We Flew over the Bridge: The Memoirs of Faith Ringgold

Overview

Faith Ringgold's artworks - startling "story quilts," politically charged paintings, and more - hang in the Metropolitan Museum of Art, the Guggenheim Museum, and other major museums around the world, as well as in the private collections of Maya Angelou, Bill Cosby, and Oprah Winfrey. Her children's books, including the Caldecott Honor-winning Tar Beach have sold hundreds of thousands of copies. But Ringgold's path to success has not been easy. Now, in this gorgeously illustrated memoir, she looks back and ...
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Faith Ringgold Boston 1995 Hardcover 1st Edition New in New jacket Book. 8vo-over 7?-9?" tall. This is a New and Unread copy of the first edition (1st printing).

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Overview

Faith Ringgold's artworks - startling "story quilts," politically charged paintings, and more - hang in the Metropolitan Museum of Art, the Guggenheim Museum, and other major museums around the world, as well as in the private collections of Maya Angelou, Bill Cosby, and Oprah Winfrey. Her children's books, including the Caldecott Honor-winning Tar Beach have sold hundreds of thousands of copies. But Ringgold's path to success has not been easy. Now, in this gorgeously illustrated memoir, she looks back and shares the story of her struggles, growth, and triumphs.

In a lavishly illustrated and inspiring book, one of the country's preeminent African-American artists--Caldecott-winner Faith Ringgold--shares the fascinating story of her life. 101 photos. 40 color illustrations.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Contemporary artist and children's book author Ringgold (Tar Beach) chronicles her efforts as a black woman, born in 1930s Harlem, in fighting sexism and racism to make her mark in the world. Her socially conscious paintings (The Flag Is Bleeding, 1967; Die, 1967), story quilts (Who's Afraid of Aunt Jemima? 1983) and various sculptures, dolls, masks and live performances have all received favorable review attention. The artist has also enjoyed a long and varied teaching career. Unfortunately, this portrait is filled with contradictions that often undermine Ringgold's sincerity and prevent her from establishing an emotional bond with the reader. Though she lists her activist stance in support of rights and opportunities for African Americans and, more broadly, for all women, her narratives fail to convey the passion of her described convictions. Ringgold stresses the importance of ``family'' and ``values,'' but her unconventional marriage, living and child-rearing arrangements do not reflect her good intentions. The end result reads like the sanitized diary of a self-absorbed woman. (Nov.)
Library Journal
This lively and delightfully written autobiography is set against a background of cultural and political upheaval. Ringgold's struggle to establish herself as a black artist and her need to define the meaning of a "woman's art" are the major themes found throughout this bookindeed, in all her projects. A talented painter, she is also known for her work in soft sculpture, textiles, masks, performance art, and writing children's books. Ringgold is represented in many public and private collections, ranging from the Metropolitan Museum of Art in New York City and Chicago's Harold Washington Library Center to Brooklyn's Crown Heights Public School 22. This book is well illustrated with family photos as well as examples of the artist's enormous output. Recommended for most public and art libraries and those with a special focus on feminist and African American studies.Margarete Gross, Chicago P.L.
Hazel Rochman
Ringgold writes with candor and warmth about her struggle and her "dreams coming true" as an African American, a woman, and an artist, from her childhood in Harlem in the 1930s through her political awakening in the 1960s to her current success "making art, making waves, making money." Racism is always there, even now--in the art world and in the fancy suburb where she lives--but so are friends, family, and celebration. She's frank about her difficulties with her daughters, about her conflicts as a feminist in the black community, about the white male art establishment that tried to dismiss her work as "protest" art. Small family snapshots are on every page, and there's a 30-page insert with color reproductions of her art, including her amazing story quilts, such as "Tar Beach," which led to her Caldecott Honor Book and a career in children's literature. There's a refreshing lack of elitism here, despite the underlying seriousness. This memoir will be read for its aesthetics, its commitment, and its common sense.
From the Publisher
“Bridging is the major motif of Ringgold’s life. . . . She is a bridge between the Harlem Renaissance and the civil rights era. She is a bridge between her mother’s applied art of fashion design and her own fine art of painting and story quilts. She is a bridge between the black power movement and the women’s movement. And she is a bridge between the abstract art that dominated the ‘60s and the issue-oriented art that connected with viewers’ hearts—and lives.”—Carrie Rickey, Philadelphia Inquirer

“Faith Ringgold has already won my heart as an artist, as a woman, as an African American, and now with her entry into the world of autobiography (where I dwell), she has taken my heart again. She writes so beautifully.”—Maya Angelou

“Faith Ringgold has created a rich and highly informative work not only of her own life as an American in general but as an African American in particular. These memoirs are a part of American history—of what it means to be an artist, a writer, and a philosopher in our society.”—Jacob Lawrence

“Faith Ringgold’s exuberant and original art has made her one of America’s more important artists and a feminist heroine. Now her wonderfully honest memoirs will resonate with all political and creative women who are still fighting the battles Ringgold has won.”—Lucy Lippard, author of The Pink Glass Swan: Selected Essays on Feminist Art

“In words that are as direct, honest, full of color and life as her paintings, Ringgold gives each reader the greatest gift of all—courage to be one’s own unique and universal self.”—Gloria Steinem

“The story of Ringgold’s triumph—achieved through sheer determination, savvy, and self-conviction—is both accessible and inspiring.”—Lowery Stokes Sims, executive director, the Studio Museum in Harlem

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Product Details

  • ISBN-13: 9780821220719
  • Publisher: Little, Brown and Company
  • Publication date: 11/28/1995
  • Edition description: 1st ed
  • Edition number: 1
  • Pages: 304
  • Product dimensions: 8.01 (w) x 9.33 (h) x 1.00 (d)

Meet the Author

Faith Ringgold was born in Harlem in 1930. She began painting more than forty years ago, and has exhibited in museums in the United States, Europe, South America, Asia, Africa, and the Middle East. In addition to Tar Beach, the children’s books she has written and illustrated include Aunt Harriet’s Underground Railroad in the Sky, If a Bus Could Talk: The Story of Rosa Parks, and My Dream of Martin Luther King. Ringgold has received more than seventy-five awards, fellowships, citations, and honors, including seventeen honorary doctorates. She lives in Englewood, New Jersey.

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