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| Angels of Light | Primary Artist |
| David Garland | Flute, Vocals |
| Julia Kent | Cello |
| Bill Rieflin | Organ, Synthesizer, Bass, Percussion, Piano, Drums, Bass Guitar, Electric Guitar, Vocals |
| Philip Puleo | Hammered Dulcimer |
| Paul Cantelon | Violin |
| Eszter Balint | Violin, Vocals |
| Christopher Hahn | Electric Guitar, Foot Percussion |
| Larkin Grimm | Vocals |
| Seth Olinsky | Acoustic Guitar, Piano, Electric Guitar, Vocals |
| Miles Seaton | Bass, Piano, Bass Guitar, Electric Guitar, Vocals |
| Ryan Vanderhoof | Vocals |
| Dana Janssen | Percussion, Drums, Vocals |
| Christoph Hahn | Electric Guitar |
| Siobhan Duffy Gira | Vocals |
| Birgit Cassis Staudt | Accordion |
| Steve Moses | Trombone |
| Patrick Fondiller | Mandolin |
| Michael Gira | Composer, Audio Production |
| Bryce Goggin | Engineer |
| Doug Henderson | Mastering |
| Deryk Thomas | Artwork |
| Jonathan Meiburg | Author |
| Adam Sachs | Engineer |
Editorial Reviews
All Music Guide - Richie Unterberger
On Angels of Light's fifth album, leader Michael Gira offers arty Americana-like tunes that aren't too far removed from Nick Cave in the way they're both written and sung. Gira isn't as strong, or scary, a singer as Cave; in fact, at times he sounds a little like a latter-day counterpart to Lee Hazlewood with some Leonard Cohen thrown in, especially on the most country-oriented of the songs, like "This Is Not Here." But certainly this is much more tuneful and subdued an affair than many would expect from the former band behind Swans, the noisy post-punk group for which Gira will probably always be most noted and notorious. That doesn't mean it's an average ...