Whale Years
For more than three years, poet and artist Gregory O'Brien followed the migratory routes of whales and seabirds across vast tracts of the South Pacific Ocean, resulting in a collection of poems that stand as a homage to a series of remarkable locations and the natural histories of those places. In three parts, this collection stretches across the Pacific, following whale-roads, weather balloons, and sons at sea, charting historical explorations and other Pacific realisms, such as the Pacific trash vortex, the wavering democracy of Tonga, and the political history of Chile. These poems are an exploration of outlying islands, the ocean that lies between them, and the whale-species and sea birds found there. From Waihi looking east and Valparaiso looking west, O'Brien surveys the cultural heart and health of an ocean in memorable, musical, moving lines.
1121365824
Whale Years
For more than three years, poet and artist Gregory O'Brien followed the migratory routes of whales and seabirds across vast tracts of the South Pacific Ocean, resulting in a collection of poems that stand as a homage to a series of remarkable locations and the natural histories of those places. In three parts, this collection stretches across the Pacific, following whale-roads, weather balloons, and sons at sea, charting historical explorations and other Pacific realisms, such as the Pacific trash vortex, the wavering democracy of Tonga, and the political history of Chile. These poems are an exploration of outlying islands, the ocean that lies between them, and the whale-species and sea birds found there. From Waihi looking east and Valparaiso looking west, O'Brien surveys the cultural heart and health of an ocean in memorable, musical, moving lines.
15.99 In Stock
Whale Years

Whale Years

by Gregory O'Brien
Whale Years

Whale Years

by Gregory O'Brien

eBook

$15.99 

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers

LEND ME® See Details

Overview

For more than three years, poet and artist Gregory O'Brien followed the migratory routes of whales and seabirds across vast tracts of the South Pacific Ocean, resulting in a collection of poems that stand as a homage to a series of remarkable locations and the natural histories of those places. In three parts, this collection stretches across the Pacific, following whale-roads, weather balloons, and sons at sea, charting historical explorations and other Pacific realisms, such as the Pacific trash vortex, the wavering democracy of Tonga, and the political history of Chile. These poems are an exploration of outlying islands, the ocean that lies between them, and the whale-species and sea birds found there. From Waihi looking east and Valparaiso looking west, O'Brien surveys the cultural heart and health of an ocean in memorable, musical, moving lines.

Product Details

ISBN-13: 9781775587941
Publisher: Auckland University Press
Publication date: 03/16/2015
Sold by: INDEPENDENT PUB GROUP - EPUB - EBKS
Format: eBook
Pages: 100
File size: 1 MB

About the Author

Gregory O'Brien is an award-winning writer, a painter, a literary critic, and an art curator. He is the author of several books, including Beauties of the Octagonal Pool, A Micronaut in the Wide World: The Imaginative Life and Times of Graham Percy, and Welcome to the South Seas and Back and Beyond.

Read an Excerpt

Whale Years


By Gregory O'Brien

Auckland University Press

Copyright © 2015 Gregory O'Brien
All rights reserved.
ISBN: 978-1-77558-794-1



CHAPTER 1

FROM VARIOUS ISLANDS

    The length of the voyage


    As measured by buckets of salt water

    As measured by the shadow of a pohutukawa, variations thereof

    As measured by the pollen remaining in the seams of a jacket

    As measured by the number of flying fish landed on the deck

    As measured by the names of seamounts laid in an unstraight line

    As measured by everything in the rope room that is not rope

    As was once measured by crayfish

    As measured by rocks brought from a far island, a sign of respect

    As measured by every previous voyage and every subsequent voyage from now
       until the end of time.

    Raoul Island


    By frigate and bird
    we came ashore

    fresh-footed on the swaying
    headland, by balloon boat

    and a piece of
    yellow twine. Here we were

    set down, buffered in
    moss and lichen, riding

    the undulations of the seaward lawn – and this
    was our unrest. We walked

    the edible path, an orchard of oranges
    underfoot, mushrooms

    like satellite dishes tilted
    at the sky. We followed

    the flight paths of petrel and red-tailed
    tropic bird, of grey ternlet

    and masked booby – and theirs was
    the song the island sang.

    Emotional life of Thomas Bell, Raoul Island


    The lake in the poem
    depends upon
    who stands

    before it – Hettie or Bess
    or, most likely,
    Mary.

    It might have been
    the Blue or
    the Green –

    or maybe lakes
    had no names
    back then?

    The hills moved
    instinctively
    north

    or, less often, south
    and the transient
    Wolverine Rock

    which kept reappearing
    offshore, but only
    upon the birth

    of a daughter, was neither
    here nor there.
    The weather takes

    the edges off most things.
    The island tethered
    or set adrift

    depending on which
    daughter dives
    into which

    lake. But it is their eyes
    I remember most
    not as they

    looked, but as they
    looked
    at me

    or at someone who stood
    where I stand
    as if to lose

    what I have lost.

    Whale Survey, Raoul Island, with Rosemary Dobson


    Two poets on a headland, mid-survey
    might pause suddenly and say
    will this be your whale, or mine?

    Moving, accordingly, from one observation area
    to the next, a whale is 'handed over'.
    Please take it. No, you first.

    Early morning spent 'getting the eye in'
    velocity of clouds, sea conditions noted.
    Breaching, logging, travelling, the Pacific

    divided between Coral Bay and Tropic Bird Face,
    Bomb Shed, Hutchies Bluff and Blindspot. Later
    Rosemary observed to a friend

    from the sharpest point of her triangulation:
    If I stand still enough, I can see Wolverine Rock,
    a water spout and, westerly, one cow and calf.

    The captain of the Rena on Astrolabe Reef


    He might have been sharpening up on the sea, as the sea was
    sharpening its points. A Number Two, he was told.
    The crew was looking sharp, to a point.

    From point to point of a chart – and all points north of
    the Point of Saying Goodbye. A man goes out on a rib – a point
    of departure. A point upon which

    they disagreed or agreed to differ. A spike in the weather
    another barbed or pointed front approaching. This time
    a Number Four Sea. There were other points

    of interest, distraction or contention. A compass or protractor
    with its pointed readiness, a line following
    the point of a pencil from this to that

    point. Not to put too fine a point on the matter, the point being
    a pointed hull run aground on a pointed reef,
    if you get my drift, what is the point in that?

    Oneraki


    With beaches I am often
    in agreement

            their slow
    shuffle, organisational
    skills

            oblivious to
    whatever traffic
    or freight is consigned

    them. A beach is never
    anybody's opinion

            of a beach –
    as much wave
    as sandy gradient

            where the ocean
    leaves its coloured pencils, left-
    footed jandals ...
            Like a beach, I take

    what I am given. As
    a believer, I too am inhabited by
    a fish

            or as a wave is
    laid gently to
    one side – such is
            the character of waves, the way
    they are
            always hurrying

    back
    to themselves.

    White Island (Whakaari)


    Her highness and
    lowness, her whiteness
    and wilderness

    untrammelled and
    well-travelled, sister
    ship, satiated

    and sailed upon,
    whiteness of her eyes
    a pale flock, her
            gullness.

A schematic analysis of the first and only book of the explorer Raoul H. Rangitahua (page numbers in brackets)


In the ocean, he encounters a rock that can speak (15), a plume of smoke that could be a cloud (or, surely, a cloud that might be a plume of smoke?) and an assortment of volcanic stones on a headland, scattered or thrown randomly (24). He meets a nymph (25), who leads him through a grove of uprooted trees (27). In the ruins of what appears to be an ancient civilisation, he encounters green parrots (31) and a great many seabirds nested beneath the ground upon which he walks (33). He watches a balloon go up and feels he is observing the passing of a world (38). Because there is no livestock on the island, the shepherds oversee empty fields (41); some inadvertently become experts at the identification of sea turtles or whales in the far distance (42). He is ceremoniously joined to his new home through encounters with the last rat on the island, a mechanical replica, kept as a cautionary presence (43); two iron bed-frames left on a clifftop, possibly to memorialise the tragedy of two lovers (44); a dog kennel with the name 'Tui' above the entrance (45). To his dismay, he realises that the mules he was expecting to transport him, and his not inconsiderable luggage, around the rim of the volcano are, in fact, vehicles with four wheels and internal combustion engines (46). He heads off into the bush to regain some equilibrium (49) and encounters a crater containing a green lake and a blue lake (49). Everywhere he walks, he encounters graves (62). A well-mown lawn memorialises a cherished precursor (66). He ponders the sacrifices and triumphs of earlier inhabitants (67). With his companions, he struggles to erect a tent – a reprise of an engagement, on an earlier voyage, with a giant, mythological bird (80). After a crisis, he finds solace in the sunrise, a redness he likens to the complexion of an embarrassed deity (86). He is eventually led by a nymph back down to the edge of a strong, running sea (139). On Cupid's boat he is taken out beyond the breakers (142). The singing nymphs can be heard above the crashing waves (143). The winged boat is particularly at home amidst the flying fishes. His narrative ends with a grey vessel on a grey sea (148). He is enfolded in sleep (151), the dream preceding the sleep, the sleep preceding the dream.

    A summer of inflatable gifts, Pitt Island


    Gone the way of all air-
    filled things, the first whale
    never reached the water, was left

    a moment too long on the
    compressor. Wary, our children
    accompanied the remaining pod

    to Flower Pot Bay. Later, head-high
    in scurvy grass, a game of hide-
    and-seek claimed them, the untended

    flotilla disappearing south. Also among
    the departures, a sea-horse, butterfly and
    coiled serpent. Evening, it dawned

    on the teary young, their
    knee-deep valediction, while
    at the southern end of Flower Pot-

    Glory Road, the black sand went about
    its daily work, releasing the bones
    of Moriori, centuries buried,

    trussed and seated, as was custom,
    facing the ocean. Each skull
    an amphitheatre or occasional vase

    of spear-grass and sow thistle, eased
    seawards now by wind and hoof.
    Westerly swell of nocturnal

    sand, torchlight of human bones, and
    this last outcrop the vanished whales
    go around, the red admirals.

    Weather balloon, Raoul Island


    We sent him up, never to come
    back down:
            the god of this island
    is a hot air balloon

    pale, inscrutable, rising above
    green lake and cloud forest.

    We let him go
            on the seaward lawn
    trailing his coral-white laboratory
    from whence

    to transmit back to us
            immensities, unimaginable
    altitudes, the intelligence

    of ages. Mid-morning, the god
    of each new day
                is raised
    like bread on a baker's table
    and set adrift

    continuing upwards until
    his ever-increasing god-head
            explodes and he rejoins

    the older gods – frigate bird,
    reef shark and flying fish –

    in the aloneness
    of the crowded sea.

    Loneliness of the Raoul Island weather balloon


    weather balloon

    whether balloon

    whenever balloon

    whether we goest and from
       whence we come balloon

    whither balloon

    with-her balloon

            without-her balloon

    wither balloon

    The return of Christ to Futuna Chapel


    The combined height of three plain-clothed
    policemen, or the length, unfurled, of an orange
    shawl – how else to measure

    the returning bird-man, the weight of him
    free-standing or afloat, lifted
    from a white unmarked van.

    Flesh of the wooden sea-swallow, sap
    of his veins, unwound from a rain-drenched blanket
    and restored in grey wall-space, partitioned light.

    So it must be, in good time, the tree god is
    reclaimed by the ordinary forest, the storm
    petrel returned to the storm.

    Whale years


            for Phil Dadson


    South-west Pacific

    Ocean-sound, what is it
    you listen for?


    L'Esperance

    Anchorstone, sea urchin
    waterlogged instrument, tunes
    a shrimp whistles.


    Rekohu/Chatham Island

    If there is
    a moon
    it is carved into
    a dark tree. If
    there is
    a tree. But
    there is always
    an ocean.


    Orange supply, Raoul Island

    Bird rattle of
    a cyclone-tossed greenness
    ever-decreasing orchard.


    Tongatapu

    Your eyes were canoes, your brows
    outriggers, your hair a wind-tossed
    palm, and your bones
    an ocean-polished whiteness.


    Orongo, Rapa Nui

    Easy on the oar
    Steady the sail
    Hold the thought
    Let go the hand


    Easter Fracture Zone

    In the book of the ocean each wave
    is recorded, but the lives of men are left
    where they lie.


    Plumeria rubra, Tongatapu

            aFter
            spRing
            cAme
            aN
            anGular
       musIc
            Piano
            Accordianist
            fiNgering
    everythIng


Quintay, Chile

    Everything I heard or
    did not hear: the ocean
    peeled back, wave by
    wave, sigh of a once
    whale-laden ocean.

    Tongatapu


    An ocean never dropped
    a fish. The day's first lesson –
    'A Quality Education for Now
    & Eternity' – at the Ocean of Light
            School, Nuku'alofa.


    * * *

    Just beyond a billboard advertising
    Rising Sun Beer
    uncertainly, dawn flickers.


    Hanga Roa, Rapa Nui

    It is written. The chickens
    of this island
    laid only blue and green
    eggs. It is written
    a large wave came for them.
    It is written.


    Kermadec

    Vast continent of
    every tilted or rolling
    thing – eyes and teeth
    of implausible fish, stars
    and planets on their
    undersea orbits.


    Southern Pacific Ocean

    Arms and legs of
    the plundered sea, for whom is it
    you dance?


    Rekohu

    HIGH SEA LOW
    LAND LOW SEA
    HIGH LAND LOW


    Raoul

    Ghost shark, anvil,
    kite

    starboard, wind-
    ward, my childhood

    on Raoul Island
    sustain me.


    Pest eradication programme, Tuhua

    With the last rats and mice
    and the drinkers offloaded
            at South East Bay
    the Cruising Club buried, conveniently,
    in a landslip –
            all we now count on:
    the numbered days of the numberless
            wasps of Mayor Island.


    In advance of an oil slick, Bay of Plenty

    Light and colour are
    we are told
    collisions. How then
    in the absence of both,
    mid-night, mid-ocean
    the MV Rena on course
    for Astrolabe Reef?


    Oneraki Beach, Raoul Island

    Unbreaking rocks
    Broken sea

    Unbroken sea
    Breaking rocks


    Waiheke Island Water Supply

    On lancewood and five finger
    twiggy coprosma
            and lemonwood, rain

    and the memory of
    rain and the persistence
        of all that is not rain

    but upon which
        rain falls.


    Sunrise, Mayor Island

    Obsidian fish
    glittering
    in its red bucket.


    Isla Negra, Chile

    Telescope tree
    what do you see?
    Hummingbird
    what have you heard?


    Obsidian Headland, South East Bay

    When the tin hull strikes
    the glass headland
            the island rings
    like a bell. And the boat, also
    perfectly pitched.


    Westerly over Te Whanga Lagoon, Rekohu

    Great tongue, speak
    now or forever
    enfold us

    in ribbonwood and matapo

    indigenous flower
    forget me not
    forsake me now.


    Off Mayor Island

    A school of kahawai
    the educated eye's
    encyclopediae.


    Kermadec Trench

    Were there words
    to inscribe
    in this blueness

    lines for the placation
    of a storm god
    delirious mathematics

    of the deep, every
    living thing with which
    the ocean is awash.


    Quintay, Chile

    Mariners can read the ocean
    as you would a book, each wave
    the upturned corner of a page.


    Pitch

    In the fallen nikau forest, a tui
    in two halves, two halves
    of a song, sung.


    Tuhua

    wave-sharpened
    headland, headland-
    sharpened wave


Te Whanga Lagoon

STILL
ECHOING
ECHOING STILL
STILL
ECHOING
ECHOING STILL
STILL
ECHOING
ECHOING STILL
STILL
ECHOING
ECHOING STILL
STILL
ECHOING
ECHOING STILL
STILL
ECHOING
ECHOING STILL

    Star of Bengal Bank

    Everything overheard
    or lost from
    hearing: song of

    coral palm and
    one-eyed urchin, chapter
    and verse of

    the Isaiah-fish, bird-
    burrowed sea
    in which we dive down

    and are retrieved. That
    which light enters so
    as never to leave.


    Oneraki Beach, Raoul Island

    I was raised by rocks, but not
    as one of them. Upended
    by storms, I was raised
    by nikau palms, but I was never
    one of them. I was raised by waves –
    the waves talking, always talking
    to themselves, always listening –
    and raised as one of them.


    South-east Pacific

    Ocean-sound, what is it
    you listen for?

    A burning tyre, Nuku'alofa

    With guavas and Pablo Neruda, we came
    to the greenness

    of this land, but our attempts
    to meet the king

    came to nothing. Confined to the blackness
    of my shell, I was a crab

    tied in red string, well-positioned
    at the royal feast, but not

    as I would have wished.
    That I might speak

    briefly with his highness
    of such things

    as weigh upon me. To the foreshore
    I fled, while in the distance

    his crab-shaped crown shook
    its pincers at the sun.

    Unfathomable morning,
    these things heavy

    upon my heart, I sought counsel
    amidst the graves

    of his ancestors – four corners of the sky
    held in place

    by volcanic boulders – and beneath
    the unmoving clock faces

    of his kingdom. Minute hands, hour hands ...
    I waved my pincers

    in bafflement. Together, you and I
    sought instead

    the company of shellfish – those lowliest
    citizens of this island –

    in the mudflats where immigrant families
    competed with pigs

    for mussels. Later, you were a weather balloon
    that you might gain

    his attention, but as the day wore on
    you were caught in an updraft

    above the Cathedral of
    the Burning Tyre – and it was not a done thing

    to be higher than
    his kingliness.

    Nightfall, we were both
    brass instruments

    of the Royal Army Band – that we might
    phrase our questions

    in a language he understood. But,
    for the sound of ourselves,

    we could not hear
    a word of his reply. Not for

    the sirens of a sinking ferry, brakes
    and stammering exhaust of the royal carriage –

    a London cab crossing
    the potholed kingdom.


(Continues...)

Excerpted from Whale Years by Gregory O'Brien. Copyright © 2015 Gregory O'Brien. Excerpted by permission of Auckland University Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

One From various islands,
The length of the voyage,
Raoul Island,
Emotional life of Thomas Bell, Raoul Island,
Whale Survey, Raoul Island, with Rosemary Dobson,
The captain of the Rena on Astrolabe Reef,
Oneraki,
White Island (Whakaari),
A schematic analysis ...,
A summer of inflatable gifts, Pitt Island,
Weather balloon, Raoul Island,
Loneliness of the Raoul Island weather balloon,
The return of Christ to Futuna Chapel,
Whale years,
A burning tyre, Nuku'alofa,
Luminosity,
Two Book of numbered days,
I South-west Pacific: Nuku'alofa, Tonga, May 2012,
II South-east Pacific: Rapa Nui/Easter Island, July 2012,
Three Memory of a fish,
Acknowledgements,

From the B&N Reads Blog

Customer Reviews