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What Is Life?: Investigating the Nature of Life in the Age of Synthetic Biology
     

What Is Life?: Investigating the Nature of Life in the Age of Synthetic Biology

by Ed Regis
 

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Erwin Schrödinger's 1944 classic What Is Life? is a small book that occupies a large place among the great written works of the twentieth century. It is said that it helped launch the modern revolution in biology and genetics, and inspired a generation of scientists, including Watson and Crick, to explore the riddle of life itself.

Now, more than sixty

Overview

Erwin Schrödinger's 1944 classic What Is Life? is a small book that occupies a large place among the great written works of the twentieth century. It is said that it helped launch the modern revolution in biology and genetics, and inspired a generation of scientists, including Watson and Crick, to explore the riddle of life itself.

Now, more than sixty years later, science writer Ed Regis offers an intriguing look at where this quest stands today. Regis ranges widely here, illuminating many diverse efforts to solve one of science's great mysteries. He examines the genesis of Schrödinger's great book—which first debuted as three public lectures in Dublin—and details the fantastic reception his ideas received, both in Europe and America. Regis also introduces us to the work of a remarkable group of scientists who are attempting literally to create life from scratch, starting with molecular components that they hope to assemble into the world's first synthetic living cell. The book also examines how scientists have unlocked the "three secrets of life," describes the key role played by ATP ("the ultimate driving force of all life"), and outlines the many attempts to explain how life first arose on earth, a puzzle that has given birth to a wide range of theories (which Francis Crick dismissed as "too much speculation running after too few facts"), from the primordial sandwich theory, to the theory that life arose in clay, in deep-sea vents, or in oily bubbles at the seashore, right up to Freeman Dyson's "theory of double origins."
Written in a lively and accessible style, and bringing together a wide range of cutting-edge research, What is Life? makes an illuminating contribution to this ancient and ever-fascinating debate.

Editorial Reviews

From the Publisher
"Elegant, simple, clear, beautifully written. Regis takes up where Erwin Schrödinger left off and tackles the ultimate mystery of biology. This book is a scrumptious gem." — Richard Preston, author of The Hot Zone

"Ed Regis is always a careful researcher, always an independent thinker. In this subversive litte book, he shows that the biggest of big questions is still worth asking - more urgently now than ever." — David Quammen

"A Comprehensive and elegant analysis of the physical basis of life: an up-to-date successor to Schrödinger's 1944 book." - Marvin Minsky, Toshiba Professor of Media Arts and Sciences, M.I.T., and author of The Emotion Machine

"Clearly written and entirely accessible to those without any science background...a delightful and informative introduction."—The Quarterly Review of Biology

Publishers Weekly

As scientists come closer to creating artificial life, the very definition of life is ever more elusive. Science writer Regis (The Biology of Doom) tackles this large issue and more in a book that never quite finds its focus. By selecting the same title as Nobel laureate Erwin Schrodinger's 1945 classic and Lynn Margulis and Dorian Sagan's 2000 offering, Regis self-consciously situates his book as a response to theirs. He is, however, no more successful than they were in answering the central question, though he proposes cell metabolism as the best definition we currently have. Regis discusses current attempts to use new techniques to create entities that could be considered living, but he fails to tell a compelling story about either the progress being made or the medical implications of these efforts. Instead, he heads off on several well-traveled tangents presenting relatively simple explanations of how we've come to our understanding of DNA, basic metabolic pathways and evolutionary biology. Although he touches on the fact that being able to distinguish animate from inanimate entities is of critical philosophical importance for debates over such issues as abortion, stem cell research and euthanasia, he never does more than scratch the surface of any of these topics. (Apr.)

Copyright 2007 Reed Business Information
Library Journal

This slim volume by agile science writer Regis (The Biology of Doom ) reminds you how exciting and provocative science can be, as the author pares down the answer to the title's question to the ability to metabolize, reproduce, and evolve. Regis introduces scientists who are synthesizing artificial protocells, which are the building blocks for creating life. Framing this view of synthetic biology are spirited chapters on the discovery of the Krebs cycle, nucleic acids, the idea of hereditary coding, its structure in DNA's double helix, and the role of RNA. Pointedly, What Is Life? echoes the title of Erwin Schrödinger's seminal 1945 book that challenged thinking of the time and, as Regis writes, "launched a thousand geneticists on to their careers, including Maurice Wilkins, James Watson, and Francis Crick." Occasionally, Regis's language strikes a wrong note, such as an awkward "As if!"comment on a questionable experimental supposition, but he stays on point and presents big concepts clearly and concisely. A book that could spark young minds toward a career in science. Recommended for public and undergraduate libraries.-Michal Strutin, Santa Clara Univ. Lib., CA

Copyright 2006 Reed Business Information.
Kirkus Reviews
Veteran science writer Regis (The Info Mesa: Science, Business, and New Age Alchemy on the Santa Fe Plateau, 2003, etc.) explores the mechanisms of life and the latest attempts to reproduce them in the lab. This slim book shares the title of an even slimmer 1944 classic by Nobel laureate Erwin Schrodinger. The Austrian physicist predicted that life, often viewed as an inexplicable phenomenon, obeyed scientific laws no different from those in chemistry and physics. Researchers proved him right almost immediately, and Regis delivers clear descriptions of the avalanche of breakthroughs that launched the modern field of biology. He begins at the beginning with the cheerful news that life may not be the wildly improbable chance combination of elements in the primordial soup that traditional texts depict, but rather an inevitable, natural self-organizing principle that applies as soon as a planet cools. Once alive, every species must evolve, reproduce and metabolize, and even educated readers will learn from Regis's account of the icons who opened up these fields-Darwin for evolution, Mendel in genetics, 1953 Nobel laureate Hans Adolf Krebs, "the first hero of metabolism"-and their followers. Having provided the groundwork, Regis describes cutting-edge scientists working to produce purely synthetic life. This is not science fiction, he assures us, but research performed by mainstream academics, as well as a few scientists financed by private investors who intend to reap financial rewards from their creations. All life takes place in cells surrounded by a complex wall made of fatty acids. Simple fatty acid walls are not hard to make, and scientists are making them. The innumerable metabolicreactions of life occur within cells, but these reactions are now happening inside laboratory "protocells," although they require external life-support to provide nutrients. As for reproduction, researchers are working with artificial versions of DNA that can duplicate themselves. Lucid and exciting.

Product Details

ISBN-13:
9780195383416
Publisher:
Oxford University Press, USA
Publication date:
05/01/2009
Edition description:
Reprint
Pages:
208
Product dimensions:
5.30(w) x 7.90(h) x 0.50(d)

Read an Excerpt

What Is Life?

Investigating the Nature of Life in the Age of Synthetic Biology


By Edward Regis

Farrar, Straus and Giroux

Copyright © 2008 Ed Regis
All rights reserved.
ISBN: 978-1-4299-9628-0



CHAPTER 1

Birth of a Cell


MAY 2005. In a new industrial park at Porto Marghera, some four miles across the lagoon from Venice, an American physicist by the name of Norman Packard is staring at the enormous 30-inch-wide display screen of a Macintosh G5 computer. Floating around against a dark background is a dense assortment of red, green, and blue dots.

"Blue is water, the greens are hydrophobic molecules, which means they don't like water, and the reds are hydrophilic molecules, which do," Packard says.

The simulation begins with the dots spread out evenly across the screen in a relatively homogeneous mix. But then in the incremental time-steps of the particle dynamics program, a pattern emerges. The greens move toward one another and then converge and clump together, forming a spherical structure. The reds, meanwhile, follow the greens and arrange themselves on the outside of the mass, as if to protect it from intrusion. The result is a vesicle, a tiny bilayered fluid-filled sac. The vesicle has formed itself spontaneously, the result of a self-assembly process driven by Brownian motion (the random thermal movement of molecules in a fluid medium) and by various chemical reactions.

"We believe that this combination of chemical reactions and self-assembly is one of the crucial combinations that we need to understand to make these artificial cells," Packard says.

Artificial cells? Venice? A city of more than a hundred churches, miles of canals, and innumerable ancient palazzi, all of them suspended in time, a place where nothing fundamentally new has happened for hundreds of years? Somehow the location is strangely fitting. In its heyday, Venice was a world-class power and trading center as well as a realm of considerable intellectual freedom. The city was now and always had been home to a variety of creative spirits: composers, artists, and scientists, including Galileo. And its labyrinthine streets and alleys were bathed in the green waters of the Venetian lagoon — water just coincidentally being the medium in which, according to most theories, earthly life originally began. So why should it not begin again, here?

Norman Packard, for one, finds no incongruity in the prospect. Packard is the chairman, CEO, and scientific head of ProtoLife s.r.l., a Venetian start-up company located in Parco Vega, a technology park the regional government had created on the grounds of an old chemical factory.

"The city of Venice, but even more generally the region of Veneto, wants to diversify its portfolio of activities," Packard said. "Venice has this very strong component of tourism that dominates its economy in many ways, and so it's trying to create some economic diversity that can give a certain kind of life to the city, not related to tourism."

ProtoLife's business plan is founded on an attempt to start life over, to begin from the beginning. It's not their intention to redo Genesis, outdo Frankenstein, or to blaze a path of glory through one of the final frontiers of applied science — although, if they're successful, Packard and his crew will end up doing all those things. The company's motivation is far more prosaic, practical, and commercial: to create artificial cells. Made from scratch and called "protocells," they will be programmed to carry out useful tasks such as synthesizing vaccines and drugs, cleaning up toxic waste, scavenging excess CO from the atmosphere, and other such miracles, and earning the company a tidy profit in the process.

After watching his simulation run a few more times — "We've done between six and seven thousand runs so far," he says — Packard walks down a polished green marble hallway, turns right, unlocks a door, and enters the company's lab suite. This is the domain of ProtoLife's chief chemist, Martin Hanczyc, a postdoc Packard recently hired away from Jack Szostak's competing artificial cell project at Harvard. In fact, ProtoLife is only one of a half dozen or so scientific efforts bent on creating new life: in addition to the ProtoLife and Harvard projects, there are others at Rockefeller University in New York, the University of Nottingham in England, and the University of Osaka in Japan, among other places. All too obviously, creating life is an undertaking whose time has come.

Hanczyc's laboratory at ProtoLife boasts a full supply of chemical apparatus: the usual lab glassware, serological pipettes, fume hoods, scales, centrifuges, microscopes, plus heavier machinery. "This is one of our main analytic tools, a combination spectrophotometer and fluorometer," Packard says of a large piece of equipment. "You find this in practically every chemistry lab in Europe, so we have one too."

Hanczyc has been synthesizing and studying various types of vesicles, and today Packard wants to show me what they look like. Packard is a big man with shaggy blond hair, glasses, and a courtly manner. He has a slow and deliberate style of speech, which includes a precise, mellifluous Italian, courtesy of his wife, Grazia Peduzzi, who was born in Milan. He squints through a fluorescence microscope, adjusts the focus, and finally, there they are: the real-life correlates of the objects he had been simulating on the computer.

"Somewhat dried up," he says of the vesicles, which Hanczyc had prepared a while ago.

A vesicle is not a living thing. It's just a shell, a husk, the merest framework of the full artificial cell that's supposed to assemble itself on the premises and spring into life at some undefined point in the future. Nevertheless, what we have here on the microscope stage is something passably astonishing, slight and rudimentary though it might appear at first glance. For these filmy minute blobs are the first stirrings of an event that last took place billions of years ago: the genesis of life.


THE DREAM OF creating life has ancient roots in the human imagination. In Frankenstein, which Mary Shelley completed in 1817 at the age of nineteen, the scientist Victor Frankenstein cobbled together a creature from body parts he'd spirited away in the dead of night from graveyards, dissection rooms, and slaughterhouses. The resulting beast came to life when Dr. Frankenstein, by unspecified means, infused "a spark of being into the lifeless thing that lay at my feet."

Serious scientific attempts at infusing a "spark of life" into inanimate flesh go back at least to Luigi Galvani's discovery in 1771 that by applying electrical currents to a dissected frog's legs he could cause them to twitch as if alive. A hundred years later, in 1871, Darwin spoke of life as possibly having arisen "in some warm little pond, with all sorts of ammonia and phosphoric salts, lights, heat, electricity, &c., present."

As if following Darwin's recipe, when twentieth-century scientists approached the problem of understanding how life originally arose on earth, they attempted to re-create what they thought were the original prebiotic conditions. The canonical effort, now a clichÃ(c) of twentieth-century science history, was the 1952 "Urey/Miller experiment," in which the chemists Harold Urey and Stanley Miller put ammonia, hydrogen, and methane inside a closed flask, circulated steam through this "atmosphere," and added bolts of "lightning" in the form of periodic electrical sparks. All they got for their trouble were some amino acids (building blocks of proteins) that were not in the mixture to begin with. The Urey/Miller experiment was once considered a very big deal, but it isn't by some of the protocell project's scientists: "We are not searching in the black and hoping that something happens," says the protocell researcher Uwe Tangen. "We're really trying to engineer these things."

Attempting to build an artificial cell is hardly a new idea in biology, but the specific protocell design Packard and Hanczyc are working on originated with Packard's longtime friend, the Los Alamos physicist Steen Rasmussen. Even as a boy in Denmark, Rasmussen liked to grapple with the big questions. He was by nature of a metaphysical turn of mind, and while still a kid he discussed subjects of cosmic import with his father, who was a bricklayer. Did the universe have a beginning — or an end? Where did it come from? Where was it going?

Later, in the 1980s, Rasmussen, together with Chris Langton, Norman Packard, and some others, became one of the founding fathers of the artificial life (ALife) movement. Launched at a Los Alamos workshop in 1987, artificial life was an attempt first to simulate and then actually to create a new life-form. Supposedly there was to be "soft," "wet," and "hard" artificial life, existing in the form of software, wet chemistry, and robotics, but the reality of the situation turned out to be quite different. "Most of the activities in the artificial life community have been with simulations," Rasmussen admits.

For a long time, that was true even of Rasmussen himself, who over the years had run countless computer simulations of various life- forms, modeling their possible self-assembly routes, evolutionary development pathways, and so on. But his abiding passion had always been to understand what life was and how it arose. At length he decided that the best way to understand life was to make some of it himself, ab initio.

In truth, he became obsessed with the idea. Although he lived in an adobe-style house surrounded by a number of natural life-forms, including his wife, Jenny, and three kids — not to mention horses, chickens, a parakeet, dog, and cat — he did most of his thinking at the Los Alamos lab and on his daily commute to and from, a route that took him past some of the most inhospitable, sun-blasted terrain imaginable: desiccated red cliffs, dry desert sands, and, occasionally, the whited bones of dead animals.

So daunting was the goal of creating new life, he realized, that only the simplest and most radically stripped-down design would have the remotest chance of actually working. Any given entity, in Rasmussen's view, had to have three main attributes in order to be considered alive: it had to take in nutrients and turn them into energy, meaning it had to have a metabolism; it had to reproduce itself; and its descendants had to be able to evolve by means of natural selection. A conventional biological cell, which did all that and more, was a masterpiece of complexity: it had an outer wall through which various essential substances were selectively transported in and out. It had an inner wall around the nucleus, which did the same. And both the nucleus and the cytoplasm surrounding it were brimming with all sorts of enzymes and other biochemicals, plus microstructures and organelles: the ribosomes, the mitochondria, the Golgi bodies, and all the rest. So very complex were even the simplest biological cells that it was a wonder they worked at all.

Rasmussen didn't want to get bogged down with all that incredible complication and detail, so he set about devising "the most lousy, simple, self-replicating, autonomous unit you can imagine," a cell so small it would be "the size of dust."

He got rid of the DNA, the nucleus, the organelles, and much of the rest of standard cell wetware. His protocell would be a minimal living entity, thousands of times smaller than a biological cell, and would be composed of three main structures: a container made of fatty acid molecules; a primitive metabolic system; and a new type of genetic material called PNA.

Fatty acids were also known as lipids, and their major attraction for Rasmussen was that "they make the containers for free. You put them in water and they make the containers. That's the state they want to be in. They want to join up and make these structures." The component molecules did this on account of their chemical polarity: one end of the molecule was hydrophobic (or water-avoiding), the other hydrophilic (or water-seeking), and so when placed in water the molecules naturally arranged themselves into little spongelike vesicles with the hydrophilic ends forming the outside surfaces and with the hydrophobic ends huddled together on the inside. (Many of the protocell's activities would be governed by the twin forces of hydrophobia and hydrophilia.)

For genes, Rasmussen needed a molecule that could both contain hereditary information in the manner of DNA or RNA, and could replicate, but without having to go through all the biochemical, biomechanical, and other enzymedriven contortions those molecules underwent in natural cells. What he needed, in short, was a coding molecule that could unzip and replicate in some quick and dirty, no-sweat, E-Z fashion. For this he chose PNA, peptide nucleic acid, a substance synthesized in 1991 by Peter Nielsen, the Danish biochemist. This was a double-stranded molecule that could split down the middle, just like DNA, uncovering its A, T, C, and G bases. Its advantage for Rasmussen, however, was the different ways in which the double-stranded and single-stranded versions of PNA behaved in the cell. A double-stranded stretch of it was hydrophobic and would sink down into the interior of the container and away from the water that surrounded the cell. At a preset temperature, the PNA molecule would spontaneously separate lengthwise inside the cell. The bases of the two single strands were hydrophilic and would therefore rise up to the cell's outer surface. There they would encounter matching PNA fragments that were also floating in the surrounding water, placed there with malice aforethought by the experimentalists. Those fragments would now attach themselves to the single strands, thereby forming new double-stranded molecules which, hydrophobic once again, would sink back down into the cell's innards. That took care of gene replication.

The protocell's metabolic, growth, and self-reproduction processes would be a product of light-sensitive lipid molecules being force-fed into the container. Light would activate the polarity of the molecules in such a way that their hydrophilic ends would rise to the container's surface and squeeze themselves in and among the other molecules that made up the cell's exterior. When the quantity of those surface molecules reached a certain critical mass, the forces holding them together would be overcome and the cell would split in half, reproducing itself.

Natural selection would come into the picture as the protocells reproduced: those that possessed some selective advantage in the speed or efficiency of replication would displace and ultimately wipe out those deficient in those qualities.

That was the basic design plan and operating formula of Steen Rasmussen's protocell. An ingenious design by any standard, especially if it worked. But in order to put his plan into effect, the wee matter of funding had to be addressed.

"I am doing this because I want to understand what life is," Rasmussen said. "That's the driver. Now that's not enough to get money, so the secondary driver is of course, Well, how can this be useful?"

From a practical point of view, there were three key benefits to Rasmussen's protocells. One was their relative safety: because artificial cells would be structurally and chemically alien to modern biology, they would be far less risky to experiment with than genetically engineered biological cells. As strictly nonbiological entities, "they'd have a much harder time interacting with modern life," Rasmussen said. "They'd be much less of an environmental or health hazard."

Second was their controllability: since they were designed to be programmable, the scientists ought to be able to coax the protocells to perform a larger range of tasks than was possible using ordinary cells and conventional biological engineering techniques. Suitably programmed protocells could unpollute the environment. They could act as "living pharmaceuticals," adapting themselves to a given individual's changing medical needs. They could produce new fuels, chemicals, structures, materials, and technologies.

Finally, because of the commercial value of those activities, they might even — unlike most other research projects financed by the government — make a profit.


AS IT TURNED OUT, money for such a far-fetched project was relatively easy to come by in Europe — provided that you and your organization were based there. Plus, office space for part of the effort was available for free in Venice, as Norman Packard learned while winding up his previous career in Santa Fe.

Norman was at this stage well into what might be called his Third Major Career Cycle (there were also smaller epicycles). Packard, who happened to be a cousin of David Packard, cofounder of Hewlett-Packard, had started out as a fairly conventional physicist, winning his Ph.D. at the University of California, Santa Cruz, in the late 1970s, after which he pursued a course of research into the main problem areas of the day: chaos theory, self-organizing systems, artificial life. That was his First Career Cycle. (As an epicycle to which, he and his friend Doyne Farmer designed and built miniaturized computer systems that were able to predict, fairly reliably, where a roulette ball would land after a spin of the disk. Never averse to making money with physics, Packard, together with Farmer and Mark Bedau, all of whom had been friends since their undergrad days at Reed College, secreted these devices on themselves and brought them into the casinos of Nevada — until they were busted by the gaming authorities.)


(Continues...)

Excerpted from What Is Life? by Edward Regis. Copyright © 2008 Ed Regis. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

Ed Regis is always a careful researcher, always an independent thinker. In this subversive little book, he shows that the biggest of big questions is still worth asking-more urgently now than ever. --David Quammen

Elegant, simple, clear, beautifully written. Regis takes up where Erwin Schrödinger left off and tackles the ultimate mystery of biology. This book is a scrumptious gem. --Richard Preston, author of The Hot Zone

A comprehensive and elegant analysis of the physical basis of life: an up-to-date successor to Schrödinger's 1944 book. --Marvin Minsky, Toshiba Professor of Media Arts and Sciences, M.I.T., and author of The Emotion Machine

Meet the Author

Ed Regis is a full-time science writer, contributing to Scientific American, Harper's Magazine, Wired, Discover, and The New York Times, among other publications. He is the author of several books, including The Biology of Doom.

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