Wedding Ring (Shenandoah Album Series)

( 21 )

Overview

Three generations of women discover the healing gift of family, memories and love

Needing time to contemplate her troubled marriage, Tessa MacRae agrees to spend the summer helping her mother and grandmother clean out the family home in Virginia's Shenandoah Valley. But the three women have never been close. Helen, the family matriarch, is domineering and sharp-tongued. Nancy, Tessa's mother, appears to be little more than a social climber. And...

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Wedding Ring (Shenandoah Album Series)

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Overview

Three generations of women discover the healing gift of family, memories and love

Needing time to contemplate her troubled marriage, Tessa MacRae agrees to spend the summer helping her mother and grandmother clean out the family home in Virginia's Shenandoah Valley. But the three women have never been close. Helen, the family matriarch, is domineering and sharp-tongued. Nancy, Tessa's mother, appears to be little more than a social climber. And Tessa herself is in turmoil following a family tragedy that has affected them all.

Now, with the gift of time, Tessa's eyes are opened, and she begins to see her mother and grandmother for the flawed but courageous women they are. As she restores a vintage wedding ring quilt pieced by her grandmother and quilted by her mother, the secrets that have shadowed their lives unfold at last. And each woman discovers that sometimes you have to clean house to find the things you thought were lost forever.

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Editorial Reviews

From the Publisher
"Richards pieces together each woman's story as artfully as a quilter creates a quilt, with equally satisfying results, and her characterizations are transcendent, endowed with warmth and compassion."

--Booklist on Wedding Ring

"Complex characters, compelling emotions and the healing power of forgiveness-what could be better? I loved One Mountain Away!"

-New York Times bestselling author Sherryl Woods

"Emilie Richards's compassion and deep understanding of family relationships, especially those among women, are the soul of One Mountain Away. This rich, multilayered story of love and bitterness, humor, loss and redemption haunts me as few other books have."

-New York Times bestselling author Sandra Dallas

"When I first began reading One Mountain Away, I wondered where the story was going. A few pages later, I knew precisely where this story was going-straight to my heart. Words that come to my mind are wow, fabulous and beautiful. Definitely a must-read. If any book I've ever read deserves to be made into a film, One Mountain Away is it! Kudos to Emilie Richards."

-New York Times bestselling author Catherine Anderson

"Emilie Richards is at the top of her game in this richly rewarding tale of love and family and the ties that bind us all. One Mountain Away is everything I want in a novel and more. A must-buy!"

--USA TODAY bestselling author Barbara Bretton

"Emilie Richards has written a powerful and thought-provoking novel that will both break your heart and fill you with hope. Richards's characters become your friends, and they will stay with you long after you turn the last page. A beautiful book."

-National bestselling author Diane Chamberlain

From the Publisher

"Richards pieces together each woman's story as artfully as a quilter creates a quilt, with equally satisfying results, and her characterizations are transcendent, endowed with warmth and compassion."

--Booklist on Wedding Ring

"Complex characters, compelling emotions and the healing power of forgiveness-what could be better? I loved One Mountain Away!"

-New York Times bestselling author Sherryl Woods

"Emilie Richards's compassion and deep understanding of family relationships, especially those among women, are the soul of One Mountain Away. This rich, multilayered story of love and bitterness, humor, loss and redemption haunts me as few other books have."

-New York Times bestselling author Sandra Dallas

"When I first began reading One Mountain Away, I wondered where the story was going. A few pages later, I knew precisely where this story was going-straight to my heart. Words that come to my mind are wow, fabulous and beautiful. Definitely a must-read. If any book I've ever read deserves to be made into a film, One Mountain Away is it! Kudos to Emilie Richards."

-New York Times bestselling author Catherine Anderson

"Emilie Richards is at the top of her game in this richly rewarding tale of love and family and the ties that bind us all. One Mountain Away is everything I want in a novel and more. A must-buy!"

--USA TODAY bestselling author Barbara Bretton

"Emilie Richards has written a powerful and thought-provoking novel that will both break your heart and fill you with hope. Richards's characters become your friends, and they will stay with you long after you turn the last page. A beautiful book."

-National bestselling author Diane Chamberlain

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Product Details

  • ISBN-13: 9780778315421
  • Publisher: Harlequin
  • Publication date: 3/26/2013
  • Series: A Shenandoah Album Novel Series
  • Edition description: Original
  • Pages: 496
  • Sales rank: 270,926
  • Product dimensions: 5.30 (w) x 8.10 (h) x 1.40 (d)

Meet the Author

Emilie Richards’s many novels feature complex characterizations and in-depth explorations of social issues, a result of her training and experience as a family counselor, which contribute to her fascination with relationships of all kinds. Emilie, a mother of four, lives with her husband in northern Virginia, where she is currently working on her next novel for MIRA Books.
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Read an Excerpt

After she surrendered to the inevitable and gave up trying to make her grandmother open the front door, Tessa MacRae resigned herself to spending the rest of the sweltering morning in what passed for shade on the front porch. The time wasn't completely wasted. From the vantage point of a creaking old swing, she could observe almost everything she needed to know about her grandmother's world.

First, in an area renowned for its natural splendor, this little corner of the Shenandoah Valley was not holding up its end.

The evaluation was interrupted by the screech of a window being wrenched open just above her.

"You still down there, missy? I didn't ask you to come, you know, and I sure didn't ask for these!"

At thirty-seven, Tessa, a high-school English teacher, hadn't been a "missy" for a number of years, but this was not the moment to object. A rattling followed Helen Henry's words, and suddenly the air was filled not with much-needed rain, but with balls of paper sliding off the tin roof to the ground below. Tessa tried to count them as they fell. A dozen, at least. Then, after a pithy pause, half a dozen more.

The window above the porch slammed shut again.

Tessa waited, but the paper hailstorm had ended. She got to her feet, picked up and smoothed a wad that had landed on the front steps. Two women and a man, with broad smiles and glowing silver hair, stared back at her from a golf course fairway.

"'Green Springs Retirement Community,'" she read out loud. "'Because today is the first day of the rest of your life.'" Crumpling the page in her fist, she wondered how many similar brochures her mother, Nancy Whitlock, had sent Helen during the past weeks. When nothing else fell from above, she returned to the swing, drew her knees up to her chin and got on with her assessment.

On her drive to the small town of Toms Brook, Tessa had been charmed, as always, by the magnificent blue-green sweep of mountains, the Queen Anne's lace and wild chicory blooming by the roadside, the placid, heat-hypnotized cattle and horses dotting Virginia's hillsides and meadows. But that was a panorama, a rural still life, and unfortunately, her grandmother's farm, which was baking under an unrelenting sun, was something else altogether.

The drought that had affected the entire area had been particularly bad here. Corn was not going to be knee-high by the Fourth of July, which was only three days away. Several acres of field corn across the road from her grandmother's house looked like bonsai gardens gone awry, twisted and shriveling under the sun. Only the dandelions seemed to be holding their own. Unless the area got rain, and plenty of it, the corn wouldn't even be knee-high by Labor Day.

Then there was the heat. Virginia was no one's idea of a summertime oasis, but Tessa, a native, couldn't remember a hotter July. While waiting for her grandmother to reconsider her options, Tessa had probably sweated away an entire quart of bottled springwater. No air stirred. No bees hummed. The mud daubers that had built a castle under the eaves had pulled up their drawbridge and escaped into the keep. Even the blue jays had declared a truce with the crows and were probably napping side by side under the leafy branches of Helen's twin maples.

The window screeched again. "And take these, while you're at it!" Helen shouted. "You think I need your fancy presents?"

The nightgown, then the robe, that Tessa had bought her grandmother on her last birthday floated to the rambling rose that sprawled uncontrolled along the trellis and porch railing. They bloomed there in soft shades of violet and pink, as close to real blossoms as the rose had produced in years.

"Or your mother's!" Helen added.

Tessa hoped that Nancy hadn't given Helen a piano or a safe. She was glad when the only thing to flutter past was a garnet-red sweater on its way to the holly bush beside the rose.

The window slammed again.

The sweltering Tessa stared stoically out at the Massanut-ten Mountains in the far distance. Neither the Alleghenies nor the Massanuttens, which flanked this upper part of the Shenandoah Valley, were simple postcard views. They were touchable, habitable mountains, populated for centuries by stalwart homesteaders who had seen the slopes as challenges and the peaceful, flourishing valley in between as their reward. The entire valley was a testament that rural life, idealized and cherished by millions of city dwellers, existed still.

But today, life in general seemed to have mysteriously vanished here on Fitch Crossing Road. In all the time Tessa had sat there, sweated there and silently willed her grandmother to throw up her hands and invite her inside, not one car had passed. Once she had turned off Route 11 and headed toward the Shenandoah River, Tessa's small green Toyota had been King of the Road. No tractors, no hay wagons, no horse-crazy teenagers passing a lazy summer afternoon.

For all practical purposes, Helen seemed to have Fitch Crossing to herself. If her grandmother died in this house—as she fully intended—she might well be a desiccated, mummified corpse before anyone realized she was gone.

The window screeched again. Tessa visualized medieval knights pouring boiling oil from towers on the heads of invaders below. She rested her feet on the ground, her hands on her lap, and made a conscious effort to loosen the kinks in her neck.

"And don't forget this!" Helen said.

If the first paper blitz had resembled hailstones, this one resembled snow. Pastel-colored snow. One of the tiny shredded pieces drifted to the porch floor. Tessa could see it was the corner of a check, most likely one of the many her mother had sent—one of the many Helen Henry had never cashed.

She waited for the window to slam once more. When it did, she propelled her head back and forth, side to side, and tied up her conclusions.

Helen was not taking care of the farm. The Old Stone-burner Place—as it would be called until Doomsday—had never been a showplace. It was a working farm, the product of German immigrants who had crosscut timber to build their first dogtrot cabin, cleared fields with the help of mules and multitudes of sons, shivered through mountain-shadowed nights and shuddered under summer skies.

Helen, a Stoneburner by birth, had worked the farm with very little help for almost sixty years. Somehow she had eked out a living and held on to the land despite rising property taxes, managing somehow. Clearly she was not managing anymore.

The farmyard looked neglected. On the way up to the house, Tessa had been forced to maneuver ruts in the driveway as deep as the drainage ditches lining it. The day lilies and peonies that had multiplied decades ago to border the ditches were being choked out by weeds and waist-high saplings; the fence around the vegetable garden was sagging and torn.

The house looked neglected, too. There were a thousand farmhouses like it in rural Virginia. Long, deep front porch, tin roof, white clapboard siding always in need of touching up. A screen door stood between a heavier door and the world outside, welcoming breezes and neighbors.

Today it was a typical farmhouse fast declining. Problems with the exterior were almost too extensive to catalog. And inside? The interior was a mystery, a black hole of gruesome possibilities. All Tessa knew, all anybody knew, was what one neighbor had told Tessa's mother.

When recounting that conversation Nancy Henry Whit-lock had stampeded through the sentences as if she was afraid the end might be out of reach.

"I don't know how Ron Claiborne got my phone number, but he did somehow, and that's neither here nor there, I suppose. Then he said—" and Nancy's voice had changed to mimic his: "'Ma'am, I'm sorry to say it, but your ma's in a bad way. She don't come outside anymore, and she don't let nobody in. But I seen what I seen through her front door. And it like to have stopped my heart. She being the neat…well, prissy old woman that she is. You understand what I mean?'"

Nancy had paused at that point before she added in her own incredulous voice, "Like he thought maybe I really didn't understand."

Tessa still wasn't sure if her mother had been more aghast at the message or the messenger who had delivered it. A Clai-borne? A hard-drinking, fast-living Claiborne tattling on a Henry?

Tessa, of course, had been the first person Nancy called after she hung up on Mr. Claiborne. God forbid that Nancy would look into this or any problem on her own. No, there was a ritual Nancy followed at moments like these. The wringing and fluttering of hands, the public gnashing of teeth, the litanies of "I told you there was a problem," and "If somebody would listen to me once in a while…"

As for the problem itself, neither Nancy nor Tessa really knew the full extent. Helen had refused to allow Nancy or Tessa's father, Billy, inside the farmhouse to see what Mr. Claiborne had meant, meeting them at the soda fountain at the Walton and Smoot Pharmacy, instead, after Nancy threatened to alert the health department or the sheriff.

According to Nancy, Helen had looked unkempt at that meeting, but, of course, Nancy, whose self-grooming sacrament took a full hour of each morning, thought that anyone who hadn't just stepped out of a full-service salon was worse for wear.

Helen had been surly, too, Nancy claimed. That, also, was nothing new. On a good day, people said that Helen was feisty, strong-minded, no-nonsense. Good days were rare. More often she was said to be mean-spirited, difficult, the woman most likely to snatch poor Toto from Dorothy's arms and turn him over to the sheriff.

So the news, at that point, had only been expected. Then the story had taken a sharp turn. Helen—and this was still hard for Tessa to believe—Helen had admitted that she was slowing down. Under Billy's patient questioning, she had admitted that no, she couldn't keep up as well as before, that no, the house wasn't as clean as it should be, that yes, she wasn't quite sure what to do about it. Helen Stoneburner Henry, a senior Superwoman in a housedress, had admitted that yes, she might possibly, just might, need a little help.

Of course, even though she hadn't been there, Tessa understood exactly what must have triggered the next exchange.

While Billy had gently teased the truth from Helen's lips, Nancy had surely quoted county ordinances, conversations with officials at the health department, the nuggets of information Nancy had gleaned with regard to declaring an aging relative incompetent. Then, as a finale, she had probably sung the praises of every retirement community within ten miles of the Richmond city limits.

According to Tessa's father, the conversation had ended with Helen's furious denouncement: "You're not moving me to some fancy old folks home hundreds of miles from here, not while I'm still breathing. And you're not coming inside my house ever again. Not unless you bring that daughter of yours along. At least Tessa has some sense!"

So now Tessa waited, poised for the fun to begin. She was not amused by the irony. She was caught squarely between two women she really didn't want to know any better, forced to spend the remainder of her summer vacation watching them dance and feint like boxers in a ring. On top of that, if the inside of the house was anything like the outside, she would be painting and patching for all of July and August.

But what did it really matter? What was waiting for her at home in Fairfax? Who was waiting for her?

A cloud of dust announced that, indeed, there was life on Fitch Crossing Road after all. Tessa turned her head to watch the cloud move toward her. In the center was a black sedan, her mother's sleek Mercedes, now coated with Fitch Crossing's gritty charms. The car slowed, and the cloud drifted home. Nancy was still going too fast when she turned into the driveway. She narrowly avoided the northern ditch, overcom-pensated, and straightened just in time to avoid the southern.

Tessa didn't move. She felt the remainder of the summer closing in on her. Life was closing in on her. She was not strong enough for this, might never be strong enough again. Yet here she was, dutiful daughter, solicitous granddaughter, peacekeeper. Tessa MacRae, high-school English teacher, wife of a successful attorney, survivor. She had already been through the worst that life could throw at her. She reminded herself there was nothing that could happen here to rival it.

She tried to gain comfort from that and failed. She waited until Nancy's door slammed and her mother was halfway up the overgrown path before she rose to her feet.

Nancy Whitlock's heart always beat faster when she saw her daughter. The phenomenon had begun in the hospital delivery room at the instant of Tessa's birth. After a torturous, prolonged delivery, Nancy had been drugged almost to a point where her heart should have stopped completely. But she had taken one groggy look at the scrawny, vernix-slick baby she had expelled from her womb, and, with her heart pounding in her ears, she had realized that everything, everything, that had come before had been worth it.

Through the years she had waited for the humdrum of motherhood to set in. Friends took their children in stride. They talked of other things, looked forward to nights out, made routine dates for tennis and golf. Those other pleasures had never truly captured Nancy's speeding, rapturous heart.

Now, as she walked up the path toward her daughter, she noted Tessa's pallor, weight loss, the tension in her perfect posture. Tessa stood remarkably still, as if she had schooled every human instinct into submission. She never fidgeted. If she had ever scratched an itch, it had not been scratched in public. She was a marble Madonna, terrifyingly beautiful in her serenity. Or rather, once upon a time she had been beautiful—at least in Nancy's eyes—and serene. These days she just looked tired, older than her thirty-seven years, haunted.

Right now, she looked resigned.

"I meant to get here earlier." Nancy started talking before she reached the porch. The words started as a trickle and ended as a cascade. "The traffic in Richmond was horrible. Then I had to stop and get gas. By that time I was starving. I'd have bought you a sandwich, just in case, if I thought you'd eat it. You don't eat enough, and it shows. Why are you still on the porch? Did you just get here, too?"

"Gram's not answering the door. And no, I got here on time."

The last was not a reprimand. The words were matter-of-fact. Tessa had been on time. Of course she had been on time. Nancy was the one who got distracted, who tried and failed to be punctual, confident, cool. Nancy, who knew that she failed everyone she loved with every word and gesture.

Nancy responded only to the first statement. "Not answering the door? Why are her clothes out here?" She gestured to the rose bush. "And all this paper?"

"She hasn't answered for the hour or more I've been here, but she's home. I've heard her at the bedroom window."

Nancy stopped before climbing the porch steps, shaded her eyes with a cupped hand and squinted at the window in question. "Heard her? The window's shut and the curtains are drawn."

"They're drawn now."

"She closed the windows and drew the curtains, knowing you were waiting down here? In this heat? She left you to bake out here?"

"It's probably cooler outside than in."

"Maybe she's sick." Nancy took the steps as fast as her legs would carry her. She threw open the screen door and tried the doorknob. When it didn't turn, she began to pound. "Mother! Mother!"

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Table of Contents

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Customer Reviews

Average Rating 4.5
( 21 )
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See All Sort by: Showing 1 – 20 of 21 Customer Reviews
  • Anonymous

    Posted February 6, 2012

    A great read!

    I have liked every book of Emilie Richards' I have read, Wedding Ring is no exception. I look forward to reading others in The Shenandoah Album I have missed. The relationships between grandmother, daughter and granddaughter are connected much like the rings on a Wedding Ring quilt or like the arms of someone playing the game Red Rover...you think you are the strongest link and don't really need the others but when the battle begins you realize you are stronger because of them and with them.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 27, 2013

    as usual, a great read

    loved it!!!!!!

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  • Anonymous

    Posted April 26, 2013

    I love this whole series!

    I love this whole series!

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  • Posted February 22, 2013

    Highly recommend

    Great easy read!!

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  • Anonymous

    Posted January 15, 2013

    Great author!

    Recommend this writer of women's fiction.

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  • Anonymous

    Posted August 5, 2012

    Great book!

    Great book by this good author!

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 12, 2005

    Wedding Ring by Emilie Richards

    The book I have justed finished reading was 'Wedding Ring' by Emilie Richards. I really enjoyed this book very much because it had alot to realate with realatiships, family, and family heritage. I chose this book because I value all three of things that the book realates to. It made me have great interest in the book. In reading the book, I liked how there was different life stories going on throughout the book. It told each woman's story and life style. With all of the stories going on, I became to enjoyed the book. I couldn't put it down. Once I finished a chapter, I wanted to keep reading more to find out what would happen next. I would recommend this book to anyone who likes books to do with family, realtionships and family heritage.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 27, 2005

    Couldn't put the book down!

    I not an avid reader, but thanks to the works of Emilie Richards I am fast becoming one. The stories of these 3 generations of women are so intertwined more than just being related. I found it a delight to read.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted September 16, 2004

    Wonderful Book!

    By chapter 8 I was hooked...now I can't wait to see how it ends....but then I don't want it to end. Can't wait for the next book in the series. Great characters, important issues and quilts. How can you beat that. A nice read. If your looking for graphic sex and violence this isn't the book for you.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 6, 2004

    Great Read

    I loved everything about this book. The characters were real and the relationships true to life. In the end all the main characters are brought together by the Wedding Ring Quilt.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 15, 2004

    powerful deep cast

    Thirty-seven years old Tessa MacRae and her sixty-year-old mom Nancy Whitlock are worried about the latter¿s octogenarian mother Helen, who has neglected her Tom Brooks, Virginia house. The home is dangerously cluttered with junk as Nancy realizes she has not been allowed inside since her five-year-old granddaughter was killed by a drunk driver three years ago, the pivotal moment that left three surviving generations shattered. Tessa¿s husband Mack attends Compassionate Friends to help him cope with his grief. Tessa is an active member of MADD, but has done nothing to truly deal with her loss of their daughter. Mack feels cut off from his wife who he loves dearly, but needs love and is considering an affair.<P> Nancy¿s husband Billy visits, but she worries that though they have been married for decades he will see her farm roots and leave her. Nancy loves Billy, but feels a need to defend her birth home and her mom before going upstairs to cry. Billy leaves without saying goodbye. As the three women clean out the house over the summer and allow a pregnant teen to join them, will they find solace in their memories or continue the spin into the abyss?<P> The entire cast is as powerful as they come as every key member (even Helen¿s long deceased husband) is incredibly developed. The relationships between the characters are fantastic because even the negativity seems genuine. The use of quilting enables the past to surface interwoven with the current woes. Though the amount of angst (each one of the three lead females deals with enough problems to cover a book by herself) overwhelms, Emilie Richards paints a wonderfully insightful family drama.<P> Harriet Klausner

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    Posted August 14, 2011

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