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| Joshua Rogers | Primary Artist |
| Doc Powell | Guitar |
| Lil' John Roberts | Drums |
| Latrice Pace | Background Vocals |
| Josh Baker | Percussion |
| Big Jim Wright | Organ |
| Derrieux Edgecombe | Bass Guitar, Synthesizer Bass |
| Daniel Moore | Keyboards |
| Danetra Moore | Background Vocals |
| Big Jim | Background Vocals |
| Shauwn Martin | Keyboards |
| Kurt Carr | Composer |
| Thomas Whitfield | Composer |
| AndraƩ Crouch | Composer |
| Gerald Haddon | Composer |
| Blake Eiseman | Engineer |
| Paul Sandweiss | Engineer |
| James "Big Jim" Wright | Arranger, Producer |
| Mathew Knowles | Executive Producer |
| Erica Atkins | Composer |
| Trecina Atkins | Composer |
| Warryn Campbell | Composer |
| Daniel Moore II | Composer |
| Tammi Haddon | Composer |
| Daniel Moore | Arranger, Composer, Producer |
| Jerry Williams | Art Direction |
| Deitrick V. Haddon Troupe | Composer |
| Big Jim's Sunday Best Band | Instrumentation |
Editorial Reviews
All Music Guide
Hot off his season five win of the reality television show competition Sunday Best, gospel singer Joshua Rogers' official debut is a great combination of "new artist" enthusiasm and vintage style. It's that latter quality that makes the closing title track an obvious highlight, while any generation can appreciate the elegant "We Expect You," a traditional crowd pleaser that brought down the house when it was performed on the show. On the other hand, there's the contemporary opener "God in Me," which slings slang and delivers the gospel with a hip-hop beat, or the very pop "In the Middle," which flirts with electro and other dancefloor sounds. With both sides of Rogers' talent well represented, the only thing left to ...