Weaver's Daughter

Overview

It is 1791 in the Southwest Territory (now Tennessee), and Lizzy Baker loves her pioneer life. Her father is a farmer and her mother a weaver, and she and her sisters enjoy a hardworking life that is also filled with simple pleasures. Lizzy longs to grow up to be a weaver like her mother. But every autumn Lizzy gets sick. Now she is 10 years old, and the bouts of illness are getting worse. Neither the local doctor nor the midwife is sure what is wrong with Lizzy, let alone how to cure her. As soon as the winter ...
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Overview

It is 1791 in the Southwest Territory (now Tennessee), and Lizzy Baker loves her pioneer life. Her father is a farmer and her mother a weaver, and she and her sisters enjoy a hardworking life that is also filled with simple pleasures. Lizzy longs to grow up to be a weaver like her mother. But every autumn Lizzy gets sick. Now she is 10 years old, and the bouts of illness are getting worse. Neither the local doctor nor the midwife is sure what is wrong with Lizzy, let alone how to cure her. As soon as the winter frost comes, Lizzy gets well again, and this winter also brings some distraction in the form of rich neighbors—the fine Miss Sarah Beaumont and her handsome stepson are visiting from Charleston. Lizzy, though, is worried about next fall—can she survive this illness one more time? When fear threatens to overwhelm her, she learns an important truth about facing life, even in the shadow of death.

In 1791 after her family's journey from Pennsylvania, ten-year-old Lizzie suffers from the disease of asthma in her new home in the Southwest Territory (present-day Tennessee).

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
After writing two WWI novels (Ruthie's Gift and One-of-a-Kind Mallie), Bradley turns to the close of the 18th century to gently explore the fears of a pioneer girl afflicted with asthma. Lizzy Baker, a 10-year-old living in the Southwest Territory, dreads the coming of each autumn when she suffers her sick spells. Convinced that she cannot survive another bout, Lizzy is haunted by her impending death until a neighbor, the local midwife, reminds her that she has two choices about how to spend the rest of her days: to be "afraid of everything" or to be "afraid of nothing at all." The somber tone that permeates the first half of the book abruptly disperses when Lizzy consciously makes the latter choice and concentrates on the present. Readers will share the heroine's joy as she welcomes a new baby sister into the world and uses her talents at spinning and weaving to make a coverlet that is her "one own thing." Bradley introduces a family from Charleston, wealthy Mrs. Beaumont and her handsome stepson, to contrast attitudes from other parts of the country, including the Bakers' opposition to slavery and the subtle ways Lizzy and her sisters find to express their views. Besides shedding light on the era's customs, values and medicinal practices, the author conveys a comforting message through Lizzy's bittersweet experiences. Ages 8-12. (Oct.) Copyright 2000 Cahners Business Information.
Publishers Weekly
A 10-year-old pioneer girl living in the Southwest Territory dreads the coming of each autumn, when she suffers from asthma. PW wrote, "Besides shedding light on the era's customs, values and medicinal practices, the author conveys a comforting message." Ages 8-12. (Mar.) Copyright 2002 Cahners Business Information.
From The Critics
In the early twentieth century Lizzy suffered from asthma at a time when very little was known about the illness. The author draws from her own experience to write a touching tale of family life, of courage, and of ultimate selflessness. This wonderful gift is sure to inspire a pre-teen in today's selfish society. 2000, Delacorte Press, $14.95. Ages 10 to 12. Reviewer: A. Braga SOURCE: Parent Council Volume 8
Children's Literature
So much about this compelling novel is just right, even though it is one more in a long line of children's books concerning death. This story is about the heroine's fear of her own death. As six-year-old Lizzy moves with her parents and two sisters from Pennsylvania to the Southwest Territory, she struggles to breathe. A frighteningly asthmatic child, she is ill every autumn and comes so close to dying at age ten that she knows she will die the following fall. Fear of death now rules her life. Luckily Ma Silver, the neighbor/midwife attending Lizzy's mother, discerns Lizzy's inner sorrow. Now that you know death's coming, Ma Silver tells her, "you can be afraid of everything, or you can be afraid of nothing at all." As a girl of great spirit--a character that readers will love--Lizzy chooses to be afraid of nothing. We watch her live a brave, outgoing year--learning to weave like her mother, spin elegantly soft yarns from sheep fleeces, nurture the new baby, Patsy, and especially encourage her older sister Hezzy's dual interests in reading and the wealthy neighbor boy, William Beaumont. As the Beaumonts prepare to move back to their oceanside home, William's stepmother offers Hezzy an elegant life with the Beaumonts in Charleston. Having heard that ocean air could be beneficial for one with lung disease, Hezzy insists that Lizzy go instead. Readers cannot help but admire Hezzy's noble--yet believable--sacrifice. In the end, Lizzy leaves with the Beaumonts despite wanting to stay with her beloved family. This is her only chance to live, and she takes it. The book is gripping, memorable, informative and believable, and would make a super read-aloud. As one in a growing list of historicalnovels, this title belongs in the top twenty. 2000, Delacorte,
School Library Journal
Gr 4-6-A compelling story set in the Southwest Territory (now Tennessee) in the 1790s. Ten-year-old Lizzy and her family do not know what makes her so sick every fall. They realize, however, that it is life threatening and use the proceeds from the sale of a handwoven coverlet, with which they'd hoped to buy a pig, to pay for a doctor's services. His remedy-a purgative-gives the illusion of a respite, but then the weather changes and her asthma returns in force. Even after winter comes and Lizzy is feeling better, she worries about her future. She is convinced that she cannot survive another bout of illness and tries to come to terms with her impending death and to assuage the guilt she feels for the burden she is placing on her family. Salvation comes in the form of the wealthy slave-owning Beaumonts, who have settled briefly in the area and plan to return to their plantation in Charleston, SC. They offer to take Lizzy with them and love her as their own in the hope that the salubrious seaside climate will help to keep her alive. Bradley describes the frightening sensations of a severe asthma attack with the authenticity of personal experience. She also gives thoughtful treatment to the dubious morality of slavery and whether those opposed to it are obligated to speak out. Bradley's characters are rounded enough to display conflicted sentiments. A surprisingly rich book, given its slimness.-Miriam Lang Budin, Chappaqua Public Library, NY Copyright 2000 Cahners Business Information.
Kirkus Reviews
This charming and involving historical novel brings readers to the Southwest Territory (now Tennessee) in 1792. The Bakers live with an inescapable fear: their ten-year old daughter, Lizzy, suffers from extremely serious asthma, which grows increasingly worse every fall. Lizzy barely survives her first autumn in the territory, saved only by an early frost, and she realizes that she might not survive the next year. No one knows the cause of Lizzy's illness; the confident local doctor knows even less than the midwife. Meanwhile, on a trip to town, the family meets richly dressed Mrs. Beaumont, who has left Charleston, South Carolina, to join her husband while he speculates on land. The townspeople at first shun the Beaumonts, but Mrs. Beaumont becomes friendly with Lizzy's family, coming to help when things look the worst. Finally she offers to take Lizzy back to Charleston, where she hopes the sea air will cure her. Lizzy must decide whether she will leave her home, knowing that she may never see her family again. As she tells her story, readers will come to know the period and the lifestyle as well as a little something about pioneer medicine. A sub-theme explores the idea why the Beaumonts hold slaves, a practice Lizzy disapproves of. An author's note explains the possibilities of Lizzy's survival and fills in other information about the period. A unique look at early American history. (Fiction. 10-12)
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Product Details

  • ISBN-13: 9780440417170
  • Publisher: Bantam Doubleday Dell Books for Young Readers
  • Publication date: 3/12/2002
  • Edition description: REPRINT
  • Pages: 176
  • Age range: 8 - 12 Years
  • Product dimensions: 5.24 (w) x 7.62 (h) x 0.48 (d)

Read an Excerpt

Chapter 1

"I can pick apples," I said. "I know a ripe one from a green one just as well as Hezzy and Nan."

Ma stopped weaving. The clack-clack-thump that had filled the cabin all morning stopped too.

"Better than Nan," I said.

Ma looked at me for a long minute. "Sit," she said. "You are just as useful inside."

"Yes, Ma." I squirmed. 'Twas autumn, and our old trees were filled with ripened fruit. I sliced an apple with Ma's knife and strung the slices on a string. I draped the strings above the hearth to dry. Piles of apples waited on the table in front of me. I could never keep up. 'Twas not fair. I should be picking, too, and then we could all slice and string.

Clack-clack-thump, clack-clack-thump, clack-clack-thump. Ma was weaving a coverlet of indigo-blue and butternut-yellow wool. When she was finished she would take it to Jonesborough and trade it for a sow, a mother pig. Next spring we would have piglets, and after that we would be rich in ham and bacon and lard.

I smothered a cough against my hand. I looked at Ma to see if she noticed. She did not. Her hands worked the loom steadily. Clack-clack-thump. I wished to be a weaver someday. Already I could weave plain cloth, and I spun better than both Nan and Hezzy. Nan did not have a mind for such things. Hezzy wove fancywork, near as well as Ma.

A bird chirruped outside the open door. A red leaf blew into the cabin and lay against my foot. I kept my hands steady to their task but could not keep my mind so well occupied. It was autumn. My sickness time. And I felt the sickness coming.

An apple rolled to the floor.I picked it up and bit into it. Its spicy sweetness filled my mouth. Our trees, neglected as they were before we came, still yielded good fruit.

I looked about the cabin. Ma's loom, the bed and the underbed beneath it took up one whole side. Besides, we had a spinning wheel, table, two benches, even a ladder-back chair. Pa had built shelves on either side of the hearth to hold our cooking gear, and the half-loft above the loom and bed would soon be filled with the fruits of our harvest. Including the apples I was stringing.

Clack-clack-thump, clack-clack-thump. I had awoken that morning with a tightness in my chest and a heaviness through my nose. Winter, spring, summer, all the year past, I had prayed every day like Jesus in the garden that this be taken from me.

Clack-clack-thump.

Suddenly I coughed hard. Clack. Ma's hands went still. The loom stopped. Ma looked to me. "'Tis nothing," I said. "Nothing." We both knew why Ma had kept me indoors today, but neither of us would say it.

Hezzy burst through the doorway with a basket of apples. "That's three of mine now to Nan's one," she said, upending the basket onto the table. Apples rolled everywhere. Some fell to the floor.

Ma and I looked at Hezzy. Slowly Ma smiled. "Aye, then, what has Nan found?" she asked. She thumped the beater onto her weaving and started the shuttle again. Clack-clack-thump, clack-clack-thump.

Hezzy grinned. "Nothing but an old worm. She's watching it walk up a stick."

I cut an apple and handed half to Hezzy. She ate it, smiling. I smiled back. Nan paid attention to small things. Hezzy was the one to climb among the tree's highest branches, Nan the one to sit and peer at a stick.

My friend Suzy Pearlette said I was exactly in the middle of my sisters: halfway like Nan, halfway like Hezzy. But today I was neither on the ground nor in the tree. I was the one to sit in the cabin, to not pick apples at all.

"Tell your sister to gather the windfalls for cider," Ma said. "She can do that while staring at worms."

I coughed again, harder this time. Ma and Hezzy both froze. I frowned at them.

"Are you ill?" Ma's voice rose sharply.

I shook my head. I felt another cough coming on but shut my lips against it. My nose itched. I sneezed.

Ma got up from the loom. "Your eyes are swollen," she said. "You should have spoke."

"Truly I feel well."

"There's a wind from the west." Hezzy shut the door. She reached above the loom and swung the paper window closed. The cabin darkened.

"No, don't!" I said. "The wind doesn't make me ill."

"Something does," Hezzy said.

Ma studied me. "Some say mullein leaves cure congestion," she said, "or onion poultices to the chest."

"Onions didn't help her last year," Hezzy said. "What does Ma Silver say?"

Ma Silver was a midwife, newly come to our area. She grew herbs and doctored some when she wasn't busy birthing. Our old midwife had died—good riddance, some said. She had smelled of rum, and her cures rarely healed anyone. Ma Silver had birthed Mrs. Farah's last baby, and Mrs. Farah spoke well of her.

Our ma shook her head. "I will ask," she said.

I minded the Gospel message that we should be full of hope in the Lord. I said, "Perhaps this year won't be so bad." I didn't believe my own words. Dread filled me, fear of what lay ahead.

Ma put her hand to my forehead. "Perhaps we will go to Jonesborough. There is a doctor there."

I hated Jonesborough. I hated the noise and stink of so many people. "Take Hezzy," I said. "She wishes to see the fine folk. I would rather stay here."

Hezzy snorted and went out. Hezzy would soon be thirteen. Of all of us she was the only one to care for finery, the only one to dream of silk dresses and sweetmeats. Hezzy was often impatient with me.

Ma smiled gently. For a moment she pressed my head against her bosom. "Poor Lizzy," she said. "My poor daughter."

I laid my knife on the table and put my arms around Ma. Her hard round belly poked my side. We had a baby coming, near Christmas we hoped. "What can't be cured must be endured," I whispered. 'Twas what Ma often said.

"'Tis true," Ma answered, "yet we will cure you if we may."

She went back to the loom. "Don't work more than you feel able," she said. "If you take a spell, rest for a while."

"I won't take a spell," I said. I cut an apple in half with one stroke and smothered another cough on the back of my hand. Paring apples, how hard was that? While Nan and Hezzy worked outside in the sun.


From the Hardcover edition.

Copyright 2002 by Kimberly Brubaker Bradley
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