What a Diff'rence a Day Makes [Bonus Track]

Editorial Reviews

All Music Guide - Alex Henderson
Reading the credits of What a Diff'rence a Day Makes, one could easily assume that it is a jazz album. This 1975 LP was produced by Creed Taylor and arranged by guitarist Joe Beck; the other participants range from Michael Brecker on tenor sax, David Sanborn on alto sax, and Randy Brecker on trumpet to Steve Khan on guitar and Don Grolnick on keyboards. With that lineup, Esther Phillips could have easily delivered a first-class jazz album. But What a Diff'rence a Day Makes doesn't contain any jazz -- not even jazz-funk or soul-jazz. It is, however, an excellent soul/disco outing. This LP is best-known for its hit title song, an inspired disco version of a standard that ...
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Editorial Reviews

All Music Guide - Alex Henderson
Reading the credits of What a Diff'rence a Day Makes, one could easily assume that it is a jazz album. This 1975 LP was produced by Creed Taylor and arranged by guitarist Joe Beck; the other participants range from Michael Brecker on tenor sax, David Sanborn on alto sax, and Randy Brecker on trumpet to Steve Khan on guitar and Don Grolnick on keyboards. With that lineup, Esther Phillips could have easily delivered a first-class jazz album. But What a Diff'rence a Day Makes doesn't contain any jazz -- not even jazz-funk or soul-jazz. It is, however, an excellent soul/disco outing. This LP is best-known for its hit title song, an inspired disco version of a standard that has usually been heard in jazz and pre-rock pop settings. But the song works surprisingly well as disco, and the other tracks are equally impressive. Phillips is as soulful and convincing on the bluesy "I Can Stand a Little Rain" as she is on Gamble & Huff's "One Night Affair" a Philadelphia soul classic that was recorded by Jerry Butler in 1972 and the O'Jays in 1969 and Ralph MacDonald's "Mister Magic."The latter is the gem that Grover Washington, Jr. is best remembered for; while his famous version was instrumental jazz-funk, Phillips' is vocal-oriented soul. It should be noted that most of the jazz musicians who back Phillips on What a Diff'rence a Day Makes are not jazz snobs. The Brecker Brothers and Sanborn, for example, have done their share of R&B sessions, and they would probably be the first to tell you that this LP needs to be judged by R&B standards instead of jazz standards. And when R&B standards are applied, it is easy to conclude that What a Diff'rence a Day Makes is among Phillips' finest releases. [The 2002 reissue adds a second version of "What a Diff'rence a Day Makes."]
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Product Details

  • Release Date: 6/18/2002
  • Label: Sony
  • UPC: 074646162927
  • Catalog Number: 61629

Album Credits

Performance Credits
Esther Phillips Primary Artist, Vocals
Joe Beck Guitar
Michael Brecker Tenor Saxophone
Jon Faddis Trumpet
Don Grolnick Keyboards
Steve Khan Rhythm Guitar
David Sanborn Alto Saxophone
Al Brown Viola
Randy Brecker Trumpet
James Buffington French Horn
John Gatchell Trumpet
Emanuel Green Violin
Harry Lookofsky Violin
Leo Kahn Violin
Kathryn Kienke Violin
Harold Kohon Violin
Will Lee Bass
Charles McCracken Cello
Gene Orloff Violin
Chris Parker Drums
Max Pollikoff Violin
Matthew Raimondi Violin
George Ricci Cello
Barry Rogers Trombone
Alan Rubin Trumpet
Tony Studd Trombone
Brooks Tillotson French Horn
The Manny Vardi Strings Viola
Technical Credits
Joe Beck Arranger
Jerry Capehart Composer
Didier C. Deutsch Liner Notes
Rudy Van Gelder Engineer
Creed Taylor Producer
Brenda Harris Composer
Lu Emerson Composer
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