“[Weller] reported it all in an urbane, understated style that never palls. Weller had no sense of himself as a Great Journalist–which perhaps is why he was one. Weller’s 1944 presentation of “the worldwide American” stands out as a model of brevity and insight: “His foreign policy represents an attempt to become popular by being benevolent, rather than to be respected by being responsible.” Weller has been obscured by better known personalities like Ernie Pyle. This anthology, edited by his son, should give him the recognition his work merits.”
—Publishers Weekly (starred review)
“[A] humbling reminder of what an important contribution to our understanding of the world a really good 'traditional' reporter can offer…The great power of Weller’s reporting lies in his ability to convey a vivid sense of how the war felt on the ground (or on the sea and in the air) to those fighting it — and to those civilians caught up in its whirlwind. His eye for detail, his ability to let those he encounters tell their stories and his descriptive power bring all too alive the scary, messy, relentless, bloody business of warfare. His courage and sheer resilience were remarkable…We must hope there will always be people such as George Weller with the skills and the spirit to tell the world the often tortured stories of itself.”
"Even if you, like me, are not normally drawn to war reporting, there’s a fabulous new book . . .George Weller, a World War II correspondent in Europe, Asia, Africa, and the Pacific, was fearless and prolific. He filed eyewitness accounts from the battlefield to the beachhead and chronicled feats of heroism and humanity, winning a Pulitzer. . . Compelling and precise."
“Weller carried into his Chicago Daily News reportage a literary sensibility adjusted to the incident at hand, whether a battle, an interview with de Gaulle, or an Axis atrocity…Shrewd and verbally pictorial, Weller’s wartime articles constitute a rewarding reminder of his prominence——he received a Pulitzer Prize in 1943——and of the intrepidness, not to mention mobility (the datelines range from Greece to Ethiopia to New Guinea), associated with the title “war correspondent.”
“Readers will be immediately struck by the profound difference between Weller’s coverage of armed conflict and the sort typically seen on television today. The cultured, cosmopolitan, multilingual journalist strove to present not just the images and events of a world war but the political machinations behind its gruesome twists and turns...Adds scope, analysis and emotional immediacy to a critical body of history.”
—Kirkus (starred review)
“[H]is dispatches…add tremendously to our understanding of the war at ground level, the people's war… Anyone interested in World War II will want to read both [Weller’s War and First Into Nagasaki].”