What Is a Book?

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In What Is a Book? David Kirby addresses the making and consuming of literature by redefining the four components of the act of reading: writer, reader, critic, and book. He discusses his students, his work, and his practice as a teacher, writer, critic, and reader, and positions his theories and opinions as products of "real" life as much as academic exercise. Among the ideas animating the book are Kirby's beliefs that "devotion is more important than dissection" and "practice...
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2002 Trade paperback New. No dust jacket as issued. Mass market (rack) paperback. Glued binding. 200 p. Audience: General/trade.

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Overview


In What Is a Book? David Kirby addresses the making and consuming of literature by redefining the four components of the act of reading: writer, reader, critic, and book. He discusses his students, his work, and his practice as a teacher, writer, critic, and reader, and positions his theories and opinions as products of "real" life as much as academic exercise. Among the ideas animating the book are Kirby's beliefs that "devotion is more important than dissection" and "practice is more important than theory."

Covering an impressive range of writers--from Emerson, Poe, and Melville to James Dickey, Charles Wright, Richard Howard, Susan Montez, and others--Kirby considers the evolution of critical theory from the nineteenth century to the late twentieth and explores the role of criticism in contemporary culture. Drawing from his experience writing poetry and reading to children at a local housing project, he answers two of his four central questions: "What is a reader?" and "What is a writer?" In the largest section of the book, "What Is a Critic?," Kirby demonstrates his passionate engagement with the function of the critic in literary culture and offers both overviews and close examinations of literary theory, book reviewing, and the historical background of criticism from its earliest beginnings. In the final section of the book, he addresses the question "What is a book?" with an examination of the reading preferences of older readers. Kirby's analysis of those responses, along with his own notions of the literary canon, is an insightful excursion into how books are valued.

Deeply learned and wonderfully entertaining, What Is a Book? is a lucid look at the whole of literary culture. Kirby makes us think about the books we love and why we love them.

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Editorial Reviews

From the Publisher

"After What Is a Book?, the study of a work of literature seems to me refreshed again, relevant, and full of pleasure; and the practice of writing about literature seems again public, useful, and productive. David Kirby's scholarship is impeccable, and his writing is smart, distinctively witty, and precise. I want to cheer."--David Baker, poetry editor of the Kenyon Review and Thomas B. Fordham Chair of Creative Writing, Denison University

"Those of us who have been saving old magazines and newspapers with David Kirby’s essays and reviews can start clearing out the attic. Kirby’s unique combination of learning, wisdom, and the whole range of humor from the sly smile to the belly laugh is even more gratifying and pleasurable when his articles are collected in a single volume than when encountered one by one. Through his readings of two centuries of American fiction, poetry, and criticism, Kirby answers his own question, ‘What is a book?,’ with a nuanced, comic, and profound account of what it means to be human.”--Edward Mendelson, author of Early Auden and Later Auden

“Kirby's book is full of interesting principles, hard-earned on the front lines of academia."--Los Angeles Times Book Review

"Rather than taking on the book's physicality, David Kirby uses lists of favorites to answer the question What Is a Book? in the title piece from his new collection of critical essays. Kirby finds that for most people 'what counts is the personhood, not of the author, but of the book'—that novels can contain, and become, the most reliable figures of our lives. Others among the 17 essays here wonder “Is There a Southern Poetry?" and "What Is a Critic?," and come up with equally thoughtful responses."--Publishers Weekly

"Kirby has gathered 17 essays so clear, so relevant, and far-reaching as to address all the major working parts of literature. Refreshingly witty, beautifully written, and accessible essays on topics that illustrate the nature of each of these "players" in the literary enterprise. An important and useful book that is also surprisingly pleasurable and entertaining to read; highly recommended."--Library Journal, starred review

“Academically rigorous yet emotionally vigorous, these essays hit the right tone to interest general readers as well as specialists. Kirby's well-oxygenated prose ultimately clears our heads for good reading, brightening our understanding of why literature matters."--The Tennessean

"Gifted with a fluid historical sensibility and a quintessentially American openmindedness, Kirby writes with nimbleness and precision about Melville and James, Charles Wright and Richard Howard, and children who love to be read to. . . . Anchored by four sparkling "what is" inquiries into the nature of the reader, the writer, the book, and the critic, this altogether enjoyable, enlightening, and reassuringly human collection radiantly celebrates our unceasing love and need for books."--Booklist

"Kirby's writing has flair and humor. He'll remind you of the best English teacher you ever had, if you were lucky enough to have a good one."--Minneapolis Star Tribune

Publishers Weekly
Rather than taking on the book's physicality (see review of A Book of Books above), Florida State University professor of English David Kirby uses lists of favorites to answer the question What Is a Book? in the title piece from his new collection of critical essays. Kirby finds that for most people "what counts is the personhood, not of the author, but of the book"-that novels can contain, and become, the most reliable figures of our lives. Others among the 17 essays here wonder "Is There a Southern Poetry?" and "What Is a Critic?," and come up with equally thoughtful responses. Copyright 2002 Cahners Business Information.
Library Journal
This book is good enough to revive the interest of general readers in books about literature. Kirby (English, Florida State Univ.), the author of many books of poetry, including The House of Blue Light, as well as several works of criticism, has gathered 17 essays so clear, relevant, and far-reaching as to address all the major working parts of literature. The book attempts to redefine the four essential components of the act of reading by posing and then answering four questions: What is a reader? What is a writer? What is a critic? and What is a book? After a brief general essay on each question, Kirby gives us three or four refreshingly witty, beautifully written, and accessible essays on topics that illustrate the nature of each of these "players" in the literary enterprise. The essays range widely and offer clear explanations without being judgmental, covering who's who and what's what in critical theory while giving a short history of reviewing and the role of criticism. In addition, Kirby confronts the claims of "outlaw poetry," examines the idea of the canon, and gives his own views on writers from Emerson, Poe, and Twain to James Dickey, Charles Wright, and Susan Montez. An important and useful book that is also surprisingly pleasurable and entertaining to read; highly recommended. [Kirby is a longtime LJ reviewer.-Ed.]-Paul D'Alessandro, Portland P.L., ME Copyright 2002 Cahners Business Information.
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Product Details

  • ISBN-13: 9780820324784
  • Publisher: University of Georgia Press
  • Publication date: 12/1/2002
  • Pages: 200
  • Product dimensions: 5.50 (w) x 8.50 (h) x 0.70 (d)

Meet the Author

David Kirby

David Kirby is Robert O. Lawton Distinguished Professor of English at Florida State University. He is the author of many books of poetry and criticism, including The Ha-Ha, My Twentieth Century, and What Is a Book? (Georgia). His poems, reviews, and essays have appeared in the New York Times Book Review, Southern Review, Paris Review, and other publications.
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Table of Contents

Preface
Acknowledgments
What Is a Reader? 3
What Is a Writer? 19
Breakfast with the Cumaean Sibyl, or A Poet's Education 31
Don't Know Much about History: Sameness versus Originality in Poetry 48
Is There a Southern Poetry? 72
The Poet as Pitchman: James Dickey, American Poet 87
Emerson, Poe, and American Criticism in the Nineteenth Century 93
Slouching toward Baltimore: Twentieth-Century Literary Criticism 102
What Is a Critic? 117
Mr. Post-Everything: The Life and Times of Leopold von Sacher-Masoch 128
"The Thing You Can't Explain": Theory and the Unconscious 138
Reviewers in the Popular Press and Their Impact on the Novel 150
M. L. Rosenthal and Our Life in Poetry 159
Ghosts and Gadabouts: Gothic and Picaresque in the American Novel 165
Born in the Marketplace: The Emergence of the American Novel 174
It Isn't about America, It Is America: Mark Twain's Huckleberry Finn 183
What Is a Book? 186
Bibliography 201
Index 209
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