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What Work Is
     

What Work Is

3.6 3
by Philip Levine
 

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Winner of the National Book Award in 1991
 
“This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and

Overview

Winner of the National Book Award in 1991
 
“This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin’s First-Rate Plumbing and Plating. Only Studs Terkel’s Working approaches the pathos and beauty of this book. But Levine’s characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ‘at the borders of dreams.’ One reads The Tempest ‘slowly to himself’; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ‘the dark from the dark.’ What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language.”
—Daniel L. Guillory, Library Journal

Editorial Reviews

From the Publisher
What Work Is gives a hymn-like quality to its eulogies and elegies. Levine’s voice frequently blurs the line between poetic utterance and prayer . . . His lyrical compassion, anger, and hopefulness make him one of the most authentically moving poets of our age.”
—Phoebe Pettingell, The New Leader
 
“It didn’t seem possible that Levine could improve on his first working-class portraits, yet I feel these new poems are an improvement: an extra dimension of dignity has been conferred on his characters . . . the poems ‘Fear and Fame,’ ‘Coming Close,’ ‘Every Blessed Day,’ and the title poem are perhaps the most moving that Levine has written—tender without being sentimental, calm but not lacking in passion, written in a diction as clear and lucid as spring water.”
—Alfred Corn, The Washington Post Book World
 
“Since the early 1960s Philip Levine has articulated in poetry the lives of the men and women who run machines, punch the time clocks, and work the assembly lines . . . What Work Is makes some of its severest poetry out of wounds inflicted on workers and the environments by manufacturing . . . New Selected Poems published simultaneously reminds us that he has been our preeminent poet of working life for several decades.”
—Richard Tillinghast, The New York Times Book Review
Library Journal
This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin's First-Rate Plumbing and Plating. Only Studs Terkel's Working ( LJ 3/1/74) approaches the pathos and beauty of this book. But Levine's characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ``at the borders of dreams.'' One reads The Tempest ``slowly to himself''; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ``the dark from the dark.'' Issued simultaneously by the publisher with New Selected Poems , What Work Is ranks as a major work by a major poet. It is very accessible and utterly American in tone and language. Highly recommended for all poetry collections, large and small.-- Daniel L. Guillory, Millikin Univ., Decatur, Ill.

Product Details

ISBN-13:
9780679740582
Publisher:
Knopf Doubleday Publishing Group
Publication date:
04/28/1992
Edition description:
Reprint
Pages:
96
Sales rank:
234,774
Product dimensions:
5.90(w) x 9.00(h) x 0.30(d)

Meet the Author

Philip Levine was born in 1928 in Detroit and was formally educated there, in the public schools and at Wayne University (now Wayne State University). After a succession of industrial jobs, he left the city for good and lived in various parts of the country before settling in Fresno, California, where he taught at the state university until his retirement. For twelve autumns he served as poet in residence at New York University. He has received many awards for his books of poems, including the National Book Award in 1991 for What Work Is and the Pulitzer Prize in 1995 for The Simple Truth. In 2011 he was appointed Poet Laureate of the United States. He divides his time between Fresno, California, and Brooklyn, New York.

Brief Biography

Hometown:
Fresno, California
Date of Birth:
January 10, 1928
Place of Birth:
Detroit, Michigan
Education:
B.A., Wayne State University; M.F.A., Iowa Writers Workshop, University of Iowa

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What Work Is 3.7 out of 5 based on 0 ratings. 3 reviews.
Anonymous More than 1 year ago
An amazing book of poems from a master of the art.
Anonymous More than 1 year ago
dorenrobbins.com More than 1 year ago
Philip Levine's poetry evokes the vibrant durability and continuity of things. It is no accident that the seemingly unbreakable thistle, which survives California's harsh summers, is his "flower." At least he has celebrated it in such a way throughout his books. Possibly he has done so because its work is to survive, and it does. the way we must, impassively committed surviving, standing up though the harsh heat, the inevitable storms. Levine's poem, "What Work Is," should be read in this context. To work is to survive, and the details of how difficult or debased work can be are evoked in the title poem and the poem "Growth" (each the book What Work Is). Levine was the man, he suffered, he was there. But the symbolic importance of work operates as an emblem of the soul as well, since not knowing how to love, Levine writes, is to not "know what work is." We may seem to be closer here to the meaning of work as it occurs in the tragedies, desolations, and betrayals of the remarkable book of poems Hard Labor by the Italian poet Cesare Pavese than to the Whitman of "A Song of Occupations. But the paradox that Whitman extols, where "Objects gross and the unseen soul are one" are filtered through a rich groove into Levine's book in the poem "Soloing." In the poem his mother tells him "she dreamed/ of John Coltrane, "a young Trane/ playing his music with such joy/ and contained energy and rage/ she could not hold back her tears/." Levine sees the dream visitation as a Dream Vision, a gift of music from the great musician so lasting in the force of his passion that he is retained within, and resurfaces out of, the "unseen" after death in the mother's dream. And here the poet, almost Dante-like, coming into the smogged-over sea-dead L.A. basin simultaneously presents the dignified but saddened alone-ness of the mother with the mother who is still a source of sustenance, whose work as a mother is not over. There is then a placental quality to the poem since the mother's dream itself was the substance that fed the poet-son's language. The remarkable quality, especially of Levine's later poems, is this capacity for lucidly evoking the subtleties of how the inner and outer worlds of experience inter-relate. He could also be saying that sometimes you have to go through hell, and that it is worth going through hell, to receive a gift from the mother¿herself a symbol of what primarily sustains and devours all. But the possibly deeper comical or mystical intent is incidental. At the foundation of Levine's poetry is the durability that arises out of integrity: he is committed to finishing the "job," knowing there are all the reasons in the world to hesitate, but that if he did quit, if he were to ever "have turned back," he would have "lost the music." One of Levine¿s best books.