Weill: The Seven Deadly Sins, Berlin Theatre Songs

Weill: The Seven Deadly Sins, Berlin Theatre Songs

by Lotte Lenya
     
 
A combined digital edition of Die Sieben Todsünden and Lotte Lenya Sings Berlin Theatre Songs of Kurt Weill, a pair of recordings given additional weight and texture as a result of Lenya recording them after visiting Berlin following a 20-year absence from the city -- she was heartbroken on seeing the devastation that had resulted

Overview

A combined digital edition of Die Sieben Todsünden and Lotte Lenya Sings Berlin Theatre Songs of Kurt Weill, a pair of recordings given additional weight and texture as a result of Lenya recording them after visiting Berlin following a 20-year absence from the city -- she was heartbroken on seeing the devastation that had resulted from World War II. Die Sieben Todsünden is a nine-part work for vocal ensemble and soloist, while the Berlin Theatre Songs collection essentially rifles the Kurt Weill canon for highlights, coming up, as expected, with "Moritat vom Mackie Messer" and "Seeräuberjenny," amongst others. Familiarity, however, makes the songs -- and the recordings -- no less a treasure. Lenya works with a small ensemble on the theatre songs, recording in fairly close quarters (going by the photos in the booklet). The recordings sound intimate, and have an impressive energy as a direct result. Lenya's pleasure at performing these songs is also evident -- there is no grandstanding (indeed, she is an example of self-control), but she puts her heart into each of them, giving each song its own special due. Die Sieben Todsünden utilizes an orchestra (conducted by Wilhelm Brückner-Rüggeberg) and a vocal ensemble. Lenya sings the part of Anna, represented as Anna I and Anna II, a character in conflict with herself, her family, and even the extremes of morality. This final collaboration between Weill and Bertholt Brecht takes quite a few interesting musical turns -- there is some extremely creative use of rhythm and dissonance, though not in expected ways, while the general form of the music often hints at strict tradition before unlacing said strict tradition's corsets. It's a wonderful concert work, lovingly recorded (and remastered) with subtle touches and inflections from Lenya that require repeated listenings to catch. The supporting vocalists are highly professional, but don't bring quite the same qualities to the table as Lenya does. This combined reissue is almost perfect, and it truly is unfortunate that there has to be a worm in the apple, albeit a fairly small one -- while the lack of a libretto for the Berlin Theatre Songs portion is perhaps understandable, the lack of even a German libretto for Die Sieben Todsünden is all but inexcusable.

Product Details

Release Date:
12/09/1997
Label:
Sony
UPC:
0074646322222
catalogNumber:
63222
Rank:
29463

Related Subjects

Tracks

Album Credits

Performance Credits

Lotte Lenya   Primary Artist,Vocals
Roger Bean   Conductor
Orchestra   Ensemble
Sigmund Roth   Bass (Vocal)
Julius Katona   Tenor (Vocal)
Fritz Gollnitz   Tenor (Vocal)
Ernst Poettgen   Baritone (Vocal)
Wilhelm Bruckner-Ruggeberg   Conductor
Roger Bean   Conductor

Technical Credits

Teresa Stratas   Liner Notes
George Avakian   Producer
Thomas Frost   Executive Producer
Allen Weinberg   Artwork
Thomas B. Allen   Paintings
Josee Begaud   translation
Andreas K.W. Meyer   Engineer
Mario R. Mercado   Liner Notes
Reinhard Luthje   translation
Louise de la Fuente   Reissue Producer

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