak is now renowned for his ability to recall, depict and transform the painful realities of childhood into what John Gardner, reviewing one of Sendak's books, called "not an ordinary children's book done extraordinarily well, but something different in kind from an ordinary children's book: a profound work of art for children."

Good To Know

In 1948, Maurice Sendak and his brother Jack took six model toys to the toy store F.A.O. Schwarz, which they hoped would commission a set. The store turned down the toys, but offered Maurice a job as a window display designer, which he took.

Sendak wrote Higglety Pigglety Pop! Or, There Must Be More to Life, in tribute to his beloved dog. The book's protagonist, like Sendak's pet, is a Sealyham terrier named Jennie. Years later, Sendak got a German shepherd, who already had a name when he adopted it. The dog was named Max, just like Sendak's most famous character.

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    1. Also Known As:
      Maurice Bernard Sendak (full name)
    2. Hometown:
      Ridgefield, Connecticut
    1. Date of Birth:
      June 10, 1928
    2. Place of Birth:
      Brooklyn, New York
    1. Education:
      Art Students' League

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  • Posted January 11, 2015

    more from this reviewer

    Why these? Why did the author choose these two nursery rhythms?

    Why these? Why did the author choose these two nursery rhythms? I really had to analyze this book to fully understand the just of what was really happening. By just reading the nursery rhyme themselves, I was lost, but by putting the words together with the illustrations and the balloon captions I was finally able to put it all together. For a picture book, I thought this was way too much work. I saw the rhythm of the words but I just didn’t care for these nursery rhymes, they were so sad and who will really remember them? It started off with poor children living in a dump and these rats snatched their kittens and a young boy. Jack & Guy, two boys from the dump, yell at them and they end up playing bridge with the winner walking home the kittens and the boy. The kids get duped and they lose and the rats haul off the prizes. This story is quite creepy and bizarre. It’s depressing and the facial expressions on the kids are heartbreaking. The bright moon is watching silently in the sky and in the second nursery rhythm he comes into play as now the baby is “bit” and the moon gets angry and grabs Jack and Guy and he drops them close to where they have taken their prized possessions. They find the boy and Jack wants to hit him. Yes, you heard me right, he wants to hit him. The two nursery rhythms do go together and they do have a happy ending, but it’s the things that happen in the rhythms. Strange and not something, I think I would share with younger children. This would be a good book to use if you’re doing a project on nursery rhythms. The rats were rather creepy and the kittens hanging by strings, the moon weeping, the kittens crying, and the baby being tied up. Each character was different, their distinctive feature so unique- I have to give the illustrator credit, they were a story themselves.

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