Weill: The Seven Deadly Sins, Berlin Theatre Songs

Editorial Reviews

All Music Guide - Steven McDonald
A combined digital edition of Die Sieben Todsünden and Lotte Lenya Sings Berlin Theatre Songs of Kurt Weill, a pair of recordings given additional weight and texture as a result of Lenya recording them after visiting Berlin following a 20-year absence from the city -- she was heartbroken on seeing the devastation that had resulted from World War II. Die Sieben Todsünden is a nine-part work for vocal ensemble and soloist, while the Berlin Theatre Songs collection essentially rifles the Kurt Weill canon for highlights, coming up, as expected, with "Moritat vom Mackie Messer" and "Seeräuberjenny," amongst others. Familiarity, however, makes the songs -- and the recordings ...
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Editorial Reviews

All Music Guide - Steven McDonald
A combined digital edition of Die Sieben Todsünden and Lotte Lenya Sings Berlin Theatre Songs of Kurt Weill, a pair of recordings given additional weight and texture as a result of Lenya recording them after visiting Berlin following a 20-year absence from the city -- she was heartbroken on seeing the devastation that had resulted from World War II. Die Sieben Todsünden is a nine-part work for vocal ensemble and soloist, while the Berlin Theatre Songs collection essentially rifles the Kurt Weill canon for highlights, coming up, as expected, with "Moritat vom Mackie Messer" and "Seeräuberjenny," amongst others. Familiarity, however, makes the songs -- and the recordings -- no less a treasure. Lenya works with a small ensemble on the theatre songs, recording in fairly close quarters going by the photos in the booklet. The recordings sound intimate, and have an impressive energy as a direct result. Lenya's pleasure at performing these songs is also evident -- there is no grandstanding indeed, she is an example of self-control, but she puts her heart into each of them, giving each song its own special due. Die Sieben Todsünden utilizes an orchestra conducted by Wilhelm Brückner-Rüggeberg and a vocal ensemble. Lenya sings the part of Anna, represented as Anna I and Anna II, a character in conflict with herself, her family, and even the extremes of morality. This final collaboration between Weill and Bertholt Brecht takes quite a few interesting musical turns -- there is some extremely creative use of rhythm and dissonance, though not in expected ways, while the general form of the music often hints at strict tradition before unlacing said strict tradition's corsets. It's a wonderful concert work, lovingly recorded and remastered with subtle touches and inflections from Lenya that require repeated listenings to catch. The supporting vocalists are highly professional, but don't bring quite the same qualities to the table as Lenya does. This combined reissue is almost perfect, and it truly is unfortunate that there has to be a worm in the apple, albeit a fairly small one -- while the lack of a libretto for the Berlin Theatre Songs portion is perhaps understandable, the lack of even a German libretto for Die Sieben Todsünden is all but inexcusable.
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Product Details

  • Release Date: 12/9/1997
  • Label: Sony
  • UPC: 074646322222
  • Catalog Number: 63222
  • Sales rank: 38,459

Tracks

Disc 1
  1. 1 Prologue (3:49)
  2. 2 No1 Faulheit (4:28)
  3. 3 No2 Stolz (4:44)
  4. 4 No3 Zorn (4:16)
  5. 5 No4 Völlerei (3:10)
  6. 6 No5 Unzucht (5:28)
  7. 7 No6 Habsucht (3:12)
  8. 8 No7 Neid (4:42)
  9. 9 Epilogue (1:49)
  10. 10 Moritat vom Mackie Messer (3:05)
  11. 11 Barbarasong (4:23)
  12. 12 Seeräberjenny (4:02)
  13. 13 Havanna-Lied (1:58)
  14. 14 Alabama-Song (4:08)
  15. 15 Denn Wie Man Sich Bettet (3:56)
  16. 16 Bilbao-Song (4:36)
  17. 17 Surabaya-Johnny (4:25)
  18. 18 Was die Herren Maytrosen sagen (4:33)
  19. 19 Ballad, "Vom ertrunkenen Mädchen" (3:05)
  20. 20 Lied der Fennimore (2:55)
  21. 21 Cäsars Tod (2:51)
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Album Credits

Performance Credits
Lotte Lenya Primary Artist, Vocals
Roger Bean Conductor
The Orchestra Ensemble
Sigmund Roth Bass (Vocal)
Julius Katona Tenor (Vocal)
Fritz Gollnitz Tenor (Vocal)
Ernst Poettgen Baritone (Vocal)
Wilhelm Bruckner-Ruggeberg Conductor
Roger Bean Conductor
Technical Credits
Teresa Stratas Liner Notes
George Avakian Producer
Thomas Frost Executive Producer
Allen Weinberg Artwork
Thomas B. Allen Paintings
Josee Begaud translation
Andreas K.W. Meyer Engineer
Mario R. Mercado Liner Notes
Reinhard Luthje translation
Louise de la Fuente Reissue Producer
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